John Wick 2

The first John Wick film took me by surprise; it was a cartoonish action film that was surprisingly brutal in its content, cruel in its delivery, and had a real punch to it. All of it existed inside a world that convinced in its own logic, even if it was clearly fantasy. John Wick 2 doesn't have the ability to sneak up on me unannounced, which does work against it, but this is not what hurts it the most.

The second chapter of what at least looks like being a trilogy, is slick and very well put together. The locations are brilliant (whether a roof garden or a larger location), the fight scenes have great choreography, and after a slow first 20 minutes it does have a great pace. But yet I found myself watching it much more passively than I had with the first film. This sense of being detached came from a couple of places. The first was that the plot did not seem as organic as the first – the violence that draws Wick deeper seems to occur just for the sake of making the film happen (which is of course true, but it doesn't try to hide it). This reduces the investment and stakes, so rather than being drawn in, I just sort of accepted it because I know where it was going.

The second thing that kept me out of it was related to this lack of investment – which is that the film's lack of realism is all the stark. I do not mean that the film needed to be a kitchen-sink drama, but rather that the film cannot sell this world to the viewer. In the first I could go with this shadowy world on the edges of ours, with the idea that it developed its own rules and norms; here though it seems everyone is a hired killer, and those in charge have total power and huge organizational skills. The use of this doesn't seem worth the cost of doing such things – for instance suggesting everyone in a massive crowd is in the employment of one person and can act with the slightest nod just seemed silly and not to add value. This excess infects the action – it is overblown but could have been strong enough to engage had it not been that the majority of the film is so silly in how it works. I read Theo Robertson's user comment on this one and I think he nailed it when he said that the film could easily be in the Matrix universe – at least this would make the nonsense here ring true.

This limits the film, but doesn't stop it being enjoyable. The action is slick and consistent, the style and gloss of all the moments are enjoyable, and the starry cast are mostly pretty good. Reeves is good value and does great physical work, and the supporting cast has plenty of famous faces – although some of them are distracted by their volume, or by virtue of not being well used (Fishburne is probably the one that we could have done without). So JW2 is a slick action flick, but not as good as the first film, nor as good as everyone tells you it is. The ending suggests the third film will be on an even bigger scale, with Wick literally taking on the whole world, which will probably only serve to remind me how good the first one was when it was one man seeking revenge on another for the death of his dog.

Iosef's uncle still has John Wick's car. Wick comes after it and the uncle accepts his offer of peace. He hopes to return to his peaceful retirement but crime lord Santino D'Antonio calls in his Marker. He faces deadly assassins, numerous killers, and countless thugs as Santino uses him to gain power even offering a $7 million contract.

Gun Fu is loads of fun and the addition of Pencil Fu is glorious. What makes the original great is the simple, powerful, and poetic motivation of John Wick. The sequel could not possibly repeat that. They can't kill off another dog. This one delivers what it could. Keanu Reeves remains the same and there is more fighting. The plot is almost meaningless. It is all action and all Wick.

This review of John Wick: Chapter 2 is spoiler free

**** (4/5)

THERE HAVE BEEN a lot of roles that Keanu Reeves has played since hanging up his sunglasses, long leather coat and his boots after 2003s The Matrix: Revolutions. Many of which were promisingly good, some were quite bad and others in-between were mediocre to say the least. But out of all these characters he's been in none that have fit him more like a glove than the title character in 2014s John Wick, the hirsute assassin who was enjoying life in retirement with his new puppy, until he had to get revenge etc. The film spawned a whole new genre of action: the geriaction thriller (cheekily, Reeves was just about to turn 50 at the time he couldn't be considered as a geriatric) because at the time there were a few other films with older protagonists sharing the multiplex, such as Denzel Washington in The Equalizer, Kevin Costner in 3 Days to Kill and the granddaddy of them all Liam Neeson in Taken 3.

Even though he was a lot older than he was in the first Matrix he did a bloody (emphasis high on bloody) good job at ass-kicking, or sharp shooting criminals out of his home. He ended up killing a lot of people, there was a lot of action to enjoy. At this point you may be asking yourself what's on offer the second time-round? From the start of John Wick: Chapter 2 there is a lot to take in we are immediately transferred into a car chase it's indeed the main improvement over its predecessor which didn't have much of a story, there was just a lot of action a huge body count and a lot of blood a simple dog revenge thriller. For a while through this it riffs the same thing, there is a lot of action, a lot of blood and a huge body count – there are, however, two differences, an entirely new plot which riffs on an entirely new revenge story this time it's Wick's life on the line after he entered in a wager with a ruthless killer (Riccardo Scamarcio) and the dog (a Staffie with no name).

The title Chapter 2, also indicates there will be a larger series to behold here seemingly perhaps he may come back for the third movie (if it happens) we'll see. Director Chad Stahelski's material here is - in one word spectacular there is plenty here to enjoy, it's one of those movies that if it's done well then you'll enjoy it, now on the second-time-round the message is certainly correct. The action throughout is cool, the car chases are ruthlessly fun, and finally it's completely on edge from start to finish and with Reeves on top form what's not to like for this second time? Kicking off just a few hours after the ending of John Wick our protagonist (Reeves) is bruised, bloodied and quite frankly fatigued after fighting for hours on end.

