Cobain: Montage of Heck

I was hoping for this film to be great. As a Nirvana fan (most people who claim to like Nirvana have no idea what 'Incesticide' or even 'Bleach' is), I was looking forward to a thorough insight into this beloved figure who is still shrouded in a fog of misrepresentation and false hero worship. Unfortunately the film did not live up to expectations as it seemed the Director, "Brett Morgan" was more concerned in making the film aesthetically pleasing than emotionally interesting.

First off, a few positives about the film. 1. The way it portrays Courtney Love: She is despised by most music fans who believe she ruined Nirvana, but it's pretty clear that Kurt's self destruction was mostly his doing and his natural tendencies which add an appropriate sense of melancholy to the movie. 2. Some of the montages were nice when not excruciatingly overdone. 3. The music of course was good, it had a wide range from their b-sides (Dive), their first album (Mr. Moustache) and their popular stuff (Territorial Pissings) Including some fascinating covers of the Velvet Underground and the Beatles. 4. The story about Kurt and the "Retarded Girl" was absolutely fascinating.

However, the pacing of the film is truly awful. The first hour trudges along after a promising start and becomes bogged down in the Director's own agenda to show off his style. By far the best scenes in the film is just raw footage of Kurt and Courtney living alone in their dingy apartments and hotel rooms.

The film is appropriately titled, as the film is almost solely montages that don't progress the story and just serve again to stroke the Director's ego. Another example is the overuse of EXTREMELY LOUD to absolute silence.

Also, the ending of the film is not only unsatisfying, but extremely clichéd. There are countless films that have the same end title card and it felt awfully lazy. This is also disappointing because we experience none of the emotional damage that Cobains death has, which would have been far more interesting than 5 minutes of repetitive montages.

What's sad is that this film claimed to be the definitive Cobain Doco, but it's so obvious that there is plenty more interesting video and audio recordings made by Cobain HIMSELF that were left out in order to make way for dead end animation montages and hyper editing. The film could have been just as emotionally effective with 20 minutes cut from it.

However, I am still at least glad I saw the film, all the less wanky stuff was honestly well directed and Cobain's home video footage is nothing short of riveting and sometimes becomes really funny and beautiful.

So I give this film a 6. At the end of the day, I feel it would have been far more interesting just to sort through 3 hours of Cobain's home recordings than to watch a Director trying to steal the limelight from his charismatic subjects.

I found Montage of Heck to be a scatter-brained documentary that couldn't decide which direction to go. It grabs at various forms of media culled from Cobain's family, and tosses them into a blender, with splashes of interviews and band footage.

There were some stunningly rotoscoped animation, using narration from Cobain, that briefly takes you through his dejected teenage years in Aberdeen, Washington. They also rendered the years Cobain spent living with his first girlfriend, Tracy Marander, who supported him when Nirvana started getting noticed. Marander isn't shown (only in interviews and rare photos), we just see how Kurt spent his days being creative while she was at work. Anyway, not long after, the band signed to Sub Pop and released Bleach.

There were also drawings and writings (many would make Jack Kerouac's "spontaneous prose" seem lucid by comparison) from his sketchbooks / journals, that were brought to life using muted computer graphics. These were scattered throughout, and became laborious after about the 10th time. Still, the music that accompanied them were great. We get to hear plenty of unreleased material, and I even noticed some Nirvana covers, which felt redundant.

Now, cue in Courtney Love. Sigh. It was annoying seeing her all dolled up by a makeup artist, chain-smoking and sounding incredibly untruthful about Kurt's last couple of months. I won't ruin it, but it's towards the end of the film and it made me more suspicious of her. The home videos of Kurt, Courtney, and Frances Bean were quite touching, although at times it got dark, especially some moments with just Kurt and Courtney (not 100% on who recorded them). You know he was the happiest he's ever been, but they were also plunging into the abyss of heroin and other drugs.

Overall, Montage of Heck started off as a sweet concoction that ultimately left me with a bitter aftertaste. I hear that 'About a Son' is the superior documentary, so I'll watch that in hopes of getting a deeper insight into Kurt Cobain and Nirvana.

It's 21 years since Kurt Cobain's death by suicide and his status as a legendary alternative rock figure and totem for a disaffected generation has not dimmed in the intervening period.

Although I had been eagerly awaiting this documentary, at the same time I approached it with a wariness more than half expecting it to be a depressing encounter. Given what I already knew about the mental difficulties and addiction problems Kurt faced during his short life and the eventual sad outcome it was hard to believe that anything of a positive nature could be wrung from seeing this.

This is the first official documentary made about the life of Kurt Cobain. It has been made with the co-operation of his family. His daughter Frances Bean is an executive producer. His parents, sister, wife- Courtney Love, first girlfriend and fellow band member Chris Novoselic (the third band member Dave Grohl is the notable absentee) have all contributed, allowing themselves to be interviewed.

