Polina, danser sa vie
- 2016
- Tous publics
- 1h 48m
IMDb RATING
6.7/10
2K
YOUR RATING
A young girl studies classical ballet. As a young woman she turns to modern dance and choreography.A young girl studies classical ballet. As a young woman she turns to modern dance and choreography.A young girl studies classical ballet. As a young woman she turns to modern dance and choreography.
- Directors
- Writers
- Stars
- Awards
- 2 nominations total
Aleksei Guskov
- Bojinski
- (as Aleksey Guskov)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is not a movie I would normally seek out, a fictional story of a young dancer coming of age, dialog in Russian and French with English subtitles. But my public library just added this title and there were no requests yet. So I got the DVD, I watched it, I enjoyed it.
In the DVD extras we learn that the search for the lead dancer and actress involved looking at literally hundreds of young ballet dancers. They had to be an accomplished dancer, they had to be able to act believably, they had to be able to speak French. In the end Anastasia Shevtsova, still a teenager and a ballet student in Russia, was picked to play Polina.
It is her first feature film and she is remarkably good in the role, which requires several successive character transitions. First she has to be a student for the Bolshoi, then a seeker of modern dance in France, then a budding choreographer. The crux of the story is her desire to dance, a harder worker you will not find, but eventually she realizes she is not happy just trying to perfectly perform choreography invented by someone else. She wants to express herself in improvisational dance and choreography.
Excellent movie.
In the DVD extras we learn that the search for the lead dancer and actress involved looking at literally hundreds of young ballet dancers. They had to be an accomplished dancer, they had to be able to act believably, they had to be able to speak French. In the end Anastasia Shevtsova, still a teenager and a ballet student in Russia, was picked to play Polina.
It is her first feature film and she is remarkably good in the role, which requires several successive character transitions. First she has to be a student for the Bolshoi, then a seeker of modern dance in France, then a budding choreographer. The crux of the story is her desire to dance, a harder worker you will not find, but eventually she realizes she is not happy just trying to perfectly perform choreography invented by someone else. She wants to express herself in improvisational dance and choreography.
Excellent movie.
Few films offer an authentic look at ballet or modern dance. This is one of those few. Unlike Black Swan, which was totally absurd, we get to see real dancers engaged in real dancing -- as in such great films as The Red Shoes (1948) and The Turning Point (1977). The makers of Polina understood that dancing isn't about faces -- it's about bodies moving through time and space -- so they present long takes that show the dancers from head to toe.
For me the high point of this movie was the long scene with Sergio's improvisation group -- the skinny guy with arms & legs like noodles, and then Polina's wonderful solo.
Unfortunately, the story falls apart not long afterward, and then, after a rushed montage that leaves too much unresolved, it ends abruptly. The disintegration of the narrative is the reason why I rated this movie six stars instead of seven or eight.
For me the high point of this movie was the long scene with Sergio's improvisation group -- the skinny guy with arms & legs like noodles, and then Polina's wonderful solo.
Unfortunately, the story falls apart not long afterward, and then, after a rushed montage that leaves too much unresolved, it ends abruptly. The disintegration of the narrative is the reason why I rated this movie six stars instead of seven or eight.
I found the scenes where we're watching ballet practice (the Bolshoi, or in Aix) to be very interesting. As an American, I found the European settings and atmosphere pretty compelling. But otherwise, this movie was unsatisfying and even boring at times for me. I honestly felt after watching that this was a niche film that would appeal primarily to students or aficionados of ballet, or folks employed in the field of dance.
In between the scenes of Polina rehearsing and taking dance classes, we see her becoming disillusioned, disappointed, lost. She spends the film wandering from one unsatisfying dance experience to the next. Ultimately she does seem to find a dance style that she enjoys, but by then I did not really care. I was just happy this tedious and unfulfilling journey was over.
If you read the IMDB user review by Teyss, that review does a good job of describing the movie. Some of the things Teyss admires, though, I found to be weaknesses in the film.
As far as the more unexplained or baffling incidents and scenes, well, I felt that I was supposed to understand something important about Polina from those moments, but I guess the importance eluded me.
In between the scenes of Polina rehearsing and taking dance classes, we see her becoming disillusioned, disappointed, lost. She spends the film wandering from one unsatisfying dance experience to the next. Ultimately she does seem to find a dance style that she enjoys, but by then I did not really care. I was just happy this tedious and unfulfilling journey was over.
If you read the IMDB user review by Teyss, that review does a good job of describing the movie. Some of the things Teyss admires, though, I found to be weaknesses in the film.
As far as the more unexplained or baffling incidents and scenes, well, I felt that I was supposed to understand something important about Polina from those moments, but I guess the importance eluded me.
Really enjoyed this film. Unlike most dance films it doesn't try to be silly or uplifting. Instead it's more akin to a moody indie film about a young woman who has been stifled all her life finally finding her voice.
The beats of the film will be familiar to anyone who has ever watched a dance film but the sincerity of the actors and the beautiful choreography makes this incredible to watch.
The beats of the film will be familiar to anyone who has ever watched a dance film but the sincerity of the actors and the beautiful choreography makes this incredible to watch.
This is the best film on artistic integrity ever. It's very cinematic and subtly told but it's an emotional journey also, one you go on firstly with Veronika Zhovnytska as the very young Polina, and then with Anastasia Shevtsova as the teenage and adult Polina. It's her story, her development artistically, that you are fortunate to witness. I don't want to say too much about it because that will ruin it for you but this is one of those films whose images draw you in. Soak yourself in them and luxuriate in them till the end, an end you won't want to come as it's affect grows upon you. This is the best dance film ever but it's also much more than that. Excellent supporting performances throughout as well.
Did you know
- TriviaAnastasia Shevtsova is a talented dancer: she was part of the renowned Vaganova Academy in Saint Petersburg before shooting the movie, and was afterwards admitted in the famous Mariinsky ballet, also in Saint Petersburg. Originally from a classical background, she practiced modern dance for as long as six months for the movie.
- ConnectionsReferenced in Au fil des mots: Episode dated 14 November 2016 (2016)
- SoundtracksConcerto for violin and orchestra
Music by Philip Glass
Violin by Adele Anthony
Ulster Orchestra
Conducted by T. Yuada
- How long is Polina?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Polina
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $165,203
- Opening weekend US & Canada
- $12,588
- Aug 27, 2017
- Gross worldwide
- $1,000,474
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 2.35 : 1
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