After a deadly Mars mission crash, mission controller Mackenzie Wilson (Sackhoff) and A.R.T.I. uncover a mysterious Mars object that could alter our planet's future.After a deadly Mars mission crash, mission controller Mackenzie Wilson (Sackhoff) and A.R.T.I. uncover a mysterious Mars object that could alter our planet's future.After a deadly Mars mission crash, mission controller Mackenzie Wilson (Sackhoff) and A.R.T.I. uncover a mysterious Mars object that could alter our planet's future.
- Director
- Writers
- Stars
Steven Cree
- ARTi
- (voice)
David K.S. Tse
- Jian Lin
- (voice)
- (as David Tse)
Jud Charlton
- ARTi stand-in
- (voice)
Noush Skaugen
- Jill Valentine
- (voice)
Joe David Walters
- Jake Wilson
- (voice)
- …
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- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So Starbuck goes into the mission control room and starts to engage with Hal who is operating the Mars lander. A minute passes. Then another minute and before long another minute has passed. Hal and Starbuck converse and try to solve the issues as another minute passes. 94 minutes later. ..roll credits
This movie, while certainly not the worst movie I've seen, plays more a good SiFi channel movie then a netflix original. I suppose my biggest issue is that this movie doesn't bring anything new to the table despite being incapable of staying on topic. It grabs at every sci fi concept out there (space flight, AI, aliens, future tech, etc) but it feels like it just takes from existing media rather than contributing.the CGI shifts quickly from good to terrible. Overall, not a great movie
It's 2030. Mars 1 crashes on the planet after getting hit by an energy field. Six years later, Mack Wilson (Katee Sackhoff) leads the investigation into the crash chaffing under the artificial intelligence computer ARTI's control. They find an object of unknown origin.
This is reminiscent of an old style sci-fi magazine story. British filmmaker Hasraf Dulull started in CGI and videogames into trying to make these smaller budget sci-fi movies. This could have been a Twilight zone episode although it may still be not good. It's stuffed with CGI scenes of a Mars mission. The human scenes consist mostly Sackhoff, a computer voice, and a techie room. The movie lacks a human touch and a human story. In short, it lacks humanity no matter how hard Sackhoff tries. It's only good for a shorter sci-fi TV episode.
This is reminiscent of an old style sci-fi magazine story. British filmmaker Hasraf Dulull started in CGI and videogames into trying to make these smaller budget sci-fi movies. This could have been a Twilight zone episode although it may still be not good. It's stuffed with CGI scenes of a Mars mission. The human scenes consist mostly Sackhoff, a computer voice, and a techie room. The movie lacks a human touch and a human story. In short, it lacks humanity no matter how hard Sackhoff tries. It's only good for a shorter sci-fi TV episode.
What writer and director in 2017 would think it's a grand idea to resurrect the worst of so-called "science fiction" from the Seventies and Eighties, including the mind-numbing kaleidoscopic effects that were stand-ins for actual special effects?
There is no science on display here, though it is certainly fictional. Fiction without science is just fantasy. Exploitation of a few trendy buzzwords and concepts from STEM (Science, Technology, Engineering, Mathematics) does not make it scientific. There is neither any deep thinking. The plot and concepts are incoherent, like the hallucinogenic "trip" of a career drug addict. The writer apparently had an extended trip himself and began to imagine himself as a philosophical genius who had wisdom to impart to the rest of us?
He isn't and he didn't.
There is no science on display here, though it is certainly fictional. Fiction without science is just fantasy. Exploitation of a few trendy buzzwords and concepts from STEM (Science, Technology, Engineering, Mathematics) does not make it scientific. There is neither any deep thinking. The plot and concepts are incoherent, like the hallucinogenic "trip" of a career drug addict. The writer apparently had an extended trip himself and began to imagine himself as a philosophical genius who had wisdom to impart to the rest of us?
He isn't and he didn't.
... if you understand that SciFi doesn't need to be about exploding space ships and exotic aliens. I like how the "think about..." SciFi came back in the last few years with movies like Arrival. This is similar in setting. Everything plays out in the command center of an exploration mission. It starts out a bit boring, but after the discovery on Mars I got hooked. Then in the end it got all messy. The computer does something pretty much unexpected and inconsistent with its previous behavior (like ONE minute before), after that we get an ending which seems to try to mimic the ending of 2001 with a little bit of Contact spliced in, but in a way that seems like the writer thought "It has to be hard to understand for the audience. What better way to achieve this is there than writing an end I myself won't understand?" The ending of 2001 is easy to comprehend in comparison.
Did you know
- TriviaShot in about 9 days.
- GoofsAt the beginning of the movie, when 'Martian 1' is approaching Mars, they are talking with Earth and getting responses in REAL-TIME ... several years BEFORE the Hyperlight Communication system was invented. The SHORTEST communication time with Mars is a bit over 3 minutes each way (give or take) at its' closest approach, and up to 40 minutes at its' farthest (when we couldn't communicate anyway as the Sun would directly between us).
This is time compression. Everybody is aware of the time gap but few people would sit still for a movie with ten or so minutes between queries and responses.
- Quotes
Mackenzie 'Mack' Wilson: You may not be able to override, but I can... I got hands.
- ConnectionsReferences Star Wars: Épisode IV - Un nouvel espoir (1977)
- How long is 2036 Origin Unknown?Powered by Alexa
Details
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 2.35 : 1
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