Connasse, princesse des coeurs
- 2015
- Tous publics
- 1h 20m
IMDb RATING
5.6/10
1.7K
YOUR RATING
A young woman, unsatisfied with her social class, decides to marry someone rich and powerful to be able to stop working and have whatever she wants for the rest of her days. This movie is en... Read allA young woman, unsatisfied with her social class, decides to marry someone rich and powerful to be able to stop working and have whatever she wants for the rest of her days. This movie is entirely shot with hidden cameras.A young woman, unsatisfied with her social class, decides to marry someone rich and powerful to be able to stop working and have whatever she wants for the rest of her days. This movie is entirely shot with hidden cameras.
- Directors
- Writers
- Stars
- Awards
- 2 nominations total
Marie-Christine Adam
- La mère
- (uncredited)
Stéphane Bern
- Stéphane Bern
- (uncredited)
Antony Hickling
- Prince William
- (voice)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A disappointing cinematographic adaptation of the excellent daily mini-series which was aired on the French tv channel Canal+ around 2012/2013, with 2 minutes per episode: Connasse (2013).
In Connasse, princesse des coeurs (2015), we easily recognize the offbeat and wacky atmosphere of the mini-series but the 80-minutes adaptation is quite laborious and tiresome.
In Connasse, princesse des coeurs (2015), we easily recognize the offbeat and wacky atmosphere of the mini-series but the 80-minutes adaptation is quite laborious and tiresome.
Most people seem to be good sports about this woman who at first is very annoying. Well actually the "character" is consistent on being annoying. But she has to be, to achieve her goal. Which is making money doing nothing. Although breaking into the Palace should not be considered as nothing.
The reality thing might have gone too far for some, but obviously not far enough for others. You may wonder how and where cameras where being placed, though some seem to have been in bags or so small you might not be able to see them. If being offensive can be considered fun, than you might have a hoot with this, if that doesn't float your boat, you shouldn't waste your time with this
The reality thing might have gone too far for some, but obviously not far enough for others. You may wonder how and where cameras where being placed, though some seem to have been in bags or so small you might not be able to see them. If being offensive can be considered fun, than you might have a hoot with this, if that doesn't float your boat, you shouldn't waste your time with this
7n-mo
Whether you enjoy this movie is largely a function of whether you like leading lady Camille Cottin's comedy-sketch series of the same name, in which she incarnates in slightly exaggerated form the archetypical snobbery and obnoxious bad feeling that do in fact reign in a certain loud part of the Parisian population. With her hidden camera she trolls unsuspecting pedestrians just going about their business, subjecting them to a concentrated dose of the exasperating whims of that archetype (but don't get too outraged: she does reveal the camera to them after the filming, and they mostly laugh). Some people just don't find that sort of thing funny.
The Canal+ series is a "top of the hour" filler with a few situationally-linked trollings over several minutes, which is about all anyone can handle of such one-liner standalones. As such, even a true fan instinctively approaches this 80-minute compilation of the same with some degree of skepticism. But if one goes in without expecting too much, one will be in for a pleasant surprise. For the writers actually managed to make, from a series of quick and largely imposed (though Cottin herself is clearly working from a general script/storyboard) hidden-camera sketches, a more or less coherent plot. It's not an especially captivating or complex story, but the feat of weaving a story in such a manner is fascinating enough to hold our attention.
Perhaps more impressively, in so doing, they managed to make this "connasse" (roughly translated as "stupid b****"), who truly lives up to that epithet, a marginally sympathetic character. She's obnoxious, clueless, self-centered and emotionally unstable. At the same time, she's energetic, smiley, optimistic and goal-oriented. It's a mix of defects and good qualities as recognizably human as anyone else's. It's probably not a mix we would ever see in real life, and knowing this, her character does run the limits of Uncanny Valley. But the filmmakers are aware of this, and that's part of the point, part of what makes it funny.
Overall I'd say it's worth a try. I'm not too sure about re-watch value, but try a few episodes of the Canal+ sketch and see if it tickles you. If so, and if you can suspend disbelief for about an hour and twenty minutes, this will be a nice little diversion.
The Canal+ series is a "top of the hour" filler with a few situationally-linked trollings over several minutes, which is about all anyone can handle of such one-liner standalones. As such, even a true fan instinctively approaches this 80-minute compilation of the same with some degree of skepticism. But if one goes in without expecting too much, one will be in for a pleasant surprise. For the writers actually managed to make, from a series of quick and largely imposed (though Cottin herself is clearly working from a general script/storyboard) hidden-camera sketches, a more or less coherent plot. It's not an especially captivating or complex story, but the feat of weaving a story in such a manner is fascinating enough to hold our attention.
Perhaps more impressively, in so doing, they managed to make this "connasse" (roughly translated as "stupid b****"), who truly lives up to that epithet, a marginally sympathetic character. She's obnoxious, clueless, self-centered and emotionally unstable. At the same time, she's energetic, smiley, optimistic and goal-oriented. It's a mix of defects and good qualities as recognizably human as anyone else's. It's probably not a mix we would ever see in real life, and knowing this, her character does run the limits of Uncanny Valley. But the filmmakers are aware of this, and that's part of the point, part of what makes it funny.
Overall I'd say it's worth a try. I'm not too sure about re-watch value, but try a few episodes of the Canal+ sketch and see if it tickles you. If so, and if you can suspend disbelief for about an hour and twenty minutes, this will be a nice little diversion.
The first thing that come to mind with this is Sasha Baron... Well this did not go too well with me either yet I chose to laugh...Perhaps to "belong" shame on me. But this time it's even worse although I genuinely did laugh a couple of times. I understand and have to accept tastes are different with each one. So it's no point to tell others you don't like something for them to agree with you. But what I can say it's gross. Personally I do like very much "Candid" camera but I like it a little refined. I think here there was no attempt for refine....Down with the snobs hey! So be it .
Very overcast for me so no star...Anyway I never give stars I quit now and go and get myself some anti emetics
Camille Cottin est vraiment comique dans ce film inusité
Le dialogue est très rapide, faut s'y faire !
Camille Cottin is amazingly funny in this unusual style of comedy !
Camille Cottin is amazingly funny in this unusual style of comedy !
Did you know
- ConnectionsReferences Dirty Dancing (1987)
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Parisian Bitch
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $8,540,288
- Runtime
- 1h 20m(80 min)
- Color
Contribute to this page
Suggest an edit or add missing content