El Clan

The film hits from the real and moves the focus on one of the children who suffer most acts of his father, who embodies a sober Franchella that has long been demonstrating his talent for drama also. Format images first constant level remains stuck at viewer will not regret it in the film, which will feel some concern that under the aspects of normalcy can hide eyesores, this very well managed by the principal. I did not like the supporting performances and the appearance of the wife could have been more widespread. Compared to other good films of Argentine cinema may have lacked artistic details that make it more blockbuster, but certainly is a creation that will be a very good story in a story that is surprising.

My wife and I saw this film at the Louisiana Film Festival last night not knowing what to expect. Before I go on, my wife and I have totally different views and tastes when it comes to the art of film but this time we both came out of "El Clan" pretty satisfied. This film started off pretty slow but did get a little more riveting as it went on. There really were no big surprises or twists in this film. It was pretty much straight forward but got more interesting as the film went on. The story is simple; The Puccio Family, who is a model family on the outside, is a family that is in the business of kidnapping rich people for money and then killing them. Arquimedes Puccio (Guillermo Francella) is a respectable store owner who has an adoring wife and five respectable kids but all of this is a front for what they really do, simple but good. The acting in this film was great, especially from Guillermo Francella who played the part of Arquimedes Puccio, the totalitarian leader of "El Clan". The program director for the film festival mentioned, because this film didn't win or get a nomination for the foreign film category at the Oscars, Twentieth Century Fox decided to drop it, which is a shame because it's actually a decent film. I had no regrets seeing it.

Greetings again from the darkness. It seems inherent within human nature for kids to want to make their parents happy and proud. Most of the time the reverse is also true: the majority of parents want to be good role models for their kids. However, when the latter is not true, things can get pretty ugly … even frightening. Such is the case with the real life story of the Puccio family in Argentina.

Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.

The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated … often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.

The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.

As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).

A few years back, I was advising a Francophile mate of the virtues of the wonderful French comedy, The Intouchables. I mentioned also that the subtitling was superb. 'How would you know?' he asked, aware that I had but a smattering of schoolboy French. I explained that the grammar and syntax was perfect, and colloquialisms clearly caught the spirit of the piece - you simply forgot you were reading script, allowing you to concentrate on the visuals.

Sadly, the taut Argentine crime thriller,The Clan, looks as if it's been subtitled by a dyslexic alcoholic using Google translate. It was extremely frustrating. I was clearly watching a very well made film, based on real events, about a Mafiosa-style family engaged in kidnapping and extortion; this was at a time, the 1980s, when the government was up to similar tactics - many dissidents simply disappeared. Keeping Police and officials sweet, the family could act with near impunity.

Everything about the film - its story, pacing, acting, direction was top notch. But the constantly poor subtitling proved too great a distraction and detracted from the film itself.

I can recommend the film without hesitation to any fluent Spanish speakers among you.

This is a fun little movie. Watching it is truly an experience. Knowing that it is based on a true story really blows the mind!! Wow! Completely crazy story.

Really well made and superbly acted. This is a cracking little movie!!