The Last Girl : Celle qui a tous les dons

Excellent performances and interesting source material (MR Carey adapting his own novel), plus imaginative direction (Scottish director Colm McCarthy), create a chilling sci-fi tale of hungries (zombies) versus humanity.

The opening sequence sets the tone. Melanie, a young, polite, and courteous girl manacles herself into a wheel chair. She seems entirely innocent and harmless, yet her captors fear otherwise. She and other children, each similarly restrained, are given an armed escort to a classroom. It's an arresting start and it grabs our attention. Sennia Nanua plays Melanie and the story revolves around her. We watch society collapsing through her eyes, see her threatened by the human beings around her, and fear for her. We watch her do terrible things, and yet we root for her. Everything is uncertain. Nothing is as it seems. It's a brilliant performance from a new talent, and it serves the film perfectly.

Melanie is surrounded by contrasting emotions from those nearest to her. Gemma Arterton is excellent as protective and caring psychologist/teacher Helen Justineau, fiercely defending Melanie against the machinations of Dr Caroline Caldwell (Glenn Close) who sees Melanie as a specimen to be dissected. Paddy Considine convinces as Sergeant Eddie Parks, a tough, no- nonsense soldier fighting a losing battle.

Colm McCarthy brings this all together superbly, belying the film's modest budget. Striking visuals and frenetic action are never allowed to overwhelm the characters, who take centre stage. And at it's heart is Melanie. Confusing, ambivalent, terrifying, lovable Melanie. It's a wonderful turn from Sennia Nanua.

Highly recommended, and vastly superior to most of the genre.

... from the U. K., directed by Colm McCarthy. After an alien fungus has decimated the Earth's population, transforming anyone not an infant into a mindless zombie-like creature with a taste for human flesh, a contingent of British soldiers and scientists are hard at work trying to find a cure. Their hope lies with a group of children, all of whom were infected as infants, and who have grown up without the usual zombie-like symptoms. They appear and act normally, but they still can be overcome by a taste for living flesh that turns them violently animalistic. When the base falls to overwhelming numbers of the infected, a small group consisting of the most accomplished girl from the ranks of the children (Sennia Nanua), a sympathetic teacher (Gemma Arterton), a gruff sergeant (Paddy Considine), a new recruit soldier (Fisayo Akinade), and the coldly calculating head scientist (Glenn Close) head into the ruins of London to search and rescue.

I'm always surprised when filmmakers can find something new to do with a zombie movie, and they've done it again here. Newcomer Nanua is terrific as the precocious infected girl who is happy to be in the outside world for the first time, little realizing the destruction all around her. Arterton, Considine and Close are all fine, as expected. I know most viewers are burned out on zombie flicks (and TV series), but this one is worth a look.

I've read the book and also the second "the boy on the bridge" and only found later that it was made into a motion picture. Having enjoyed the books so much I was curious to see whether the movie followed the same storyine, character descriptions, etc...

Having read the story first I was a bit disappointed with the film. The film is still great but you won't get the whole story in a film. It would have been better done if it was released as 10 episodes or something.

I'm still giving 7 stars as it was still good to watch.

As a prolific reviewer, you tend to often discuss a film in terms of traditional arcs, and riffs off those same arcs.

Which is why it is always a treat when a film comes along that throws the script template out the window and forges its own path.

This is such a film. It reminded me of THE INCREDIBLE SHRINKING MAN 1957, the first legitimate A-list sci-fi that, like this film, started off in what seemed a traditional manner -- and then went down a plot superhiway that no one had ever seen before.

It is not a perfect film. It has some flaws. For example, the first 30 minutes are better (more impact, more empathy, more entertaining) than the last 60 minutes. Which is not to suggest that the last hour is bad, merely that the first half-hour is drop-dead stunning and unforgettable.

And the director often seems confused about who the real star is? Ditto for the PR dept of the studio. If you check the IMDb reference, you will see that the young girl so brilliantly played by Sennia Nanua is given billing lower down on the cast list. That's an error. Sennia IS the film -- she practically picks it up and carries it to the finish line. The scenes without her are weak, the scenes with her are wonderful.

Nice iteration of a "really smart" zombie film. Recommended.

I'm really aggravated by people who think this was a "boring zombie movie" that "wasn't scary." Look... the movie is called THE GIRL WITH ALL THE GIFTS. It's a movie about a girl... who happens to be a zombie... and her desire to come to terms with who she is, and her right to live in spite of it. NO it's not full of scares and gory zombie kills... that's not what it's about. If you can appreciate a good story about a little girl who happens to be a zombie then you'll see the beauty in this film. There still GREAT zombie action though... It was very well done, had an excellent cast, and Sennia Nanua shined.

Full commentary WITH spoilers on YouTube/Twitter @moviebuffchick1

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