After enjoying a summer romance, high school students Danny and Sandy are unexpectedly reunited when she transfers to Rydell High. There Sandy must contend with cynical Rizzo and the Pink La... Read allAfter enjoying a summer romance, high school students Danny and Sandy are unexpectedly reunited when she transfers to Rydell High. There Sandy must contend with cynical Rizzo and the Pink Ladies in attempt to win Danny's heart again.After enjoying a summer romance, high school students Danny and Sandy are unexpectedly reunited when she transfers to Rydell High. There Sandy must contend with cynical Rizzo and the Pink Ladies in attempt to win Danny's heart again.
- Won 5 Primetime Emmys
- 7 wins & 10 nominations total
Featured reviews
Obviously it is a big undertaking to mount a live television production of Grease. The stage musical is a mainstay of various theatre productions with regular revivals and the film version is a classic despite some of its cheesiness. Even John Travolta recently admitted the film has become timeless, popular with kids even with the suggestiveness of some of the dialogue and lyrics.
Jessie J kicks of the rainy opening by singing Grease and we get to the setting very quickly and the opening number of Summer Nights. Julianne Hough is good as Sandy really evoking the memory of Olivia Newton John although her character hails from another part of the USA and not Australia. Aaron Tveit does well as Danny but never matches the cockiness of Travolta, which might had been easy to do if you are a young actor who just scored an Oscar nomination and a worldwide smash hit a year earlier with Saturday Night Fever. Vanessa Hudgens was less acerbic as Rizzo than Stockard Channing.
The production has songs that are featured in the stage production which might not be familiar with those who have only seen the film version. The production knows it has go for those big tent-pole numbers like Greased Lightning, Hopelessly devoted, Sandy and the finale You're the one that I want.
As it is a live television number there are stage set changes built in to the production as the cast have to get from one stage to another. There are lots of ad breaks. I cheekily recorded this to my TIVO and watched it 60 minutes after it started and then fast forwarded the ad breaks. The running time for me was about 2 hours and 15 minutes.
I guess some people may not be happy with the diverse casting but Grease was always about people being true to their feelings rather than fitting in with stereotypes. The creators of the stage musical would only be too happy that the show has progressed.
Some of the production limits it to its stage show origins. The car race was rather pedestrian masked by use of lighting and smoke.
Despite the pruning of the lyrics in Greased Lightning, some of the dialogue might be deemed to to be rude to younger viewers but I think some of it flew over my son's head.
Jessie J kicks of the rainy opening by singing Grease and we get to the setting very quickly and the opening number of Summer Nights. Julianne Hough is good as Sandy really evoking the memory of Olivia Newton John although her character hails from another part of the USA and not Australia. Aaron Tveit does well as Danny but never matches the cockiness of Travolta, which might had been easy to do if you are a young actor who just scored an Oscar nomination and a worldwide smash hit a year earlier with Saturday Night Fever. Vanessa Hudgens was less acerbic as Rizzo than Stockard Channing.
The production has songs that are featured in the stage production which might not be familiar with those who have only seen the film version. The production knows it has go for those big tent-pole numbers like Greased Lightning, Hopelessly devoted, Sandy and the finale You're the one that I want.
As it is a live television number there are stage set changes built in to the production as the cast have to get from one stage to another. There are lots of ad breaks. I cheekily recorded this to my TIVO and watched it 60 minutes after it started and then fast forwarded the ad breaks. The running time for me was about 2 hours and 15 minutes.
I guess some people may not be happy with the diverse casting but Grease was always about people being true to their feelings rather than fitting in with stereotypes. The creators of the stage musical would only be too happy that the show has progressed.
Some of the production limits it to its stage show origins. The car race was rather pedestrian masked by use of lighting and smoke.
Despite the pruning of the lyrics in Greased Lightning, some of the dialogue might be deemed to to be rude to younger viewers but I think some of it flew over my son's head.