He's tied in with another plot for revenge with a killer and his duo of assassins (Common, Ruby Rose); he receives info from his trusted hotel manager (McShane) that he is under attack. He must end a wager, to do this he has to fight for his life in a bullet ballet rampage; he must kill someone to somewhat end it, Wick here uses his skills and his wits through this barrage of bullets in the catacombs. Here there is an entertaining montage when he gears up for – perhaps his biggest battle, containing a brilliant cameo from Peter Serafinowicz who helps gear up Wick with an arsenal of weapons, along with his bullet-proof suit. There is also a knife fight on train slightly hinting at The Raid 2. Perhaps this is the message Stahelski is sending to us that he can make a bloody action thriller with a lot of enjoyable moments.

Wick then joins forces with the homeless network run by Laurence Fishburne's Bowery King, though instead of showing down to a Matrix-fu brawl, Bowery gives him a favour for saving his life many years before there is even a chance to his maniacal laugh, and for him to prove he's smarter again by riffing famous lines. This is when the film becomes slightly rubbery it loses its footing slightly, as it drags out a bit more. But when the action unfolds again it's immediately back to its home.

Stahelski's style isn't limited or indeed of short-supply because there is plenty here to enjoy it's completely ruthless from the opening moments to the stunning Hall of Mirrors set-piece there is a lot of action for any action movie buff to enjoy. Reeves may not be the greatest actor of our generation, nor, indeed is he the worst but he hits every mark with clarity throughout he's brilliant when it comes to the action. Despite the elasticised third act, as the story takes a while to step in. John Wick: Chapter 2 is slightly better than its predecessor it's an adrenaline-fuelled, action-packed ride with a lot of bodies, blood, plenty of material and is downright good fun from start to finish, it's an absolute blast.

VERDICT: A bruisingly, brilliant action-packed bullet ballet of a sequel. This is an absolute bloody blast and with Reeves on top form, what's not to love?

A film with more head-shots than words spoken, John Wick: Chapter 2 is just about the most violent film I've seen in quite some time. But it knows exactly what it wants to do, and succeeds immensely.

Keanu Reeves isn't one of the best actors working today, and I don't think he would disagree with that statement. But he's no doubt one of the most committed actors out there. There's no more than a few pages of total spoken dialogue throughout 'Chapter 2', and Reeves has probably a maximum of 30 lines, all of which aren't necessarily delivered as well as they should be. But it doesn't ultimately matter. Sure, John Wick could be a better franchise if the scripts were of the same caliber as say a Bond or a Bourne movie, but that's not really why you go see one of these movies. You go to see Keanu Reeves kick some butt amidst some of the best choreographed action in cinema.

Chapter 2 picks up not too long after the first film ends as Wick is somewhat enjoying his life as a "retired" assassin. If the first film was about him coming back to seek revenge, this film is Wick reluctantly coming back because he owes a debt to another assassin. I don't think the filmmakers truly could have imagined this would be a franchise off the bat, but it's sure shaping up to be quite the intriguing universe. The one thing that has always struck me as appealing in this series is the way they portray the world Wick lives in. Yes, it's present day, but the world that surrounds Wick is heightened to make for more exciting action (it's essentially a world full of super assassins). But at the same time, the films are incredibly grounded with reality. It's that balance that so few films can accomplish to this particular level.

Taking the famous Liam Neeson line "I will kill you" to a whole new level, Wick claims "I will kill them all". And that's pretty much your movie. Wick doesn't want to come back, he owes a debt and is forced to return for one more kill, and then the bounty on his head reaches just about everyone linked to The Continental's database. The rest of the movie is Wick delivering killing blows to just about anyone who stands in his way in the most creative ways possible. Isn't it about time people leave this guy alone? Overall, John Wick: Chapter 2 promised visceral action (all impressively in camera- yeah, I'm looking at you Resident Evil) and we got just that. Even if the dialogue can be clunky and the performances are over the top, it doesn't really matter. What matters is this series continues to be a pleasant surprise in an age where great action movies are too few and far between.

+Insanely well-done action

+Tops the first film's scope

+The universe Derek Kolstad has built

-Some dialogue is bland and even lazy

8.6/10

I felt the brilliance of the first film was found in the under lying mythology of the Continental Hotel, the coins, the laws/culture between the Reeves and some of the smaller parts (police official / bartender etc). As such I hoped that in the second film this would be continued; I wasn't disappointed.

The film continues from the first film with a great level of balance. Respecting the first film and allowing a 2-hour film to have its own identity without dragging was a challenge that was met well. The Laurence Fishburne element and the subsequent ending allow a great opening for another film.

Another strength of the movie is that the John Wicks character (like Neo i) is so well suited to Keanu Reeves. He is the strong-silent type and it feels Chad Stahelski, the Director, glorifies this and uses it to move the story forward. He gives you the same in an enhanced but similar format.

Loved : Lance Reddick as the Hotel Manager / Ruby Rose and the signing stuff Note: If you don't like people being shot in films – this is not the film for you!