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This documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly ... Read allThis documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly 50 years.This documentary tells the rise and fall of the Black Panther Party, one of the 20th century's most alluring and controversial organizations that captivated the world's attention for nearly 50 years.
- Nominated for 1 Primetime Emmy
- 3 wins & 6 nominations total
Eldridge Cleaver
- Self - Black Panther Party
- (archive footage)
Kathleen Cleaver
- Self - Black Panther Party
- (archive footage)
Mike Gray
- Self - Filmmaker
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
With the heightened sense of racism that has been projected in the media in the last 12 months (not that it didn't exist without all the publicity), director Stanley Nelson's recollection of the fight for civil rights with The Black Panthers on the front lines seems highly appropriate at this juncture. While some deemed the party's actions as bold and arrogant, the passion for equal rights was front and center. Nelson divulges frank interviews with former Black Panther members as they discuss their methods that exploited the media to further their cause as well as the rallies that ignited the streets with support and outrage. The true enthrallment comes from the dastardly deeds of J. Edgar Hoover and his Counterintelligence Program that tracked, tapped, and falsified personal letters to members of the Black Panther party. The first Director of the FBI even convinced detained party members to turn on their organization and become government informants. It's an accounting with so many outrageous points it has to be true. -Jimmy Martin
This is a heroic attempt at a one-film history of the Panthers. It suffers only from its own ambition- this is too complex a subject to offer a "history of" in the length of a single feature film.
The best parts of the film are the stirring, emotional recounts of battles with agents of the state by revolutionaries who were on the front lines, heroes most of us have never before heard of.
The portraits offered of the iconic Party leaders were a bit more problematic, or simply lacking. The presentation of Huey Newton is far too simplistic. One comes away with a sketch of a sociopath who the Party naively turned into an icon. While there is credible documentation of Newton's erratic behavior and drug abuse after spending many years in prison on likely trumped up charges, watching this film you would not know of Newton's extensive and influential writings on revolutionary theory, including his ground-breaking advocacy of the Gay- Equality struggle.
Other important strands of Panther history were simply lacking. There is, for instance, no mention of George Jackson or the Angola Three. Still, a fine attempt to do a lot with too little space and time.
The best parts of the film are the stirring, emotional recounts of battles with agents of the state by revolutionaries who were on the front lines, heroes most of us have never before heard of.
The portraits offered of the iconic Party leaders were a bit more problematic, or simply lacking. The presentation of Huey Newton is far too simplistic. One comes away with a sketch of a sociopath who the Party naively turned into an icon. While there is credible documentation of Newton's erratic behavior and drug abuse after spending many years in prison on likely trumped up charges, watching this film you would not know of Newton's extensive and influential writings on revolutionary theory, including his ground-breaking advocacy of the Gay- Equality struggle.
Other important strands of Panther history were simply lacking. There is, for instance, no mention of George Jackson or the Angola Three. Still, a fine attempt to do a lot with too little space and time.
BLACK PANTHERS is a salutary piece that should be shown as a reminder to every politician past and present that racism is alive and regrettably flourishing throughout the United States. Perhaps they should bear this fact in mind before making racist and inflammatory statements in their campaign speeches.
With the help of extensive archive footage plus first-hand reminiscences from those involved, Stanley Nelson's documentary tells the story of a movement that grew out of the Civil Rights Movement but favored more active forms of intervention. Protests might be kept largely peaceful - at least in the early years - but members of the movement were quite prepared to carry weapons, especially in California, where a loophole in the law allowed them to do so. The overwhelmingly white police force took strong exception to this, but there was little they could do within the confines of the law ... except to beat up miscreants in the name of preserving the peace.
Ideologically speaking, the Black Panthers had a lot in common with the liberation movements that sprung up all over Africa during the Sixties. Many nations freed themselves at length from the shackles of colonial rule: the Black Panthers wanted to do the same for African Americans within the USA. They garnered considerable support from within the African continent, and managed to attract a huge following for their various demonstrations. The media found some of them highly attractive with their Afro hairstyles and alternative modes of dress through which they expressed their unique identities.
In a chilling reminder of the anti-Communist movement two decades previously, the government - especially under Richard Nixon - tried to limit the Black Panthers' activities through the work of J. Edgar Hoover and the FBI. Although not exactly described as such, his determine to root out so-called "subversives" reeked of an anticommunist witch-hunt, taking place in a country that publicly speaking liked to proclaim its commitment to democratic values.