Having watched all of the live musical performances on TV since NBC's production of "Sound of Music Live!" in 2013, I was anxious to see what Fox could do with "Grease: Live". The movie "Grease" is a favorite of mine. Like many others, I have watched the film many times.
All in all, I was pleased with the show. Most of the issues were technical, and there was only one actor (who I will not name) whose performance disappointed me.
It was the sound that tempers my enthusiasm for this production. In some cases, leading vocals were not quite loud enough. There was a total loss of sound during a portion of the "Hand Jive" number. And the big disappointment was the poor sound quality during Julianne Hough's (Sandy) performance of "Hopelessly Devoted To You"--what would have been the highlight of the show due to Julianne's soaring vocals. It sounded like a microphone problem, but wouldn't they have two mikes in case one failed?
The logistics of staging "Grease: Live" are mind boggling. I appreciate the way they took the viewer backstage and otherwise revealed the layout and the mechanics of moving cast and crew.
The cast is extremely talented. There were too many great performances to list them all, but I want to single out Elle McLemore whose Patty Simcox was inspired.
The storyline mostly followed the movie, but there were numerous deviations. The choices made resulted in a very enjoyable hybrid.
A DVD would be a nice addition to one's personal collection of musicals, but they will first have to clean up or remake Julianne's solo.
7/14/16: Received 10 Emmy nominations.
Updated 10/4/2019: I watched this performance again on pay-per-view. I am pleased to say that Julianne Hough's performance of "Hopelessly Devoted to You" has been fixed. I don't know what other edits might have been made. Since there are no commercials (or transitions to commercials), some of the backstage glimpses are lost. But I really enjoyed my second viewing. I noticed some things I had missed the first time through. And Vanessa Hudgens' talent really stands out. Her performance of "There Are Worse Things I Could Do" is a highlight.
All in all, I was pleased with the show. Most of the issues were technical, and there was only one actor (who I will not name) whose performance disappointed me.
It was the sound that tempers my enthusiasm for this production. In some cases, leading vocals were not quite loud enough. There was a total loss of sound during a portion of the "Hand Jive" number. And the big disappointment was the poor sound quality during Julianne Hough's (Sandy) performance of "Hopelessly Devoted To You"--what would have been the highlight of the show due to Julianne's soaring vocals. It sounded like a microphone problem, but wouldn't they have two mikes in case one failed?
The logistics of staging "Grease: Live" are mind boggling. I appreciate the way they took the viewer backstage and otherwise revealed the layout and the mechanics of moving cast and crew.
The cast is extremely talented. There were too many great performances to list them all, but I want to single out Elle McLemore whose Patty Simcox was inspired.
The storyline mostly followed the movie, but there were numerous deviations. The choices made resulted in a very enjoyable hybrid.
A DVD would be a nice addition to one's personal collection of musicals, but they will first have to clean up or remake Julianne's solo.
7/14/16: Received 10 Emmy nominations.
Updated 10/4/2019: I watched this performance again on pay-per-view. I am pleased to say that Julianne Hough's performance of "Hopelessly Devoted to You" has been fixed. I don't know what other edits might have been made. Since there are no commercials (or transitions to commercials), some of the backstage glimpses are lost. But I really enjoyed my second viewing. I noticed some things I had missed the first time through. And Vanessa Hudgens' talent really stands out. Her performance of "There Are Worse Things I Could Do" is a highlight.
For the most part, Fox really got it right. The two lead actors were up to the roles. Both could really sing, dance and act. What a far cry from the lame leads on NBC's versions of The Wiz, Peter Pan and Sound of Music. The staging and sets were outstanding. The camera-work was first rate and the audio mix was very good.
Julianne Hough was absolutely outstanding. A very young 27, beautiful and talented performer, she was a perfect choice to play Sandy. I cannot think of anyone who could have done it better.
The guy playing Danny - Aaron Tveit - had the right looks and build for the role and is an excellent singer-dancer-actor.
