Grandma

Now I get that this movie is not for everyone. It's very "talky" (the dialog though is really something to behold, unless you have issues with bad language) and it has very strong female roles/characters throughout. Male counterparts are very few and in between. Though still cast greatly as you can see in the cast list.

And you need every piece to make this work. And work it does, when you hear Lily T. going off and see her flaws, but also her charm, it's pure joy to watch. Unless you do want your movies packed with action rather than words of course or where expecting this to be a horror movie (the title alone could suggest a lot of things, if you are not aware of the story). I'm almost surprised by the fact this has not a higher rating though ... and it's kind of a shame!

Greetings again from the darkness. Perhaps your mental picture of a grandma is the familiar form of a Norman Rockwell painting … a sweet, bespectacled little lady baking pies or knitting booties or kicking back in a rocking chair as the grandkids romp around her. If so, Lily Tomlin will jolt you into reality with her performance in this latest from writer/director Paul Weitz (About a Boy, American Pie).

The film kicks off with Elle (Ms. Tomlin) breaking up with her much younger girlfriend (Judy Greer). As with many relationship break-ups, the tone shifts quickly with an increase in 'let's talk about it'. Elle tosses out "You're a footnote" as a zinger that quickly ends any hope of reconciliation. It's an uncomfortable opening scene that aptly sets the stage for what we are going to witness over the rest of the movie … Elle has lived quite a life, but has been unable to move on since the death of her long time companion – a recurring subject throughout.

The six segments of the film are titled: Endings, Ink, Apes, The Ogre, Kids, Dragonflies. Don't expect those descriptions to help you guess the direction of the film. Instead, it plays out like a road trip through Elle's past … albeit with a very contemporary feel. See, her granddaughter Sage (Julia Garner) shows up at the house asking to borrow $600 for an abortion. Despite her career as a poet of some notoriety, Elle is tapped out at the moment. So the two of them set out in Elle's 1955 Dodge Royal (Ms. Tomlin's real life car), and proceed to visit people (and hit them up for cash) who have played a role in Elle's most interesting life.

During this journey – which all happens during a single day – the ladies cross paths with Sage's clueless boyfriend (a miscast Nat Woolf), a transgender tattoo artist (Laverne Cox) who owes Elle the money she lent for enhancement, a small business owner (the final appearance of the late Elizabeth Pena) who is a bit more tough-minded than Elle gives her credit for, a long ago ex-husband of Elle's (the best performance from Sam Elliott in years) who still carries heartbreak , and most bombastic of all, Elle's daughter and Sage's mom – a workaholic, no non-sense, Type A professional (played with vigor by Marcia Gay Harden).

Much will be made of the film treating Sage's decision so matter-of-factly, but it makes for nice contrast to Juno, where the decision to abort an unwanted pregnancy is abruptly reversed when she's told the baby has fingernails. This movie even offers a tip of the cap to that scene (bravo Sarah Burns), but is never preachy or heavy-handed in its dealing with Sage. It's a young girl in a real life situation, and she is depending on her dysfunctional family to provide financial and moral support.

One might describe this as an art-house movie with wider appeal. Lily Tomlin makes this a must-see, as do Julia Garner and Sam Elliott. Some will avoid it due to the abortion topic, but this is much more a story of three strong women who are related to each other – even if they don't always relate to each other.

Absolutely one of the most enjoyable films I've seen in a while with a brilliant performance from Lily Tomlin. The plot follows a girl who goes to her loud-mouthed liberal grandma for help paying for an abortion and their quest to come up with the money when they don't have enough. The film takes place over the course of one day as they drive to meet various people whom they think can help, including grandma's scorned ex-husband and her crazy work-obsessed daughter. There is a lot of comedy throughout but there's also a strong helping of drama too, and the film manages to be quirky and fun but also deeply moving at the same time. If you like intelligent adult comedies with a realistic tone then I definitely recommend you watch this as soon as you can, you won't be disappointed!

"I'm not trying to ruin your life. I'm not perfect, we're not all perfect." Elle (Tomlin) is bitter and stubborn. When she gets into a fight with her girlfriend and they break up she acts tough. When her granddaughter Sage (Garner) asking for her help Elle takes her under her wing and does everything she can to help her out. What Elle finds is that this experience helps her more than she expected. This is a movie I was not sure what to expect. The few Lily Tomlin movies I have seen have been Big Business and 9 to 5, not really my favorites. I was totally shocked by her in this movie, in a good way. Lily Tomlin is hilarious in this and plays a role you have never seen her in before. Picture Billy Bob Thornton in Bad Santa as portrayed by Lily Tomlin. The stuff she says is pretty offensive and so out of the blue that you can't help but laugh. The movie does have a very good message and is very much worth seeing but the real reason to check this out is for Lily Tomlin. Overall, smartly written with a version of Lily Tomlin you have never seen. I give this a B+.

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2015 TRIBECA FILM FESTIVAL: Paul Weitz gave the world "About a Boy" over a decade ago, masterfully telling a story through it character's relationships and actions. The well-received film garnered major acclaim from critics and got Weitz his first Academy Award nomination for Best Adapted Screenplay. Since then, Weitz has never returned to that type of reception with admirable yet very visual missteps along the way like "In Good Company." In his newest venture "Grandma," the writer/director puts forth his finest work of his career. He doesn't get all the kudos though. Star Lily Tomlin, a veteran comedic actress that has been sadly overlooked too many times in her career, delivers one of the performances of her career. Possibly THE best.

"Grandma" tells the story of Elle Reid, a misanthropic lesbian who has her world turned upside down when her 18-year-old granddaughter comes to her help. With a day's journey in front of them, and with a goal in mind, the two women share their feelings with one another while confronting their past, and looking forward to their future.

Hands down, front to back, this film excels and soars on the work of Academy Award nominated actress Lily Tomlin. I can't recall a time when Tomlin has been more vulnerable, available, and prodigious as she demonstrates in Weitz's picture. Through all the vulgarity and rough edges, Tomlin finds Elle's humanity. You'd have to go back to something like Jack Nicholson in "As Good as it Gets" to find someone in a comedy who is so complex in nature yet so gratifying and beautiful in essence. Elle's baggage may be pushed down as deep as it can go, but Tomlin allows the audience to see what's underneath at the most suitable times. She'll break your heart and bring you to tears. Make no mistake, Lily Tomlin delivers an Oscar-worthy performance. Tomlin isn't the only one firing on all cylinders. As Sage, Elle's granddaughter, Julia Garner holds her own against the veteran actress. In another enriched turn, Oscar-winner Marcia Gay Harden delivers her best work since "Mystic River." A brief but sensational work that stands out. Judy Greer, as always, is terrific in her minimal amount of screen time. Someone please give the woman more roles to work with. Magnificently emotional and present is veteran actor Sam Elliott, who hits one out of the park as Karl. Here's an actor whose been virtually everywhere for the past five decades with stand out turns in "Gettysburg," "Wyatt Earp," "Up in the Air," and more. With a career that's been as impressive as his, with a turn as memorable as he delivers, Elliott should be among the conversation for Best Supporting Actor at the Oscars. He caps off an impeccable ensemble.

If there's one film at the Tribeca Film Festival that can become a conversation starter for awards at the end of the year, "Grandma" has that power. An enlightening and moving film that garners big laughs and big tears; Paul Weitz has created the crowning work of his career.

April showers bring May flowers, and "Grandma" is that beautiful flower for the season. One of the best films that 2015 is sure to offer.