The Void

Imagine if John Carpenter had decided to combine his remake of THE THING with ASSAULT ON PRECINCT 13, and set it in a hospital, like in HALLOWEEN 2. Add to that, the murdering madness of EVENT HORIZON, and the overarching, occult horror of HP Lovecraft, seasoned with a dash of HELLRAISER, and you're close to THE VOID.

If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!

As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...

"The Void" has been compared, quite a bit, to John Carpenter's 1980's remake of "The Thing", and understandably so. The use of practical effects in this movie are really its highest selling point. Like "The Thing", this film does not shy away from showing you some extremely well crafted and effective monsters. However, to compare this film with "The Thing" for reasons outside of practical effects, does not make a lot of sense.

In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.

Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.

Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.

"The Void" is one of those horror movies with a big (capital "M") Mystery at its center, but let's just see if you give a damn about it by the time the film finally gets around to (badly) explaining it. This film is all build up, dropped hints, and dangled carrots. The problem is that it never gets around to just being a damn movie.

The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.

I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.

Grade: C-

As much as one might try to watch each movie unconditioned, unprejudiced and ready to judge it for what it is, it's really hard to tackle a title such us the void and not to expect another B horror movie filled with cliché and disastrous acting. Luckily, it takes but a few minutes to realize "The void" is something else, a bold take on cult movies with a very limited budget.

If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.

With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.

A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...

Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.

The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.

Overall: impressive vision delivered through a hectic concept.