The expectation of access to intimate home videos as well as Kurt's own drawings, writing, outpourings etc and other previously unseen footage bringing with it the possibility of gaining a clearer view on Kurt Cobain's life is probably the thing which will entice most viewers to go see this. This heavy reliance on this intimate source material makes for an intense portrayal of the subject. It's also what makes it a success. It's noticeable how often for instance on screen we are shown up-close, his own words in his hand-writing in the original copybook complete with stains and other words and sentences crossed out. It's the closest place the director can bring us, next to occupying Kurt's mind. Much of the writing is angry and nihilistic but there are lots of lists too- of things to do for example; it all suggests a wildly active mind and one not easy to keep a rein on.

Home videos himself and Courtney produced, both while pregnant with, and then after Frances Bean was born similarly get us up-close and personal. It's excruciating to watch but compelling too- a couple wrapped up in each other but also in their drug dependency. When Frances Bean is born his love for her is touching but then the videos also reveal the declining health as the heroin addiction spirals.

As intense and personal as it is there are no major revelatory insights into the life or death of Kurt Cobain in this documentary. This is not a failing of the documentary as I don't think any revelatory new angles or expositions could have been expected. As well as this the title (taken from the name of a mix-tape Kurt put together) does indicate obfuscation or a lack of clarity or certainty about a picture drawn. So it should be; where a life ends so tragically definitive answers can never be presented and any distillation of his life or death into neat summations is thankfully and rightly avoided.

The documentary tells us the following (which in essence we already know or suppose we know). Kurt was an energetic, intelligent child who became withdrawn and angry as he got older, probably owing largely to his parent's divorce. He was often a lone, self-hating teenager who found a release from his angst in smoking pot and then at a certain age he discovered punk music which lit a torch and he began to teach himself guitar and write music. He was disaffected enough and genius enough to write brilliantly disaffected genius songs. His music struck a chord, Nirvana became huge almost overnight and then he struggled with the idea of being held up as a spokesperson for a generation. Desperately insecure, above all else he craved love and a need for rootedness- a family to belong to. He found this with Courtney Love and later their daughter. He sought refuge in them away from what he saw as a hostile world but tragically he also sought refuge in heroin.

An overly long and indulgent disappointment of a rock doc that brings nothing new to the party. Much is left out with gaps filled in by inexplicable meandering 'art'. Be very suspicious of 'officialy sanctioned' films, especially those that miss out key figures, white wash others and look like they were thrown together.

It's been more than 20 years since the death of Kurt Cobain, and while there have been numerous documentaries, books, and television programs devoted to telling his story, it's difficult to point to any one account as being the definitive portrait of the Nirvana frontman. But Brett Morgen's fascinating film Cobain: Montage of Heck is more than worthy of that title.

Chronicling Cobain's life and career through never-before-seen home videos, sketches, audio recordings and diary entries, Montage of Heck provides an unprecedented look into the mind of one of rock music's most iconic figures. This is the first film to have the full support and cooperation of Cobain's family, and the wealth of material resulting from this partnership is staggering.

Most of the journal entries featured in the film have been animated and set to music, providing a unique and frenetic energy that seems to distract the audience from the fact that they're being forced to read in order to keep up with the narrative. Sometimes they're nothing more than a few short words, other times they're entire pages of ideas and song lyrics and scribbles, but they all showcase a mind that functioned with the same sort of reckless abandon with which Cobain played music.

But the animation isn't just limited to the words on the pages of Cobain's many journals. Indeed, there are several fully-animated sequences that are combined with recordings of Cobain recounting anecdotes from various periods in his life. These scenes, from animators Hisko Hulsing and Stefan Nadelman, have an almost dreamlike quality, and breathe an incredible amount of life into Cobain's own narration.

Montage of Heck is also peppered with interviews, with frequent quotes from Cobain's parents, his first serious girlfriend, former bandmate Krist Novoselic, and even his widow, Courtney Love (conspicuously absent is Foo Fighters frontman Dave Grohl, who served as the band's drummer for the bulk of their short career). Once again, the cooperation of these individuals provides tremendous insight into the series of events that led Cobain into his downward spiral.

But the most emotional material, and certainly the most difficult to watch, is a lengthy segment during the film's second hour devoted to home video footage of Cobain and his wife. We see them holed up in their apartment during a heroin-fueled binge, with frequent cuts to news headlines about their drug problems, and Cobain's angry handwritten retorts. We see them at home after the birth of their daughter, Frances Bean Cobain, taking baths together and cracking jokes, obviously in love despite the undeniable toxicity of their relationship.

Far from the sort of talking head style that is so common with other music documentaries, Montage of Heck instead offers the most intimate look at Cobain that we've ever seen. From the casual listener to the hardcore fan, every viewer can expect to learn something about Cobain that they didn't know before, leaving with even more appreciation for his art, and more sorrow over his tragic self-destruction.