Perhaps the document was a tad one-sided, as it tended to concentrate on the Panthers' commitment to eradicate racism while not exploring some of its more violent tactics. But then perhaps they could be justified; the days of the African American passively turning the other cheek or peacefully resisting in a manner prescribed by Martin Luther King were long gone.
My first memory of the Black Panther movement and its significance came at the 1968 Olympics, when the African American Tommie Smith raised his hand in the movement's salute just after he had received a gold medal. Although the television companies tried to make light of the incident, it was a clear indication of how the movement had become part of the mainstream rather than remaining on the margins.
With the help of extensive archive footage plus first-hand reminiscences from those involved, Stanley Nelson's documentary tells the story of a movement that grew out of the Civil Rights Movement but favored more active forms of intervention. Protests might be kept largely peaceful - at least in the early years - but members of the movement were quite prepared to carry weapons, especially in California, where a loophole in the law allowed them to do so. The overwhelmingly white police force took strong exception to this, but there was little they could do within the confines of the law ... except to beat up miscreants in the name of preserving the peace.
Ideologically speaking, the Black Panthers had a lot in common with the liberation movements that sprung up all over Africa during the Sixties. Many nations freed themselves at length from the shackles of colonial rule: the Black Panthers wanted to do the same for African Americans within the USA. They garnered considerable support from within the African continent, and managed to attract a huge following for their various demonstrations. The media found some of them highly attractive with their Afro hairstyles and alternative modes of dress through which they expressed their unique identities.
In a chilling reminder of the anti-Communist movement two decades previously, the government - especially under Richard Nixon - tried to limit the Black Panthers' activities through the work of J. Edgar Hoover and the FBI. Although not exactly described as such, his determine to root out so-called "subversives" reeked of an anticommunist witch-hunt, taking place in a country that publicly speaking liked to proclaim its commitment to democratic values.
Perhaps the document was a tad one-sided, as it tended to concentrate on the Panthers' commitment to eradicate racism while not exploring some of its more violent tactics. But then perhaps they could be justified; the days of the African American passively turning the other cheek or peacefully resisting in a manner prescribed by Martin Luther King were long gone.
My first memory of the Black Panther movement and its significance came at the 1968 Olympics, when the African American Tommie Smith raised his hand in the movement's salute just after he had received a gold medal. Although the television companies tried to make light of the incident, it was a clear indication of how the movement had become part of the mainstream rather than remaining on the margins.
Because I'm old as dirt, I recall reading about the murder by the Chicago Police of Black Panther Fred Hampton in his bed while he slept, clearly part of J.Edgar Hoover's national program to undermine any leadership of the Black Panther Party. I was a senior in high school, and promptly tossed aside the Beowulf paper I was writing for one on the Black Panthers. This documentary gives you the full story that overlooked in civil rights discussions: the idea of militant blacks bearing arms was too frightening, although it sure made Martin Luther King's marches seem quite suddenly acceptable. I suspect it is the frightening aspect that has kept the Black Panther story stuffed in the closet of civil rights history.
The documentary portrays how carefully the Panthers attended to legal rights regarding guns, how they stood witness en mass whenever police pulled over black in the neighborhood (Black Lives Matter) to ensure just treatment. Very well portrayed was the diabolical and successful program of the FBI and law enforcement to cripple the organization. Important viewing for all Americans.
The documentary portrays how carefully the Panthers attended to legal rights regarding guns, how they stood witness en mass whenever police pulled over black in the neighborhood (Black Lives Matter) to ensure just treatment. Very well portrayed was the diabolical and successful program of the FBI and law enforcement to cripple the organization. Important viewing for all Americans.
I learned somethings, and have a new appreciation for this organization. It's not always what "they'd" have you believe if you get all your news from the nightly news! Why do we have *anything* named after Hoover? He was vicious. And I feel I understand Regan's racism a bit better (not excusing it, just saying now I see what happened, and it makes sense in the way he acted... let's just say... without the Black Panthers, he likely would NOT have become president...)
Did you know
- ConnectionsFeatured in The Global African: The Black Panthers: A Revolution in Review (2015)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Μαύροι Πάνθηρες: Πρωτοστάτες της επανάστασης
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $516,893
- Opening weekend US & Canada
- $20,215
- Sep 6, 2015
- Gross worldwide
- $584,109
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