The Kettering Incident

Since I've never traveled to Tansmania, the scenery is breathtaking. Prepare to watch this movie with a question mark in your face from beginning to end. ESPECIALLY the end! Performances are middle to better than usual. Imo, I think the movie description should be reworded. When I first read the description, I thought "oh, another missing girls & wrongly accused" plot. The plot in this movie is more about a childhood mystery & the quest to find truth. Definitely worth a binge night.

I came across "The Kettering Incident" without knowing anything about it and I was pleasantly surprised by the quality of the material, the story line and the characters. Kettering is a place in Tasmania where UFO's were sighted in 1976, and though nothing is said in that respect, the whole supernatural flavor of the series is geared to an audience that will clearly figure out something otherworldly is going on in this town. When Anna Macy(Elizabeth Debicki) comes back home to Kettering after 15 years, strange occurrences plus the disappearance a local girl- as it happened 15 years before- start taking place in town and as the show progresses the episodes give you more questions than answers, makes you doubt everything and nobody seems to be above suspicion. Good show with touches of the supernatural and police drama which reminds me a bit of "The X-Files". Can wait for season 2. Highly recommended.

Neil Young introduces his wonderful song "Don't let it get you down" with the now famous lyrics, "It sorta starts off real slow and then fizzles out altogether".

The difference between Young's song and The Kettering Incident is that Neil Young was brilliant and this isn't. "Fizzles out" doesn't cover it at all.

My God but this was awful. I see another reviewer gave up after Episode 5. My wife and I wish we'd given up mid way through Episode 1. Sadly, we didn't. We stuck it out until Episode 8 hoping to make some sense of it but now feel we've been robbed of 8 hours of our lives.

I could say more but what's the point? It's mediocre at the start and just goes downhill from there. That about covers it and there really isn't any need to spend any more time writing this.

Sad thing is that by the end of 8 it's clear they intend a Series 2 of this. Hard to believe and one can only hope they come to their senses and abandon the idea. We won't be sucked in a second time and would think few others will bother to watch it either.

Bottom line: don't waste your time.

I really enjoyed this series. Based on the synopsis on Amazon, I didn't expect a show full of paranormal events akin to something you would find in a really good season of the X- Files. I was reminded of the storytelling in Lost - always more questions are raised than answered. But that is what kept me watching Lost for several seasons because let's be honest, once they start answering questions with implausible stories or bad cg aliens then we lose interest. The mystery is what I enjoy. And this show throws them at you thick and fast. I found this show to be utterly intriguing with some very fine acting from the whole cast. Lots of tension and suspense, yet not too creepy to scare me off. (Almost, though) This is a great show for fans of shows like The X Files and Stranger Things. I am looking forward to the next season!

I'm rarely sold by ad campaigns but this one got me early, and I'm grateful. Clea's rendition of Crimson and Clover played dreamily over glowing lights and floating moths as the traliers expanded over the weeks until we glimpsed some of the nightmare to come last night. Woods and Krawitz exploit the Twin Peaks mountains and forest locations, the camera rolling at magma pace over a gorgeous slate-filtered Tasmanian backdrop. There's even something of the early X-Files atmosphere to this, made modern and Australian as a deeply intelligent script drip-feeds character and back-story in creepy and surreal flashes. As good as it is, this show belongs to Elizabeth Debicki, who is on career-making form as the disheveled and twitchy Dr. Anna Macy. A far cry from her American-accented turn as the Bond-girl-like Jed in the Night Manager, Debicki's nuanced Thin White Duchess performance pitches perfectly between vulnerable and unsettling. Delivering her lines in low, cultured tones and frequently shot as an unmoving silhouette framed in door or window frames, or in centre close-up (that scream is a visual and auditory shock) this is compelling stuff indeed. 9/10.