The supporting cast was enthusiastic and well-rehearsed.
Except for a 20 second audio loss during Hand Jive, there was no major technical glitch. Unlike NBC, the cameramen did not wind up in each other's shots. The movie was virtually all white as fit the setting of 1959. This Grease version tried a little too hard to integrate the cast and with the exception of the Coach, that really didn't work. It was the equivalent of sticking a bunch of Whites or Asians in The Wiz or Purlie. However, the forced diversity wasn't too glaring and didn't hurt the show overall.
Fox's Grease Live sets a new standard for live TV musicals. Congrats to all - cast, crew, producers.
Julianne Hough was absolutely outstanding. A very young 27, beautiful and talented performer, she was a perfect choice to play Sandy. I cannot think of anyone who could have done it better.
The guy playing Danny - Aaron Tveit - had the right looks and build for the role and is an excellent singer-dancer-actor.
The supporting cast was enthusiastic and well-rehearsed.
Except for a 20 second audio loss during Hand Jive, there was no major technical glitch. Unlike NBC, the cameramen did not wind up in each other's shots. The movie was virtually all white as fit the setting of 1959. This Grease version tried a little too hard to integrate the cast and with the exception of the Coach, that really didn't work. It was the equivalent of sticking a bunch of Whites or Asians in The Wiz or Purlie. However, the forced diversity wasn't too glaring and didn't hurt the show overall.
Fox's Grease Live sets a new standard for live TV musicals. Congrats to all - cast, crew, producers.
I wasn't expecting much but I was pleasantly surprised. This is a really nicely done musical. The performances are solid and the logistics must have been beyond the pale. The scene changes are outstanding. Compared to others of these live TV productions, this is far superior. The singing is really strong with an occasional dropout, but that's to be expected. One thing that I kept thinking is that Aaron Tveit looked kind of old to be Danny. I checked and apparently he's thirty-three. Of course, that is a challenge they had to face. As demanding as this musical is and the fact that so much professionalism is required, there aren't many true teenagers who could hold up under the pressure. If John Travolta goofed up, he could do it over again sixteen times. Grease has grown on me over the years and it was really fun to hear the songs again.
If I see one more review whining about them messing with the movie I'll probably scream. The movie came a full year AFTER Grease hit the stage in Chicago in the 70's. Yes, that's right. The original didn't have John Travolta or Olivia. They were the adaptation. Get over it and stop judging the live version against the movie it inspired. This was a good showing of Grease. I've seen worse off Broadway with people who couldn't carry a tune in a bucket. Considering Vanessa's father passed a couple hours prior to her performance, she was amazing! She showed she can carry a character no matter what. And her voice was great as always. I agree "Danny" was to old looking. If you've never seen the live performance before, please don't make any comparisons to the movie. They even have different songs and scenes. There isn't any comparing the two.
Did you know
- TriviaDidi Conn, who played Vi, the malt shop waitress, in this production, played "Frenchy" in the original 1978 musical movie production. Barry Pearl, who played Stan Weaver, the TV show producer of the National Bandstand TV show for the school dance (uncredited), in this production, played "Doody" in the original 1978 movie musical production. In the end, when Didi and Barry take their bows, they are wearing the original "T-Birds" and "Pink Ladies" jackets that they wore in the movie.
- GoofsIn the initial East-Coast airing, during the dance-off, coming back from commercial, Vince Fontaine says "American Bandstand" instead of "National Bandstand." The West-Coast airing replaced this with an alternate take where he says the correct line.
- Quotes
Principal McGee: Nothing makes a cheerleader more nervous than being late!
- Alternate versionsThe Fox broadcast version ran roughly 3 minutes longer than the Paramount home video release. As they headed into commercial breaks, Mario Lopez narrated several short behind-the-scenes/making-of segments which were omitted from the DVD.
- ConnectionsFeatured in The 68th Primetime Emmy Awards (2016)
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