Bite

6.25 of 10. If you're looking for something beyond another spider film, The Fly, Spiderman, or the Thaw, this adds something new to mix. It's also ahead of the curve on the zika-like infections.

Excellent visual and sound FX for a low-budget, indie film where the writer and director are the same person.

So much horror is fantasy based that another strong part of this film is that there's reality/science integrated into the horror. If you want horror that's not based purely on nonsense, you'll definitely appreciate this film.

The only weak part of the film involves the casting. With more budget and bigger actors, this could have easily been a more recognized film. As it is, it will probably pick up a cable audience and eventually turn into a cult hit.

So why on earth then, did Ms Bitey appear to be scared to visit one????

The acting, even by general horror movie standards is awful. Not so bad its good awful, just good enough to be considered genuinely awful.

The plot, could have been interesting with a bit more imagination, however the entire time I watched, I kept saying to myself, why doesnt she just visit a hospital? Its Canada. Your survival rates from getting checked out by a doctor are pretty high.

The effects were, as another reviewer commented, akin to The Fly, even some of Mr Goldblum's mannerisms were used here too I feel. I liked it, and the dark, amber soaked lighting added to the mood nicely.

Best part of the movie was the dog, what a cute little bugger he was.

The worst part, when our lead character screams into a mirror and it shatters and the whole apartment appears to shake as a result of some otherworldly powers which really, was ridiculous and out of place with the rest of the movie.

Lastly, they did a real number on the apartment, looks like it was filmed by Renton inside the worst toilet in Scotland.

The beginning of the movie left me already winding myself in my seat and my first reaction was "oh no, not another one of these terrible low budget movies". But the further the movie progressed, the more I got sucked into it. This is one of the movies where you shouldn't care about the plot, the dialogues or even the characters themselves. Instead just focus on the practical effects they used and how they add more and more layers of film art step by step. This is one of the movies known for the audience leaving the cinema because they couldn't take it anymore at some point. And I can totally understand where this is coming from. If you have a problem with vomiting, slime and goo... or insects in particular, you might not enjoy this movie at all. Those who can sit through something like this will get rewarded with an awesome example of how to create a creepy creature and using just the right lighting to not ruin things. I applaude this movie! Thank you for the love of detail, no matter the budget. If you liked the visuals of The Fly, you will love Bite. If this movie would have the acting and the writing of The Fly, it could be maybe even become another classic of our time.

Look, I get that the transformation body horror genre can get tired, but if done properly it can still be good with gross out moments. This is no exception. Certainly not the most amazing movie, and it certainly paid more than its share of homage to The Fly (1986).

Good story, decent acting, just enough length to get in then get out to the next film. In the meantime, it still offers the pukey moments and makes you want to shower.

After seeing the trailer for Bite and reading online articles of how viewers at various film fests passed out during showings, I couldn't wait to see it, After more than a year it (at last!) popped up on my local cable channels On-demand roster. I happily shelled out $5.99 and hoped to see a film that would at least make me flinch several times.

But like $100 pay-per-view fights, unorthodox political candidates, and most rap CDs, this film didn't come close to living up to the hype. Bite, simply put, is done in by its own excesses. When a horror film relies solely on gross-out gimmickry rather than clever use of lighting, camera angles, or plausible plot, then the element of fright is replaced by boredom, nausea or both. Community theater acting doesn't help.

Elma Begovic plays Casey, a recently engaged twenty-something who while out celebrating with her girls, is bitten by some sort of water insect. Rather than seek medical attention, she ignores the mark left behind, even as it becomes larger and more disgusting. By the time Casey realizes this is no ordinary wound, the drastic effects are manifested.

This film contains every horror movie cliché you've seen before— single females going into dark venues to investigate; single woman falling down as she attempts to flee; overblown makeup to accent the drastic physical changes of victims; and sex scenes that are not only gratuitous, but fail to deliver the expected shock—say in the manner of the bedroom scene from the first Nightmare On Elm Street.

Poor pacing and the lack of anything original makes one want to yawn rather than scream. The director (Chad Archibald) has no idea how to use shadow or the camera to build suspense. It is so drab it makes anything produced by Rob Zombie look Oscar-worthy.

If you like being grossed out, you might get excited by Bite. If you're looking for something that makes you worry about having nightmares when you fall asleep, you'll find more chills—and better acting—in episodes of The Outer Limits.