A demented killer taunts a retired police detective with a series of lurid letters and emails, forcing the ex-cop to undertake a private, and potentially felonious, crusade to bring the kill... Read allA demented killer taunts a retired police detective with a series of lurid letters and emails, forcing the ex-cop to undertake a private, and potentially felonious, crusade to bring the killer to justice before he can strike again.A demented killer taunts a retired police detective with a series of lurid letters and emails, forcing the ex-cop to undertake a private, and potentially felonious, crusade to bring the killer to justice before he can strike again.
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As a fan of Mr. King for many years --and NOT a fan of most of the TV and movie adaptations of his works-- I have to say I was impressed with the pilot episode. The casting of Brendan Gleeson got me in to watch it and thank God nobody asked him to try an American accent (witness what happened when they asked Michael Caine to try that in 'Mr Morgan's Last Love'). Also, it was nice to see Harry Treadaway pop up again after 'Penny Dreadful'. The whole show spoke of quality and good storytelling. I agree that the opening scene was a little gratuitous but it is faithful to the novel and I would rather see this sort of violence represented honestly than stylistically. No illusions that blood and guts aren't spilled when you drive a car through human bodies. I am looking forward to the next episode and have already added it to my weekly TV viewing list.
Despite the staggering number of morons who ruined this show's Amazon rating by giving it one-star reviews due to a missing episode, rather than it being a bad show, it still managed to pop-up on my radar; a small miracle for which I am very grateful, as it is an outstanding piece of television.
As serial-killer procedurals go, this is one of the finest I've seen, with strong writing, a talented cast, confident director, and master storyteller Stephen King pulling the strings.
It is not perfect. Far from it. But in an overcrowded genre replete with potential potholes, this show managed to avoid most of the common hazards, while remaining generally unpredictable, well-paced, and intriguing. On a few occasions it began to feel a little like the similarly excellent "Dexter", and somewhere around the middle I began to experience unexpected sympathies with the killer, which made me wonder if I should be rooting for him, rather than the retired cop expertly portrayed by the ever likable Brendan Gleeson. But in the nick of time, my own personal leanings toward serial-killer-dom were jogged back to the correct moral course, and the season concluded with a deeply satisfying finale.
On a personal note, and with absolutely no exaggeration, this show also achieved something rather remarkable: Literally every single song featured in the entire series, without exception, was one that I absolutely hate. This has never happened before in 43 years of watching films and TV. I wasn't even aware that I hated so many songs, but apparently I do. And since the soundtrack of any film or TV show is at least fifty percent responsible for the viewer's emotional responses to what they're watching, it is even more impressive that I enjoyed the show so much, despite its appalling soundtrack!
I'm assuming that this is a one-off series, but if not I can't wait for the next one.
As serial-killer procedurals go, this is one of the finest I've seen, with strong writing, a talented cast, confident director, and master storyteller Stephen King pulling the strings.
It is not perfect. Far from it. But in an overcrowded genre replete with potential potholes, this show managed to avoid most of the common hazards, while remaining generally unpredictable, well-paced, and intriguing. On a few occasions it began to feel a little like the similarly excellent "Dexter", and somewhere around the middle I began to experience unexpected sympathies with the killer, which made me wonder if I should be rooting for him, rather than the retired cop expertly portrayed by the ever likable Brendan Gleeson. But in the nick of time, my own personal leanings toward serial-killer-dom were jogged back to the correct moral course, and the season concluded with a deeply satisfying finale.
On a personal note, and with absolutely no exaggeration, this show also achieved something rather remarkable: Literally every single song featured in the entire series, without exception, was one that I absolutely hate. This has never happened before in 43 years of watching films and TV. I wasn't even aware that I hated so many songs, but apparently I do. And since the soundtrack of any film or TV show is at least fifty percent responsible for the viewer's emotional responses to what they're watching, it is even more impressive that I enjoyed the show so much, despite its appalling soundtrack!
I'm assuming that this is a one-off series, but if not I can't wait for the next one.
The pace was slow, but I found it interesting enough to keep watching. I do think it could have just as well been a movie instead of a series if they just left it after the first season. Very good start.
I quit after season 1 based on the reviews and also the first half of the first episode (I don't like it when things happen in dreams/the subconscious/whatever).
I quit after season 1 based on the reviews and also the first half of the first episode (I don't like it when things happen in dreams/the subconscious/whatever).
I'm giving this show a 7. It could have been a 9 or possibly a 10 if they quit after the first season. Please watch the first season. Its amazing. The second season makes you want to kick people in the nuts
This show works because Brendan Gleason is such a great character actor .
Story is ok pacing is a bit slow in the second season .
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- TriviaStephen King said in an interview that he had Brendan Gleeson in mind when writing the character of Bill Hodges.
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