Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.
- Awards
- 5 wins & 14 nominations total
- Sister Genevieve
- (as Lisa Stewart Seals)
- Cathleen Age 7
- (as Eliza Mason)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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The film is about a group of young girls who pledge themselves to become nuns. The film takes place somewhere in the early 70's, so there were many taboo elements including discovering sexuality that were just frowned upon at the time, especially at a Catholic school. The mother superior in the film is stern and cold but times are changing and the students discover the tolls that their pledged lifestyle takes on them and find out who they really are.
Margaret Qualley and Melissa Leo are just stellar in this film. Leo is always consistently good and she is just born to play the roles such as the Reverend mother in this film. The set and costume design is sleek and seems authentic for the time period and religious backdrop. Its a film that questions religion and how much of ourselves we can give to God. I find it interesting that the filmmaker had such a creative effort and if there were any personal influences in making the picture.
There is a crisis of faith and exploring human sexuality, which directly interferes with the practices of the sisterhood in the film. Its a good watch, although I think the film could have been shorter. It doesn't always work and probably will fizzle out as the year goes on but for real film lovers like myself its something to check out and form an opinion for.
7/10
Things start to go south towards the half of the movie: while there are beautiful depictions of relationships and conflicts between characters, on the other hand, there are others that are not deepen enough. For example, sister Mary Grace had a lot of potential, but she is dismissed too quickly. I did not have the chance to know her at all, and she was a key protagonist. There are here and there a few good scenes, but overall I am not really sure if the nun life represented in this movie was very accurate. I know that this kind of life is very hard and you need to earn your vows, and I am aware that there are orders stricter than others, but I felt that it was forced.
The acting is overall pretty decent, but I cannot say that I was astonished by it. I was definitely excepting more from Margaret Qualley, considering her successful career in recent years, but I was disappointed. There are a lot of cringey scenes, that I could not bare. At some point it seemed almost like a parody. I am aware that there are a lot of scenes that are very demanding in terms of acting, but unfortunately most of actresses did not deliver. Honestly, it is not a bad film, but considering the slow pace rhythm and its two hours length, they could come up with something better for sure.
Wow, the film may be slow to build up for the finale, but the finale is very profound. I am still rendered speechless and am very saddened by the unintended consequences of the reforms. Having the entire world and the entire reason of existence being invalidated is unimaginable. The film finished for twenty minutes already and I am still having a heavy chest. It is a very profound film.
Although the film doesn't have drill sergeants, it has a super-committed Mother Superior (Melissa Leo). She will punish swiftly with, for instance, the girls kneeling to walk while saying Hail Mary's or disciplining themselves with knotted ropes. But the real torture is the interior questioning of the young women about even the existence of God.
Nevertheless they are moving to become "brides of Christ," which when they dress in bridal gowns for the actual marriage borders on satire, hokum, or downright pathos. As more than one postulant avers, "Where is He?" daily, the girls are giving themselves to God while not feeling the divine presence.
Perhaps the biggest problem is the emergence in the early '60's of Vatican II, that progressive body of prelates that liberalized the Church and demoted the nuns. So much for that disrespect as 90,000 pure souls took the last train outta there.
The central postulant, Cathleen (Margaret Qualley), has a tough time with her vocation, much less her attraction to another hopeful. The complications of sexual yearnings in young women is a nicely figurative way of showing the challenges of taking 17 year old girls from a normal life, which usually involves young men.
Cathleen's mother, Julianne Nicholson (Nora Harris), serves as the vox populi questioning the sanity of the process as she is losing her daughter to these unknown forces of religion. For Catholics, Novitiate is a confirmation; for non-Catholics it's a gloss on the complexity of Catholic faith.
As the movie progresses, I started to believe that her mother was right. Young women who want to love and serve Jesus are systematically brutalized and humiliated by the Reverend Mother (Melissa Leo). In fact, the Reverend Mother appears consumed by her desire not to allow the young women to think. She also makes it difficult for them to bond with each other. She demands total and absolute obedience from all the women--postulants, novitiates, and nuns.
Then, Vatican II ends, and the Catholic church wants to modernize and change. Whether this is good news or bad news for the nuns is an open question in the context of this movie.
You'll have to see the movie to learn what happens to Sister Cathleen and the other novitiates. We saw this film at Rochester's excellent Little Theatre, but it will work on the small screen. As I write this review, the movie has a anemic 6.7 IMDb rating. I think it's better than that.
Did you know
- TriviaShot in Tennessee.
- GoofsToward the end of the movie, as a nun undresses, she is completely nude under her habit. It would have been rare that any nun would not have on some sort of undergarments in the 1960's.
- Quotes
Reverend Mother: I can feel you, right next to me, for so long. With me all that time, my darling husband. And now you've abandoned me! And you hoped that I would lose faith in you? You imagined that I would just walk out those gates? I cannot. I made a commitment forty years ago. And even if you choose to turn your light from me forever... I am yours. Oh, my darling husband.
- ConnectionsReferences Au risque de se perdre (1959)
- SoundtracksPie Jesu
Written by Gabriel Fauré
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Genç Rahibeler
- Filming locations
- Scarritt Bennett Center, Nashville, Tennessee, USA(The convent of the Order of the Sisters of Blessed Rose)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $580,346
- Opening weekend US & Canada
- $22,724
- Oct 29, 2017
- Gross worldwide
- $580,346