Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.
- Directors
- Writers
- Stars
- Awards
- 3 wins & 2 nominations total
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I gave this one a solid 7 out 10. What it lacks in solid lead actors it makes up for with some amazing visuals and special effects. The void does have some real levels to it and really immerses you into the threat of imminent danger. It's almost reminiscent of silent hill meets Netflix's stranger things. The only thing that drove me bonkers about this film is it's unapologetic and total lack of explanations on plot and drive. It's like being dropped into hell and the devil forgets to tell you how you died. The whole time i was waiting for that one character who seemingly knows all but for "reasons" inconveniently discloses the full story by the time its too late. The void is worth watching for sure but don't expect to understand right away. I will definitely be pondering away and painfully scratching my head on this film for a while. It isn't without it's perks though. For the avid horror and sci fan it contains some real tone and plenty of gore to tide you over
As much as one might try to watch each movie unconditioned, unprejudiced and ready to judge it for what it is, it's really hard to tackle a title such us the void and not to expect another B horror movie filled with cliché and disastrous acting. Luckily, it takes but a few minutes to realize "The void" is something else, a bold take on cult movies with a very limited budget.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
A local sheriff brings the victim of a mysterious attack to a rundown hospital, where sinister events ensue during a night of blood and gore ...
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Ambitious siege horror with all sorts of influences. After a disturbing opening scene, we have one moment of normality followed by a constantly twisting nightmare that never lets up. At one point it seems there's a triple threat coming from different angles, and the story is at risk of collapsing from overload, but then the endgame comes into play through well produced set pieces and the climax brings some clarity.
The weakness is in the writing, which gives us two heroes, three pregnancies, over elaborate back stories, and plenty of shouty dialogue. The strength is in the effects and the photography and sound that create the hellish otherworld. The performances are OK, but the pace ebbs and flows instead of building steadily.
Overall: impressive vision delivered through a hectic concept.
Imagine if John Carpenter had decided to combine his remake of THE THING with ASSAULT ON PRECINCT 13, and set it in a hospital, like in HALLOWEEN 2. Add to that, the murdering madness of EVENT HORIZON, and the overarching, occult horror of HP Lovecraft, seasoned with a dash of HELLRAISER, and you're close to THE VOID.
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
Did you know
- TriviaHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- GoofsA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Quotes
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- SoundtracksBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
- How long is The Void?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Conjuros del más allá
- Filming locations
- Sault Ste Marie, Ontario, Canada(Studio)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $151,042
- Opening weekend US & Canada
- $50,026
- Apr 9, 2017
- Gross worldwide
- $368,372
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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