Traceroute

I was immediately drawn into this film.

As a certified old hacker, the Traceroute message really resonated with me as I watched Mr. Grenzfurthner explore the culture that made him - and me - what we are today. From the opening scenes, all the way to the credits, I have to say that I was hooked on the nerd, and what he had to say about things, pretty much word for word.

Thorough superlative command of geek language, Mr. Grenzfurthner's painstaking, Austrian-level attention to road-trip details provides much to unpack. Who hasn't wanted to take the Golden Nerd Tour from West to East coasts, visiting all the important sites in hacker culture history, with rockets and pornstar-cum-hackers and aliens and movie stars, obscure scientists and techno legends alike, guiding the way?

I'm sure I'd sign up for this mythical bus tour in my old age, as long as we could have a slightly more geriatric Mr. Grenzfurthner as tour guide, and by then I'm quite confident he would have found ever more exceptional means to bake true meaning into the simplest of hacker things.

Lick the prop! See this movie!

A geeky nostalgic road movie (get it? traceroute? trace/route? get it? hop hop? nudge nudge?) that follows a pretty crazy dude across a pretty crazy country.

'The United States' were really important to young Johannes when growing up in 1980s Krautlandia, so he pays a visit as a pop culture pilgrim. And while Johannes is covering a topic that has been covered a million times before, he brings originality to the film...lots of.

You will either really like this doc, or you will be cursing me for wasting 2 hours of your life. Oh well. I'm just sad that he didn't make it to Oklahoma City.

I saw Traceroute as part of a lecture series about 'gender and tech.' I was skeptical first, but Johannes's approach is very compelling. His way of criticizing and questioning white male nerd culture (including himself) is spot on. Johannes is a political and artistic activist, and never forgets his agenda: societal change. The film presents a plethora of interesting debates and features exceptional people, and many interviewees are women/transgender (like Kit Stubbs and Sandy Stone).

It's funny that I find myself explaining what "Traceroute" is, this command line utility that's almost as old as the Internet itself. Basically, it's used to show how your packages reach a certain destination on the internet from your computer.

Now I almost feel like using this movie to describe what Traceroute is. Johannes goes on a kind of coming-of-age journey though he's a full blown adult, tracking the origins and path of his own nerd personality through visits to friends, heroes and important landmarks throughout the US.

Johannes knows how to entertain using himself as the material as well as how to drag friends, associates and circumstances to round out the whole journey. Personally, I'm clamoring for a sequel!

(I'd give it a 10 out of 10, but I'm in the movie for a blink so it can't be perfect.)

I'm a musician, and there is one thing I absolutely HATE: careless, sloppy, unsystematic soundtracks, especially in documentary films. I know that it's hard to discover good music, but: COME ON! If it's true, Traceroute had a *total* budget of $15,000. There are no excuses anymore!

A great soundtrack is more than just a collection of great songs. A great soundtrack pulls a story along while somehow effortlessly blending into the background. The right one can help define a movie; a terrible one can ruin an otherwise decent film.

Traceroute relies heavily on its amazing soundtrack to convey the mood of childhood and rebellion, nostalgia and counter-culture, traveling and arriving. There's a retro-electronic vibe present in most of the tracks, but also classical music, and all-time favorites like Vera Lynn's 'We'll Meet Again.'

I'm glad the track list is here on IMDb. I need it for my own road trips!