Les délices de Tokyo

...after ten minutes or so I knew that this film was worth to watch. the actors; the pace; the cinematography showing all those sakura trees were perfect.

No doubt that Kirin Kiki is the movie herself but Masatoshi Nagase with his silence and sad face works for me too. Of course to have a good script and director sure help a lot but they captured the mood the right way.

Sometimes we cannot do or see the simply things because life gets on us; sometimes we have the problem; in our minds, souls or bodies. Life is so good for many but a pain for many others too; so depends on what side of the coin you are to live a full one; however, the script is telling us that if you are one that carry one of these big problems better to try to take the best out of you and do it the best possible way without fall too deep. You know, there s no choices, until dead comes...

Kyara Uchida is the third important character here; her roll is a shy but independent teenager that are somewhat on her own due to her mother does not act as one.

In real life she is the granddaughter of Kirin Kiki.

Yes, as others write, it's quite sentimental, and slightly didactic, but it isn't so in a corny way. The pain and moral dilemmas it portrays are very relatable and at times almost too much too bear. Maybe it's just that I find depictions of kind and lonely old folks very touching. Speaking of, Kirin Kiki's performance is brilliant. She's the real deal. She was so convincing that I actually checked if she was someone who had suffered from leprosy. This is a film in the tradition of Kurosawa's 'Ikiru'. There is even a sort of key moment in the film where Tokue uses the phrase 'ikiru' (to live).

"Sweet Bean" is a small, reflective movie that depicts the relationship between a guy working at a dorayaki shop, a sweet filled with 'an' (the reason for its original title), an old lady that appears out of nowhere and tries to convince him to employ her at his shop, and a young high school student who has her own problems with her family. Little by little, they become close to each other, a bond is created and they get a glimpse into their respective pasts.

Naomi Kawase normally does slow-burning movies, with a relaxed atmosphere, long takes and centering on the actors and their exchanges. "Sweet Bean" is not an exception and the actors answer with great performances all around (even sometimes histrionic Kirin Kiki, here very tone down and contemplative). The plot may seem simple, but it has different layers, which will grip the viewer, making them not only enjoy, but also think.

There are a couple of shaky points, though. First, the pace suffers in some moments, being a little bit brusque, some plot developments a little bit out of the blue. The second is that the last act is a little bit overlong and/or in-your-face.

"Sweet Bean" will be enjoyed by everyone. And make you hungry.

Although I've traveled through Japan for three weeks last year, I had never heard of dorayaki, let alone eaten it. This omission has been put to an end by the film 'An'. As a nice and original gimmick, every viewer in the cinema I went to, received a dorayaki with his ticket, nicely wrapped in cellophane. The fun thing is: nobody knew exactly what is was, until the film was well underway.

A dorayaki is a sort of double mini-pancake, filled with bean paste. The Japanese word for the bean paste is an, hence the title of the film.

'An' is a small, heartfelt, feel-good movie. It starts and ends with beautiful images of cherry-blossom, the epitome of all things Japanese. The story takes place in the twelve month period between the blossom seasons. Sentaro, a quiet man in his thirties, sells dorayaki in a fast food stand. One day, a woman in her seventies brings him a plastic box filled with home-made an, because she doesn't like the industrial an Sentaro uses for his dorayaki. At her request, Sentaro hesitantly hires her as an expert an-maker, and from then on, business is booming.

This sounds like 'An' is a movie about food. It is, but it's about much more. The story is also about illness, death, discrimination, youth and capitalism. But above all, it's about enjoying life and looking at the bright side of things. There are parallels with the wonderful Indian film 'Lunch Box', but 'An' is less energetic and much more philosophical. It tends to be a bit slow, and towards the end the story drags on a bit. But these are minor flaws. Overall, 'An' is a nice film that makes you leave the cinema with the feeling that mankind isn't so bad after all.