La loi du marché

This is a Mike Leigh/Ken Loach-style drama, great contemporary social realism, French style, and all the better for it.

A middle-aged man's existence becomes precarious after he's laid-off from his skilled job. Transitioning via the unemployment industry to supermarket security guard is the challenge for our hero. His dialogue with petty bureaucracy is obviously the same in France as it is here. There is claustrophobia and frustration with the relentless, compassionless uselessness of the so-called support.

Witnessing with him a check-out worker's send-off after a lifetime on the job is suitably excruciating. The young, new boss has the honour of fare-welling simple, loyal Gisele who always smiles and was never late in 32 years; a career trajectory from the check-out to the deli section.

The little guy or gal, when he falls out of work, is screwed, especially if he's in his 50's. There are themes of the exploitation and degradation of working life and also of the demands of caring for a disabled dependent.

The story evolves slowly, documentary style, long takes in naturalistic settings. We experience the frustrations and humiliations of the unemployment industry through his jobnetwork appointments and programs. Futlity is a theme.

There are many lovely features and brilliant, understated acting mainly from Vincent Lindon who received a five-minute standing ovation at the Cannes premiere and went on to win the best actor prize both there and in the Cesar Awards.

This is a story about personal principles in our times; a disturbing look at the banal cruelty of modern employment and the struggles and battles of life more generally. When Mike Leigh and Ken Loach have lost their mojo, director Stéphane Brizé picks up the baton for the prols and gives the audience a measured, low-key, steadily building drama with big pay-offs.

The Measure of a Man is quite gut-wrenching and brilliant in its simultaneous simplicity and complexity. It should be compulsory viewing for all supermarket managers & Centrelink and Jobnet (Australia) employees.

Let's Go To The Pictures, Three D Radio, Andrew Bunney

I love this kind of film. Fly on the wall and powerful. Nothing is spoon fed. It's one of the best ways to develop characters if its done well, and here the character journey is exceptional. Outstanding take on modern times and dealing with it. Thanks film makers. It's nice to have a break from violence and cheap thrills.

LA LOI DU MARCHÉ's main quality is its honesty. Lindon, as the cdntral character, portrays the current Everyman, with the added burden of a handicapped child, which makes things that much more difficult. Lindon's performance is first class in its simplicity and honesty, but his wife, and his fellow workers also do very well in their smaller parts.

Direction is interesting, often using cinema verité moves, and it keeps targeting the sordid nature of human survival in the current world.

This is the problem we all face: we work to survive and, as we do, we compete with others also trying to survive, and we survive by ratting on them, and exposing the illegalities they commit. Given that no human is a saint, it is obvious that it is only a matter of time before you find somehing to send someone out of the "paradise" of employment. And once that has happened, the way back into the job market is well nigh impossible.

That is the law of the market, a law where human rights are easily trampled under the weight of economic and performance considerations, and where spying on, and suspecting, fellow human beings is bread and butter.

Lindon's character is looking hard for a job to meet his child's treatment's costs, and he has to accept duties that most of us would probably feel dismayed about. And so does he, and that is his moral dilemma by movie's end.

LA LOI DU MARCHÉ is not easy to watch, but its honesty makes it a must.

This is less a 'drama' than a documentary of what happens to people when their already difficult lives are made worse by thoughtless organizations and stupid funding regimes. Thierry has been laid off from his factory job. Presumably, he has stuck this sort of mindless work because he has a disabled son who needs constant care. Thierry is doing everything he can to keep his family together whilst barely scraping together an income. Unemployment is made worse by the organisations who are supposed to be there to help him back to work. They send him on inappropriate training schemes wasting everyone's time and effort as there is no work to be got afterwards. After numerous humiliations Thierry gets himself a shop security job and finds he's forced into making judgements about others that are, in reality, in as dire straights as himself. We wonder at what point he will break, and what he will do when he breaks? Its not a good ending but then, this is all too real for far too many people.

The Measure Of a Man

As a person grows older, so does the amount of responsibility. The carefree days slowly fade away and eventually the 9-5 grind becomes the norm. One common fear for this majority is the loss of income. Nothing's scarier than losing your income and having to figure out how to pay for thousands of dollars worths of bills. Most individuals don't have enough to last 2-3 months. Most don't even have 1,000 dollars saved. This with many other factors can be a death sentence for people, and The Measure of a Man presents this fear in a harrowing light

The Measure of a Man (directed by Stéphane Brizé) follows an unemployed factory worker (played by Vincent Lindon) by the name of Thierry Taugourdeau, in working-class France. With the combination of age and only have a niche set of skills, finding work proves to be an obstacle.

The director pulls no stops when it comes to grounding the film in reality. The film almost seems like some sad documentary. Each conversation scripted to be as grounded as possible. One example would be the scene right from the beginning. It establishes in the first couple of minutes just how dire Thierry's situation is. You watch as her argues with agency worker, explaining how he just spent months training to be a crane operator, just to find out that experience plays a huge factor in the hiring process. You see how much this weighs on him, and how it affects the people around him.

The film comes with no score, other than the one song for the credits at the end of the film. Another decision made to contribute to the realism of the film. No dramatic cues telling you how to feel. This was a risky movie, and fell onto the actors to actively convey the emotions in the film. This decision, for the most part, pans out perfectly. The only times it doesn't work out is when the scenes seem to drag on just a little too long, which seems like a reoccuring theme. During the film, there's a scene where Thierry and his wife (played by Karine de Mirbeck), are selling their mobile home they used for vacation. They haggle on the price, and the awkward exchange feels qeniue at first. Eventually, it goes on for too long, and you feel like it's a little forced. Thankfully, these scenes are few in between.

The Measure of a Man presents a fear that any working person has time to time. I would almost say this is the best horror thriller of the year based on the fact that it presents you with a real world problem, and makes you feat it. I've never felt more drive to do my job than after I saw this film. The amazing performances combined with the realism provided by the script creates a film that leaves you wondering "What if this happened to me?"

8/10