Kubo et l'Armure magique

Reviewers Notes;

1. As I write this, the top-rated IMDb review starts with the header "a hard movie to explain..." and that pretty much nails it. The film starts very slow, builds gradually, has the viewer hooked like a fish by the mid-point, and then falls a tiny bit short in the climax. But overall the experience is unforgettable, magical, and great fun.

2. In Japan anime, they revere not only their movies but their studios. It was always considered that the NA studios, even Pixar, don't measure up. But Studio Laiko in this amazing film has done things with stop-motion and color which make it a world standard and as good as or better than the best that Japan has to offer. I am even going to use some frames a screen saver, they are THAT good.

3. Lots of great voice acting but Charlize Theron steals, literally steals, the film and takes it to a new level. Makes you forget all about the goldfish that initially started the trend in "star" voices. Truly an incredible performance.

Those talented folks at LAIKA have done it again. KUBO AND THE TWO STRINGS is not just one of the best animated films of the year, it's one of the best films of the year, period. Not since Pixar's "Up," have death and loss been handled do firmly and delicately. "Kubo" is fun, moving, hopeful, and profound. A terrific story of bravery and acceptance.

Written by Marc Haimes and Chris Butler and directed by LAIKA's own president, Travis Knight, KUBO AND THE TWO STRINGS is set in a fantastical Japan where a one-eyed kid who masters the art of origami and storytelling, Kubo, (voiced by Art Parkinson of "Game Of Thrones") would go out to work to earn money during the day by entertaining audiences in the middle of a market but he comes home right before sundown to tend to his sick mother, it has to be before sundown because at night, his mother's sisters, two evil twins (voice day Oscar nominee Rooney Mara) would try to get Kubo's other eye. The past catches up to them, an old vendetta resurfaces, Kubo must run and join forces with Monkey (voiced by Oscar winner Charlize Theron) and a beetle (voiced by Oscar winner Matthew McConaughey) on a quest to retrieve the helmet, the sword unbreakable and the armor that would prepare Kubo to fight the vengeful Moon King (voiced by Oscar nominee Ralph Fiennes). This quest would unlock Kubo's family mystery and lead him to fulfill his destiny.

I've always appreciated animation, but with stop-motion, it's extra level of appreciation, knowing the extra hard work they put into even just to get a few seconds of shots. It's a level of dedication and discipline that never ceases to blow my mind, that's why I'm a huge fan of LAIKA. Especially with this latest film of theirs, the scale is much bigger, there's a sequence involving a large skeleton giant, your brain starts to wonder as you see that scene just how many hours, how many weeks, how many months did it take for them to make that happen.

This film has action, it has love drama, it has family drama, it has a great sense of humor and it's also about community coming together to help one another. It has its own way of featuring and respecting Japanese art and tradition, but even if you're not too familiar with that particular culture, KUBO resonates much deeper than just the aesthetics. It's a film that's perfect for the whole family. And on top of that, it delicately teaches our young ones about how to grieve in a healthy manner. There's also a twist to the story which I won't spoil for you here. This film is just so beautiful and pristine. Charlize Theron has that commanding voice you would follow to the ends of the earth. And Matthew McConaughey voices Beetle as playful and as proud as Tim Allen did Buzz Lightyear. So it's a combination of outstanding stop motion animation, excellent voice talents, a well-told story and strong characters that make KUBO AND THE TWO STRINGS one of my favorite this year.

-- Rama's Screen --

Kubo was the first fully Claymation film I have scene, and it was fantastic to see. I am a huge fan of the art style and want so much more of it. The story was charming, and even exceptionally enthralling for the first half of the film, but slows to a halt during Act III, crippling its momentum. The art style alone makes this movie worth watching, and I will see anything that took this much work and artistic talent on the big screen in coming years.

If this film was told from another perspective, Kubo and the Two Strings might be considered a bit preachy. It still might be, regardless. But no matter how you look at it, it is something to be looked at more than once. It is simply an amazing work of animated achievement in cinema.

Set in what could be medieval Japan, a little boy named Kubo scratches out a meager existence on the village streets earning just enough for him and his mother to survive. For her part, mom (voiced by Charlize Theron) sits at the mouth of their mountaintop cave in a comatose state every day until dusk. This is also the time when Kubo must be home, not only to be there when she snaps out of it to regale him with stories of his long lost warrior father, but so he can be safe from the evil that bewitched his mother and left him with only one eye. Failing to do this one fateful night forces Kubo on a journey to recover mythical armor and weapons that will beat back the forces of darkness and restore love and harmony to his life and the lives of others. Aiding him on his quest are a miniature monkey carving come to life, an origami samurai, and a beetle/man warrior (Matthew McConaughey).

What is truly exceptional about Kubo and the Two Strings is not the story. The characters have American English accents and are not Asian. A couple characters aren't really fleshed out (those of Brenda Vaccaro and Ralph Fiennes for example). Although the film is geared toward a younger audience, there are deep themes of rebirth and reincarnation that are a major part of the movie and seem heavy handed, as was hinted at earlier. The story is not the star, the presentation of the story is what shines.

Anyone who is familiar with Laika studios work (Coraline, The Boxtrolls) will not be disappointed in how Kubo and the Two Strings looks. For the uninitiated, be prepared to see a film that hearkens back to the old style of painstaking, stop-motion animation with a splash of 21st century wizardry. These filmmakers have done what other strive to do with budgets two, four, even six times larger. They have made an animated world that pulls you in with its realism. It doesn't come off as cartoon like. Eyes glisten, teeth are almost translucent, hair blows in the wind, characters have shadows. Any shortcomings in the script are quickly forgiven when the evil sisters float into the scene or when Kubo (Art Parkinson) captivates the town folk with his storytelling. It's the attention to detail, the craftsmanship, and artistic appreciation that sets films like Kubo and the Two Strings apart from other animated feature films. The filmmakers have learned a lot from the old masters and have served notice that they are at the top of their game. Just sit back and let them and their latest undertaking work their magic on you.

www.mediumraretv.org

A young boy named Kubo must locate a magical suit of armor worn by his late father in order to defeat a vengeful spirit from the past.

For Best Animated Film of 2016, there seems to be two schools of thought: either "Zootopia" or "Kubo". The former has so far been winning the most awards, and will probably win the Oscar. But "Kubo" has a strong following, with some saying it is not only the best animated film, but one of the best films of the year in any genre.

I love a good underdog, but in this case my sympathies lie with "Zootopia". The creators there have crafted an entire world, and it is not only very enjoyable, but lends itself to any number of sequels with other characters. It is a rich, dense landscape. "Kubo", on the other hand, is a very shallow, one-dimensional story. A boy goes looking for armor, and without even knowing what direction to go, he stumbles over it almost immediately. There is no deep conception of character or plot, everything just falls into place. For me, that really makes the film lacking and does not make me want to take repeat trips.

However, "Kubo" is also nominated for Best Visual Effects. And on that note, I would love to see it win. I don't personally know the challenges of traditional animation versus computer animation versus stop motion. But, I do see the finished product here and how flawless it looks. Unlike the "classic" stop motion (such as "King Kong"), the movements are seamless. I can't even fathom the amount of minuscule adjustments that have to be made.

Although "Zootopia" is a clear favorite for Best Animated Feature (in my opinion), by all means give "Kubo" the Best Visual Effects and honor these folks for the hard work and countless hours it must have taken.