Les délices de Tokyo

Tears rolled down from my eyes while watching An. The movie reminds me of the evils of discrimination. Unique and beautiful, everyone deserves love. Also, it is important to throw oneself heart and soul into everything one does. Let's say NO to a flippant attitude and I hope my students can understand that constant efforts yield success. Moreover, this touching movie reminds us to treasure what we have and not to take everything for granted.

Although the story is rather simple, the film is worth watching because of Kirin Kiki, one of the best Japanese actresses. Her acting is beyond compare. I totally feel for her character, who stays positive and truly appreciates the beauty of the mother nature despite her sad story. Masatoshi Nagase is impressive too. He subtly expresses his suppressed frustration, in spite of his long silences at the beginning of the film. I also love his performance in another film, Kano. Apart from the capable leads, the cinematography is awesome. The four seasons, the food and the mother nature are beautifully captured.

Like red beans, life is bittersweet in nature. Nevertheless, the elderly woman's secret recipe for truly transcendent dorayakis reminds us that we are able to get rid of the bitter taste, with a good attitude, smiles, effort and love.

"Sweet Bean" is a film that revolves around Dorayaki--small pancakes that are glued together (usually) with sweet red bean paste. For anyone who hasn't had these sweet beans, they are amazingly delicious and any Japanese dish with sweet beans is a real treat. So, as I watched the film, it made me really, really hungry!

When the film begins, the manager of s tiny Dorayaki shop is approached by an elderly woman who wants a part-time job. He refuses, as she appears to be at least in her mid-70s. However, she is persistent and presents him with some of her sweet beans. After eating them, he realizes her filling is much better than his and he immediately hires her. She teaches him her method and together they are very successful. However, while you'd think this would result in a happily ever after sort of ending, it is NOT so sweet....but actually rather depressing and bitter-sweet. I am NOT being critical about the film...just warning you as folks who are already depressed might be better off watching another film. The themes involving Japanese prejudices against the disabled are interersting...but naturally not particularly fun to watch! Overall, the film has lovely acting and pacing...but also might not provide the sort of payoff you might be looking for in a movie.

"Sweet Bean" is a small, reflective movie that depicts the relationship between a guy working at a dorayaki shop, a sweet filled with 'an' (the reason for its original title), an old lady that appears out of nowhere and tries to convince him to employ her at his shop, and a young high school student who has her own problems with her family. Little by little, they become close to each other, a bond is created and they get a glimpse into their respective pasts.

Naomi Kawase normally does slow-burning movies, with a relaxed atmosphere, long takes and centering on the actors and their exchanges. "Sweet Bean" is not an exception and the actors answer with great performances all around (even sometimes histrionic Kirin Kiki, here very tone down and contemplative). The plot may seem simple, but it has different layers, which will grip the viewer, making them not only enjoy, but also think.

There are a couple of shaky points, though. First, the pace suffers in some moments, being a little bit brusque, some plot developments a little bit out of the blue. The second is that the last act is a little bit overlong and/or in-your-face.

"Sweet Bean" will be enjoyed by everyone. And make you hungry.

Yes, as others write, it's quite sentimental, and slightly didactic, but it isn't so in a corny way. The pain and moral dilemmas it portrays are very relatable and at times almost too much too bear. Maybe it's just that I find depictions of kind and lonely old folks very touching. Speaking of, Kirin Kiki's performance is brilliant. She's the real deal. She was so convincing that I actually checked if she was someone who had suffered from leprosy. This is a film in the tradition of Kurosawa's 'Ikiru'. There is even a sort of key moment in the film where Tokue uses the phrase 'ikiru' (to live).

...after ten minutes or so I knew that this film was worth to watch. the actors; the pace; the cinematography showing all those sakura trees were perfect.

No doubt that Kirin Kiki is the movie herself but Masatoshi Nagase with his silence and sad face works for me too. Of course to have a good script and director sure help a lot but they captured the mood the right way.

Sometimes we cannot do or see the simply things because life gets on us; sometimes we have the problem; in our minds, souls or bodies. Life is so good for many but a pain for many others too; so depends on what side of the coin you are to live a full one; however, the script is telling us that if you are one that carry one of these big problems better to try to take the best out of you and do it the best possible way without fall too deep. You know, there s no choices, until dead comes...

Kyara Uchida is the third important character here; her roll is a shy but independent teenager that are somewhat on her own due to her mother does not act as one.

In real life she is the granddaughter of Kirin Kiki.