Beowulf : Retour dans les Shieldlands

I hoped for so much something as great as 'Vikings,' or 'The Last Kingdom,'but it felt like an episode of Doctor Who (i.e. more for kids and sets that look like sets). Then after a lot of irritated huffing and puffing on my part, I realised it has been made for a young audience who would get the most from this ambitious reworking and I expect these it would delight. I can't rate this properly as it wasn't made for me, but if I look back to my earlier tastes in life, am sure I'd have revelled in this show. The time slot should have given me a clue that it wasn't intended for me and all the gripes I had are answered by it being reworked for it's target audience which doesn't include me. From childhood to 24 I expect I'd have loved this version of Beowulf. I hope enough of it's target audience find it.

Beowulf: Return to the Shieldlands is one of those series that would have been better off re scripted as a comedy. Regrettably, the writers decided to play this series as a serious fantasy drama. What a mistake.

Almost everything about Beowulf screams comedy. From what appears to be an old mine site, which has been rehashed as an early medieval village, of sorts, through to the costumes, that look like they were recycled from a heavy metal concert.

The storyline is chuckle worthy too. The main character Beowulf is on a testosterone overdose. He's incessantly simmering with cheesy, macho rage, wanting to fight everyone and everything in sight. The rest of the cast are shoe horned into equally awful, clinched, characterizations. Imagine, if Game of Thrones had been scripted by Monty Python and you are there.

All this silliness is inexplicable given this series has an excellent cast of actors, including a cameo or two by William Hurt! If money could be spent on a cast of this caliber, why not a story fitting their talents?

If you can adjust your sights and view Beowulf: Return to the Shieldlands as a comedy of errors its actually not too dreadful. Try to take it seriously, however, and you may do yourself a mental mischief. Four out of ten from me.

O.M.G. To say that this show was terrible would be an UNDERSTATEMENT. It was basically just Game of Thrones only they scrimped on the special effects and aired it before the watershed.

This idea sounded WONDERFUL but the end product was as best campy and at worst like a budget Game of Thrones. Even the THEME MUSIC is reminiscent of the Thrones theme. Whoever conceived this should be fired!

I could go on for hours about the faults of this show but, I'll end on this: Beowulf is a story that has been around for over a thousand years and is ripe for adaptation, but the next time you want to adapt it for TV, stay close to the source material. In short, GET. IT. RIGHT!

When i saw Beowulf in the TV listings, i immediately hoped that a decent drama had been created, based on the historical poem, and produced to a high standard. I was quickly disappointed.

Although the story is very loosely based on the old English poem about a Scandinavian monster terrorising a Danish King, that is pretty much where the similarity ends. You are very quickly introduced to CGI trolls working a in human village in place of oxen, turning a wheel. It is at this point you realise the slant is farther toward the fantasy realm drama than the historical realm drama.

In terms of the characters, they are rather cliché and lacked depth. The sets are OK in parts and in others look like cheap fantasy set pieces. They also seem inconsistent as great halls with cast relief gates in bronze are hardly likely to be the product of a 20 person village. The grandeur of some of the buildings is far out of whack with the population size and any semblance of industry or agriculture.

Casting, and cast diversity - within minutes you are introduced to characters that are obviously Indian Asian, and also Black (African). There are quite a few characters with diverse ethnic origins. Again, if you were expecting something akin to the fantastic 'Vikings' or even the Stars productions like 'Spartacus' forget it.There is no attempt at historical, cultural, or geographic realism as a backdrop for this show.

A Black male actor appears in Arabic dress who speaks with a solid south England accent. I totally get diversity in a modern TV show about modern society, or even in culturally mixed locations like Rome, but in something apparently 'based' on an AngloScandinavian tale/poem it hardly fits. This reality works in both directions, if i were watching a show about the rise of a chieftain in Africa in 300BC, then i'd hardly expect to see the cast featuring heavily with Chinese and white Australian sounding actors (it just drags you out of the show). It's another element that constantly reminds the viewer that there is no historic setting for this and it is little more than a uber low budget Lord of The Rings rip off merged merged with the title Beowulf.

If this show were targeting adults, one has to ask, who watches stuff like this? The script, acting, story seems quite immature. It does feel more like a teen show, however it is on UK TV in a late evening slot. For this reason i suspect it won't pick up the viewers, and won't make a second season.

Bad acting. Inaccurate view of the era/location, even considering it's based on a myth. Within the first 20 minutes of episode 1 you are introduced to a multicultural Britain. Several Africans and Indians are present. Even families who have integrated into the society. I could see MAYBE a foreign slave or two but even that would be far-fetched with no historical justification. In short, another attempt to infiltrate European history with multiculturalism and ruin a great piece of European identity. Even setting this aside, it still sucks. A clear (and horrible) attempt to ride the Vikings/Game of Thrones fanwagon.