A woman in New York, who seems to have things under control, is faced with a trauma that makes her life unravel.A woman in New York, who seems to have things under control, is faced with a trauma that makes her life unravel.A woman in New York, who seems to have things under control, is faced with a trauma that makes her life unravel.
- Awards
- 2 wins & 3 nominations total
Gage Munroe
- Peyton Powell
- (as Gage Alexander McIver Munroe)
Featured reviews
I have to say, I had my fair share of the doubt during the first 30 minutes or so, because it started off as a typical rom com with a quirky protagonist.
But I'm glad I gave it a chance, because once it picks up, it's done masterfully. I was afraid at some point it would slide to "who done it" kind of a thriller, but fortunately that never happened.
That is not to say there isn't mystery. It's just properly balanced, so it never feels over the top. Characters are believable and much more nuanced than you typically get in this type of dramas.
We all heard a stories like this, but they are rarely explored respectfully and without going over the top. However, this movie manages to do it.
I'm glad the writers didn't go for twists and turns, but stayed true to the message they wanted to deliver. And it is a message we all need to hear.
But I'm glad I gave it a chance, because once it picks up, it's done masterfully. I was afraid at some point it would slide to "who done it" kind of a thriller, but fortunately that never happened.
That is not to say there isn't mystery. It's just properly balanced, so it never feels over the top. Characters are believable and much more nuanced than you typically get in this type of dramas.
We all heard a stories like this, but they are rarely explored respectfully and without going over the top. However, this movie manages to do it.
I'm glad the writers didn't go for twists and turns, but stayed true to the message they wanted to deliver. And it is a message we all need to hear.
I cannot put my finger on what was wrong with this movie. The story was good. I am not sure where it went wrong. It could have been Mila's performance, the perfect rich unicorn boyfriend, the one dimensional characters or the editing. First of all, the movie could have been much shorter. Second of all, it failed to make me care much about Mila's character. I don't know why. She had a good story and I understood what she went through. I think it's how she acted, it was a bit off, one dimensional. Actually all the characters were one dimensional. It was annoying in a sense, same stereotypes and say exactly what you expect them to say. And the boyfriend was just so patient and perfect it makes one nauseous. It felt unrealistic. It's one of those movies, that I am not sure if I am happy I watched or not.
The book was a million times more (not better; apples and oranges) than the movie. I don't think it's fair to expect 1.5 hours to do it justice. I can't give an unbiased review if the movie after reading the book so the movie was decent but the depth and development in the book deserves a mini series. Without the buildup, background, and character development some of the story seems incomplete and really paints a better picture of surviving/victimhood. I worry that it became more of a message than a quality story. That being said, the casting for Ani and Luke (especially) was great! I think it's a movie worth watching if you haven't read the book.
Film is an interesting blend.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
Knoll should stick to writing books, not screenplays. In the convoluted, incohesive and dragged out 113 minute runtime, the story is all over the place, with poorly placed timeline tidbits, and ridiculous and mostly unnecessary scenes and dialogue.
The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.
And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.
The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.
And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.
Did you know
- TriviaLionsgate and Pacific Standard - actress Reese Witherspoon and producer Bruna Papandrea's production company - bought the film rights to Jessica Knoll's debut novel before it had even been published. The rights were secured in April 2015, over a month before the book hit stores.
- GoofsOnscreen headlines show that Ani was in high school in the late 90s. During the flashback to Ani's high school field trip, she makes a note of witnessing a commanding woman walking on the sidewalk talking into her cell phone. This woman is speaking into a flat, rectangular smartphone that wasn't introduced until the first iPhone was released in 2007.
- Quotes
Ani Fanelli: I've managed to not eat lunch for six years, just to have this joker call me petite.
- Crazy creditsThe title of the movie appears at the very last second of the movie.
- How long is Luckiest Girl Alive?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- La chica más afortunada del mundo
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content