Goat

I screened #GOAT starring #BenSchnetzer and #NickJonas and although the hazings in the film can get over the top, one can't help but wonder if hazings in real life frat out there can really get that violent, especially since the college I attended didn't have Greek houses so I never personally experienced pledges. But GOAT has its own way of rattling your comfort zone. The psychological pain the characters inflict on each other is more disturbing than last year's "The Stanford Prison Experiment."

Directed by Andrew Neel, in GOAT, Ben Schnetzer's character, Brad Land earlier on in the story goes through an initial violence so traumatizing that it pretty much sets up his motivation throughout the entirety of this film. He joins his brother Brett's (Nick Jonas) fraternity and as the pledging ritual moves into hell week, the stakes grow more violent, more humiliating, and more torturous, all in the name of brotherhood, or is Brad trying to prove something else? Based on Brad Land's memoir, co-written by Andrew Neel, David Gordon Green and Mike Roberts, the film deals with the questions of which rites of passage are worth taking and which ones are not and where do you draw the line. There are plenty of hazings in this film, you really don't know what to expect because each of them is shocking in its own way, it becomes ingrained in Brad's psyche or his belief that this may be what is needed to be done for him to punish himself for the earlier event that victimized him. And to some of these brothers, this frat life has become all they know, this is all they have, they think it's the center of the universe so if you go against it, then consequences ensue. It's very intriguing to see Brad and this brotherhood collide and the effect they have on each other.

GOAT is not a college comedy, it shows the darker, harsher side of what college life can offer. It's raw, unforgiving, and it punches you in the gut. You will feel uncomfortable watching GOAT and that is one of the film's main goals. I'd be very interested to see a featurette or behind-the-scenes videos showing how they shot some of the hazing scenes, just to see how the actors mentally prepped for them. I'd like to believe that GOAT doesn't necessarily intend on demonizing frat or Greek houses, I'm sure there are many brotherhoods out there that don't go over the line in their rituals but it does show that when we join a group, any group, it's best to analyze whether or not that group would be beneficial for our personal growth given our previous life experiences.

-- Rama's Screen --

I saw this film in the early hours of the morning on British television, without any recommendation to watch it. It was one of the most necessary, and at the same time one of the most brutal films I have ever seen. I do not want to give away spoilers, but the opening credits of half naked men shouting warned me that this was not going to be entertainment, and the opening scenes of a young man being beaten almost to death made me want to turn the film off. I watched it and followed this young man's path to recovery, and along with his brother entering an elite school for further education. Here the real horror began. He had to prove his worth by being 'hazed' which is as I understood it a ritual of various tortures to become 'worthy' of being there. The tortures and the verbal abuse I will not describe, except to say that it was like watching pages of description out of De Sade. The most used of the verbal abuses was anti-gay, along with others used against women. This was the heart, if that is the appropriate word, of the film, along with physical humiliation and torture. Not since Pasolini's 'Salo' have I seen a film like this; another condemnation of human nature that was equally necessary to see and try to understand. The film, as film, is in my opinion equal to Pasolini both for its cinematic merits, and also for daring to go into the lowest depths of humanity. I expected a very violent climax, but instead I saw the young man trying to come to terms with what he has been through. I must just add that there was no disjunction between the opening violence, and the violence in the school. As far as I could see they completed the circle of extreme torture filtering down from the top of society to the most dispossessed in our society. Necessary films are actually quite few, but this in my opinion is one of them. A fully justified 10 for its content, and what it tells us about aspects of human behaviour we would rather turn away from.

One of many ,you might say, but as a frat-pack movie its passable, but how realistic it is i am not sure.its drinking,partying,fighting, suppression, friendship, bullying and initiations. you get the feeling of being in the army barracks with the drill seargent hanging over you , screaming on his epiglytical strings, till you have no touch with the realities in the end.then your accepted and found good enough. and as the main clearly thinks in the end...for what????

there are also a bit of revenge in this flick,though it only snaps some air on the surface once in a while. revenge is one of the most addictive drugs when watching a movie, either you are a ''winner'' or a ''looser'' it always fascinates, and i wish that factor had been played better out in this story.. i admit that my emotonal strings were touched,but the film doesnt complete what it started, and ended in a never ending story. its an inconclusive film were youre not sure what the director and producers wants, are they pro-,even or against???

the acting are quite vivid, and reliable. its just lack of a good script that coulve made it brilliant

my conclusion is that the american higher education system are administrated by ex-fraternity leaders, who has their eyes wide shut. when a film can make an old grumpy man angry, then you might want to see it too. eight stars it is.

Being in a fraternity myself I could relate to the abuse that's portrayed in the film. Well done but maybe a little loud and manic. Nice cameo by James Franco too. Not something you'd wanna watch twice...

This film gets 90-percent of the way there. As a story of the relationship between two brothers, during a stressful time in the life of one, it's poignant and wonderful. To a discerning eye Goat's setting in a fraternity will come across, through most of the film, merely as set dressing for the underlying story, rather than an indictment of fraternity life generally. And at that level it works beautifully. Unfortunately, the last twenty minutes of the film flips into an anti-fraternity rant that, while not exactly coming out of nowhere, could have been better left on the cutting room floor. Nonetheless, Goat is a powerful and emotional film that, in this reviewer's mind, is touching, as opposed to disturbing as some have called it.

The character development in Goat, beyond the two brothers, is minimal but the level of vague ambiguity it creates works perfectly in helping focus attention on their relationship.

Nick Jonas' acting chops were a wonderful surprise. Ben Schnetzer and Gus Halper also deliver unrelentingly powerful performances.

James Franco's sudden, albeit brief, appearance, is a little out-of-place and the presence of his character somewhat unrealistic.