Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.
- Directors
- Writers
- Stars
- Awards
- 3 wins & 2 nominations total
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As much as one might try to watch each movie unconditioned, unprejudiced and ready to judge it for what it is, it's really hard to tackle a title such us the void and not to expect another B horror movie filled with cliché and disastrous acting. Luckily, it takes but a few minutes to realize "The void" is something else, a bold take on cult movies with a very limited budget.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
I attended a screening of The Void at the Nevermore film festival in Durham, NC. It was a remarkable throwback to classic John Carpenter-style films. I hesitate to list too many details about it, since the feel of the film is very much like a nightmare that might be spoiled if you go in knowing how it turns out. I can say that the creature designs were some of the best I've seen on film in recent years. The feel of the film reminded me a great deal of Silent Hill, perhaps because it shares a lot of the same influences.
My few criticisms have to do with the screenplay. The filmmakers do a good job of leaving some mystery, but there's a bit of exposition I felt like I missed that would explain why some of the people take the actions they do. Even so, that didn't detract from the film enough for me to stop enjoying it. It's a minor miracle how nice the film looks given its low budget. The production design was just outstanding. Considering how ambitious the feature is, I think missing the mark by a bit in certain areas is forgivable.
My few criticisms have to do with the screenplay. The filmmakers do a good job of leaving some mystery, but there's a bit of exposition I felt like I missed that would explain why some of the people take the actions they do. Even so, that didn't detract from the film enough for me to stop enjoying it. It's a minor miracle how nice the film looks given its low budget. The production design was just outstanding. Considering how ambitious the feature is, I think missing the mark by a bit in certain areas is forgivable.
First off, I've seen some negative reviews on here that have truly surprised me. After growing up as a fan of Horror during that wonderful 80's period, I can honestly say The Void felt as comfortable as it does uncomfortable, especially if you're a fan of those movies of that time. Yes there are some very strong Clive Barker influences running throughout the movie (both Hellraiser and Nightbreed for example), but I think that's what kept me hooked throughout. That with a dash of Lovecraftian themed fantasy here and there really gave this movie a lot of (albeit dark) charm. I think the last time I saw something this twisted was probably the Turkish movie 'Baskin', with which it shares a lot of similarities, but The Void tends to push the boundaries a bit further, The landscape and atmosphere are nightmarish, imaginative, and gleefully sinister and foreboding. If they set out to create a true vision of hell then I can safely say that they've achieved that goal and then some.
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
Imagine if John Carpenter had decided to combine his remake of THE THING with ASSAULT ON PRECINCT 13, and set it in a hospital, like in HALLOWEEN 2. Add to that, the murdering madness of EVENT HORIZON, and the overarching, occult horror of HP Lovecraft, seasoned with a dash of HELLRAISER, and you're close to THE VOID.
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
"The Void" is one of those horror movies with a big (capital "M") Mystery at its center, but let's just see if you give a damn about it by the time the film finally gets around to (badly) explaining it. This film is all build up, dropped hints, and dangled carrots. The problem is that it never gets around to just being a damn movie.
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
The premise, which I don't think I could explain if I tried, is clearly overly ambitious for the filmmakers to pull off. It's part "Hellraiser," part "Re-Animator," part "Event Horizon," part, I don't know, "Halloween II?" There are people trapped in a hospital, Klu Klux Klan members lurking outside, a devil worshiping doctor, mutant zombie corpses, a woman giving birth, a useless nurse, a Libertarian. Everyone shouts a lot and for a long time the hostages are their own worst problem. Then they go exploring the murky depths of the hospital and boy, does the exposition begin. But the exposition never makes any sense, and to this day I'm still totally in the dark about who all the hooded figures walking around were.
I like my horror cerebral if it's done well, but if it's not, then I'd prefer something dumber but actually scary.
Grade: C-
Did you know
- TriviaHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- GoofsA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Quotes
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- SoundtracksBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
- How long is The Void?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Conjuros del más allá
- Filming locations
- Sault Ste Marie, Ontario, Canada(Studio)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $151,042
- Opening weekend US & Canada
- $50,026
- Apr 9, 2017
- Gross worldwide
- $368,372
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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