Dolly Ki Doli

Dolly Ki Doli's premise is simple and it has been executed with a sharp knife. No room for any flab. The director has a strong control over the narrative- the story moves at a pace that keeps one glued. It does not pretend to be two steps ahead of the viewer, instead it bobs along with him– just a little bit teasingly ahead. This makes the film viewing friendly and attractive.

The ensemble cast is another high point- great actors and super performances. Casting is indeed very very apt. Technically the film neither under nor overwhelms you. It works like a smooth ride.

Just like the telling of the film, Dolly is a woman with no pretensions. She and the film stand tall. Dolly as the person does not relent right till the climax when all heroes undergo transformation. The film, however, promises the transformation yet keeps the climax refreshing- its other beauty being its non-verbosity. Crisp and bang on. It does leave space for a sequel and that would be something to watch out for.

Overall, DKD is an honest attempt at a simple, crisp story telling with a smooth screenplay, some smart dialogs, a lovely cast and equally great performances.

What the hell did I just watch? All throughout the movie I kept thinking, maybe the end climax will turn everything around. All the muddled puzzle pieces will suddenly fall into place. Something like 6th sense, or fight club, or Kahaani. Alas, this dumb movie never attempts to answer the most obvious flaws it contains. The ending is just like the rest of the movie- crappy.

Sonam Kapoor's acting was quite shallow. Unlike her previous movies. Rajkumar Rao was the only average character in the movie. He tried providing some comic relief with his witty dialogues. Unfortunately, the storyline was so bleak and thinly plastered, that even his dialogues could not support it. All others just tanked down.

Make no mistake Dolly ki Doli has some really good funny moments. But still, Dolly ki Doli tastes like a half baked potato.

If you have seen the trailer you will pretty much know what's going to happen next in the movie. Though first half is a decent one, the story of the movie is too convenient in the second half. Performance wise all have done a decent job. But, direction is pretty ordinary. Its really a shame if you have to include 4 songs in a movie that runs less than 100 min. Also the predictability of plot does not help much.

As a whole, the movie is an average fare. Watch it if you don't have anything else to do.

'Dolly Ki Doli' is the first Bollywood movie that I watched in 2015 and it certainly surpassed my expectations. Directed and co-written by Abhishek Dogra, the film has a run time of 98 minutes which is just right considering the quite simple story. Starring Sonam Kapoor, Pulkit Samrat, Rajkumar Rao and Varun Sharma, 'Dolly Ki Doli' is about a runaway bride who tricks various men into getting married to her then runs away with whatever valuables she can steal. The narrative is very linear yet so entertaining containing a relevant flashback explaining why Dolly (Sonam Kapoor) started doing what she does best which is conning people.

Sonam Kapoor as a con woman plays her usual typecast 'loud urban chick' role perfectly sporting different looks throughout the film. Her costumes are also spot on glamorising every wedding scene making them look royal especially in the dance number 'Phatte Tak Nachna'. You feel sorry for Sonu (Rajkumar Rao) who the film starts off with. He plays a Haryanvi character so realistically and uses his method acting to showcase a range of emotions.

Varun Sharma uses his comedic talent well after 'Fukrey' as a rich spoilt kid who has to go against his mother played by Archana Puran Singh just to marry Dolly. Last of all, Pulkit Samrat plays a Dabangg inspired cop called 'Robin Singh' who takes on the case of finding and nabbing Dolly and her so-called 'family'. There is not much to say about his acting as he was seen in a similar role in last year's 'Jai Ho' except he shows much more charisma in this outing. The stand out performance for me has to be Rajkumar Rao due to his natural performance.

Moving on from the positives, although the first half is very entertaining as the story travels at an appropriate pace, the second half seems a bit rushed and the ending is typical. The one question you will be asking is how there were no pictures taken of Dolly at any of the dozen weddings, even though it is revealed that the camera man is a part of their team but surely people carry mobile phones around in this era? However, it doesn't ruin the experience at all as the back story of Dolly will keep you hooked as well as a cameo appearance by none other than Saif Ali Khan. The soundtrack is also decent with mainly dance numbers, one featuring item queen Malaika Arora Khan but the picturisation of 'Mere Naina Kafir Hogaye' stands out due to the emotional quotient attached to it.

Overall, the film is quite enjoyable for a January release and certainly a must watch for Sonam Kapoor fans as she brings her quirkiness to the table once again after last year's hit 'Khoobsurat'. The performances by the male leads should also not be underestimated. If you want a serious film like 'Baby' or 'Badlapur', then this definitely isn't for you. However, if you want pure entertainment backed by a decent cast, then go for it.

Clearing the confusion over its inspired status first, yes the early half of the film (or the initial 20 minutes) are exactly similar to the Punjabi film RONDE SAARE VYAH PICHHON aka RSVP released in 2013. But since both the writers deny seeing each other's films and claim to have taken the idea from few real life instances featured in the daily newspapers, hence we are forced to consider this as possibly a rarest of rare exception of two unrelated minds writing and visualising exactly similar sequences in their individual films released at a gap of more than one year.

Next keeping in mind its fairly novel plot of a 'Looteri Dulhan' and a whole con-family involved it the cunning business, DOLLY KI DOLI does have an interesting premise to offer. But after making a fine, enjoyable beginning, what the writer and director do with the film post intermission (different from RSVP) is really sad and awful, completely ruining its winning potential altogether. For instance it straight away begins with an abrupt scene introducing the lead pair chatting casually followed by an item song by the producer (Malaika) herself and then displays several big loopholes in the con games being played by the 'Looteri family' with two young boys. Still few enjoyable performances, funny local lingo and double meaning dialogues thankfully steal the limelight and one doesn't really care about the flaws in its initial 45- 50 minutes to be honest.

However post intermission, the 100 minute film goes entirely off-track and starts moving in various weird directions involving betrayals, silly love angles, revenge and more. The writers come with such weird and forced ideas like the family fleeing fearing a police raid, but forgetting to take along their old age (fake) Dadi…….and then remembering about her while sitting in the train. Moreover here we have a young energetic inspector who is unable to find the con-girl but the other victim boy can find her so easily, reaching her new home too without any problem as such. Plus, I really couldn't understand what help did the film get from a lackluster cameo of Saif Ali Khan doing nothing.

In other words, in its second hour DOLLY KI DOLI simply fails to encash on its fresh con-plot leading towards an illogical climax and only three people give you something to enjoy in its short duration namely, Rajkummar Rao (with his excellent Haryanvi accent), Varun Sharma (reminding you of his 'Choocha' act in FUKREY) and Archna Puran Singh (as a loud Punjabi mother looking for a better girl for her boy). Strangely Sonam Kapoor is simply there in the lead role just to smile or look good and both Pulkit Samrat and Mohammed Zeeshan Ayyub are not able to deliver the expected due to their badly written roles. Brijendar Kala, Rajesh Sharma and Ishtiaq are entertaining in their small cameos, whereas debutant director Abhishek Dogra really could have delivered a much better enjoyable con-comedy with such a cast ensemble. The cinematography and background score remain average and so does its soundtrack having all mediocre unimpressive tracks (except "Mera Naina") with sick lyrics such as "Aaj Phatte Tak Nachhna" (now I really don't know what it means!) and "Launda Jawaan Banega Yahan Mere Passion Mein"…….great indeed!'

To conclude, as the film ends another song starts playing along the end- credits with the words,'Baba Ji Ka Thullu'. And one truly feels like having shown the signature sign while walking out of the theatre. In short, one might enjoy it partially while watching it (free of cost) during a channel telecast but sparing your precious time and money on a multiplex ticket is certainly not recommended.