Novitiate

"Novitiate" (2017 release; 123 min.) brings the story of Kathleen. As the movie opens, we are told it is "1964" and we get to know Kathleen as she is in a nuns' convent. "I was 17 when I entered the convent, 18 when I started the novitiate. We are all women in love." Wow. We then go to "Ten Years Earlier", as we get to know young Kathleen and her mother, and how Kathleen becomes interested in Catholic school, then the Catholic faith, and eventually the Catholic church. At this point we are 10 min, into to movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the feature length debut of writer-director Maggie Betts, And what a debut it is! Betts takes a close look at what the road is like towards becoming a nun, with a 6 months postulate and then the 18 months novitiate. These are all young women with an idealistic view of the Catholic church. In a parallel story, Betts also examines the consequences of the Vatican II reforms. The Reverend Mother who runs the convent is entirely opposed to any ref0rms. "Isn't the church just perfect as it is?", she retorts when a younger nun questions her. As one might expect, the pace of the movie is quite slow and deliberate, so this isn't for anyone in a hurry. At times it almost feels like a documentary. I was bowled over by it all, to be honest, and felt deeply invested into these characters. There are a number of scenes in the movie that will break your heart (the disbelief of Kathleen's mother upon learning what Kathleen intends to do with her life; the "chapel of faults"--I shan't say more...). As it plays out, one can't help but be reminded of "The Nun's Story" starring Audrey Hepburn (when asked why she decided to become a nun, one of the young ladies refers to that movie). The movie is helped enormously by several towering performances: Melissa Leo as the Reverend Mother is outstanding, but even better is Margaret Qualley as Kathleen (in one of her first movie roles--she is best known for her recurring role in HBO's The Leftovers). Qualley reminded me physically immediately of a younger Kirsten Stewart. The range of emotions that Qualley is able to convey on the big screen makes it very clear to me that this is a major up-and-coming talent, the last of which we surely haven't seen. Same can be said of writer-director Maggie Betts. If it sounds like I am gushing about this movie, you bet I am. This movie is for me one of the best I have seen this year.

"Novitiate" premiered at this year's Sundance Film Festival to immediate critical acclaim. No idea why it's taken so long to reach my local art-house theater here in Cincinnati, but better late than never. The Saturday evening screening where I saw this at was attended very nicely. You could hear a pin drop, as the theater was enraptured by this film. If you are in the mood for a probing psychological drama that poses some serious questions about religion and faith and features several stunning acting performances, you cannot go wrong with this, be it in the theater, on VOD or eventually on DVD/Blu-ray. "Novitiate" is HIGHLY RECOMMENDED!

Novitiate (2017) was written and directed by Margaret Betts. Margaret Qualley portrays Sister Cathleen, who decides to become a nun because of her love for Jesus. She was not raised as a Catholic. In fact, her mother (Julianne Nicholson) considers the decision as a horribly bad move.

As the movie progresses, I started to believe that her mother was right. Young women who want to love and serve Jesus are systematically brutalized and humiliated by the Reverend Mother (Melissa Leo). In fact, the Reverend Mother appears consumed by her desire not to allow the young women to think. She also makes it difficult for them to bond with each other. She demands total and absolute obedience from all the women--postulants, novitiates, and nuns.

Then, Vatican II ends, and the Catholic church wants to modernize and change. Whether this is good news or bad news for the nuns is an open question in the context of this movie.

You'll have to see the movie to learn what happens to Sister Cathleen and the other novitiates. We saw this film at Rochester's excellent Little Theatre, but it will work on the small screen. As I write this review, the movie has a anemic 6.7 IMDb rating. I think it's better than that.

Novitiate is a very solid debut film for Margaret Betts. It covers many themes from religion, faith, doubt, love, and internal turmoil of young girls who decide to devote their lives to God. The writing is good and the story moves fluently throughout the entire film with the exeption of maybe the last few minutes where things slow down a bit. Another positive thing about the writing is that it does not try to attack the church or ever turns into an anti-religion type of film. Everything is explored realistically. Especially the feelings of young girls who sometimes question their choices and ask themselves if it is really worth it. It is essentially a story about love, giving love, sometimes losing it and receiving it back. A vast topic but handled really well in my opinion. Another thing worth mentioning are the performances. All the actresses give great performances with Melissa Leo and Julianne Nicholson being the standouts. Recommended for that, good writing and solid direction.

Novitiate is not Audrey Hepburn's The Nun's Story, nor is it The Sound of Music, The Singing Nun, or countless other romances about happy nuns. It's closer to Doubt. This "expose" is merciless showing the almost Marines-like indoctrination of young girls, first to be postulants, then novices, then the real deal.

Although the film doesn't have drill sergeants, it has a super-committed Mother Superior (Melissa Leo). She will punish swiftly with, for instance, the girls kneeling to walk while saying Hail Mary's or disciplining themselves with knotted ropes. But the real torture is the interior questioning of the young women about even the existence of God.

Nevertheless they are moving to become "brides of Christ," which when they dress in bridal gowns for the actual marriage borders on satire, hokum, or downright pathos. As more than one postulant avers, "Where is He?" daily, the girls are giving themselves to God while not feeling the divine presence.

Perhaps the biggest problem is the emergence in the early '60's of Vatican II, that progressive body of prelates that liberalized the Church and demoted the nuns. So much for that disrespect as 90,000 pure souls took the last train outta there.

The central postulant, Cathleen (Margaret Qualley), has a tough time with her vocation, much less her attraction to another hopeful. The complications of sexual yearnings in young women is a nicely figurative way of showing the challenges of taking 17 year old girls from a normal life, which usually involves young men.

Cathleen's mother, Julianne Nicholson (Nora Harris), serves as the vox populi questioning the sanity of the process as she is losing her daughter to these unknown forces of religion. For Catholics, Novitiate is a confirmation; for non-Catholics it's a gloss on the complexity of Catholic faith.

Although similar in tone to Audrey Hepburn's 'The Nun's Story', this film is nowhere as good as that. Sure, there are many good things too in the film. The acting, direction & cinematography are all first rate. The movie however, drags a bit after half time.

This is the story of a young girl raised by a non-religious divorced mother. In the absence of any male or female role model, she finds it hard to find peace and love. At her catholic school, she learns that God's love is unconditional & therefore, she decides that she wants to be the Bride of Christ. At the Convent, she faces a lot of challenges, personal as well as spiritual.

The story takes place around 1964, which was when Vatican II reforms were brought about. The movie very successfully highlights how the nuns were never involved in any of the decision making process and how their standing in the church was suddenly reduced due to the reforms. Thus, a lot of nuns felt dejected, abandoned by their God and faced spiritual crises. So great was their despair that many of them even left their vocation. To me, this aspect of the film was quite interesting and informative.

A great debut by the director, Maggie Betts!