Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.Valerie Graves, a misanthropic, disillusioned woman in her mid-twenties, is haunted by sadistic urges that she has struggled to repress since childhood.
- Awards
- 2 nominations total
Adam Scott Clevenger
- Tayshawn
- (as Adam Clevenger)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Yeah, I dug this mean little flick A LOT, although I'm probably biased since it triggered beloved memories of those cheap sordid violent flicks Richard Kern crafted in the 80s and 90s.
Please note that my use of the term "flick" here is not pejorative or dismissive... I use that term as a badge of honor reserved for low budget indie films which transcend their humble origins by successfully telling a tough no-nonsense story in tough no-nonsense terms.
Marylee Osborne is fantastic in the lead role as Valerie, who harbors some seriously sadistic tendencies but keeps them bottled up, until the right opportunity provides a way to indulge her inner demons. It's so cool to see a female lead playing a dangerously-edgy character, with the physical presence required to make her a credible threat.
Film is technically primitive but that actually does justice to the material, creating an appropriately gritty and desperate atmosphere. There is a clandestine, almost voyeuristic feel in following Valerie's descent into the depths.
Most people will probably be repulsed by this, or will be distracted by its technical shortcomings, but I was glued to the screen, and I applaud everyone involved for their work.
Please note that my use of the term "flick" here is not pejorative or dismissive... I use that term as a badge of honor reserved for low budget indie films which transcend their humble origins by successfully telling a tough no-nonsense story in tough no-nonsense terms.
Marylee Osborne is fantastic in the lead role as Valerie, who harbors some seriously sadistic tendencies but keeps them bottled up, until the right opportunity provides a way to indulge her inner demons. It's so cool to see a female lead playing a dangerously-edgy character, with the physical presence required to make her a credible threat.
Film is technically primitive but that actually does justice to the material, creating an appropriately gritty and desperate atmosphere. There is a clandestine, almost voyeuristic feel in following Valerie's descent into the depths.
Most people will probably be repulsed by this, or will be distracted by its technical shortcomings, but I was glued to the screen, and I applaud everyone involved for their work.
Like a violent descent down a spiral staircase straight to hell, with every scene you follow a young fledgling criminal as she sinks further into depressive state and slowly gives over to the darkest urges of her sadistic mind.
Ending up on the wrong side of the criminals, she now finds herself hunted and her whole world crumbling around her. Eric Widing delivers an absolute punch-to-the-gut with his dramatic and grim tale of a person on the
edge of sanity who may be slipping into the abyss. These actresses put on an astonishing performance that is heavy, dramatic and extremely graphic, compared to what you normally see from most of them.
Experience a dark ride while watching this film, and do be careful not to let yourself give over to those sinister urges that might be hiding inside of you.
Time for honesty. I like the style, but the cred was sorely lacking. Just not believable. Unless Val was revealed to be a cyborg. Instead of her just overpowering everything, make it credible by having her out think the opponent. Little things like pulling a trigger. If she really shot that way, nothing would strike.
Eric is one of my favorite ' dark art chaos' directors. His work reminds me of Oliver Stone's 'Natural Born Killers'..there are messages inside of messages in an art house manner. It is like being on an evil desperate trip that confounds the mind. Made to make you look beneath the surface of our madness.
The chaos makes me want to open the directors head and fumble about to see what makes him tick. The casting is done well, and each character brings their own depth into the art itself. We've got to remember, art is subjective and delivers to each individual accordingly.
I want to see more work from Eric Widing!
The chaos makes me want to open the directors head and fumble about to see what makes him tick. The casting is done well, and each character brings their own depth into the art itself. We've got to remember, art is subjective and delivers to each individual accordingly.
I want to see more work from Eric Widing!
His first film was great! Now his 2nd film is taking that place. Let me start off by saying Eric is a swell guy. His previous film HellHounds was wonderful! This is a indie film like no other. a whole new level of awesome fun! I mostly deal with horror...so me watching this is a change. Marylee Osborne does WONDERFUL in any role she is in. She brings her character Valerie Graves to life in this film. we get a few other faces from other films in here as well...Haley Madison, Joni Durian, Bradley Diehl, and the kooky but cool Henrique Couto. What can I say...its films like this that need to have more attention. I loved the story from start to finish. I watched this film 4 times already... while it is a 2 hour long film and seems like the movie will go on forever I never found myself bored. I got a few chuckles out of the film and I recommend it to anyone and please check out Eric's other film Hell Hounds if you haven't seen it. 9/10
Did you know
- TriviaThe "fish hook scene" was inspired by a bizarre, but most likely fictitious, story that one of Eric Widing's high school friends told about an ex girlfriend's strange sexual preferences.
- Quotes
Party Creep: Hey baby.
- Alternate versionsA 79 minute producer's cut titled "Violent Instinct" was released in July 2016 for online streaming. The most drastic change between this version and the full length version is the intro, which opens with the black and white scene with the ghost in the attic and treats it as a dream, as opposed to the original version in which it was an ambiguous final scene. This version also cuts a lot of the first act, removing a few whole character's such as the landlady Nichole, the weird neighbor, the Boddicker family and a majority of the early scenes with Colleen. This version also shortens or removes many of the humorous scenes and has completely removed any mention or implications of the "fish hook" sex act.
- ConnectionsEdited from Haunted House on Sorority Row (2014)
- SoundtracksPrevalent Winds
Written and Performed by Primalfrost
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Violent Instinct
- Filming locations
- Dayton, Ohio, USA(Valerie's House)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000 (estimated)
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