Victoria

Victoria, I am sad to say, is largely overrated despite the truly mesmerising cinematography. Since the incredible one-take film became widely known, most of the critical consensus agrees that is a fantastic film. I found it only decent. Whilst there are moments of genuine breathless tension, the crime elements are superb, and the ending is good, it seems too often like it is trying to be - and I am loath to use this word - 'artsy'. The script was apparently only 12 pages long (that's about 11 minutes of film per script page) which means almost all of the dialogue is improvised. Which is neat, but does not make for compelling viewing, as the characters apart from the titular protagonist (another positive would be Laia Costa's stupendous performance) just don't have enough depth to be interesting. Were it not for the unique cinematographic excellence this would be nothing more than an average thriller with some decent moments that tried too hard to rise above its station.

But talking of the cinematography...take a bow Sturla Brandth Grøvlen, you magnificent genius. This bests all the works of Emmanuel Lubezki and Roger Deakins, and is simply the best feat of cinematography I've ever seen. Flawlessly transitioning from building to street to car to club to the intensity of a foot race and shoot out, all with the precision and careful craftsmanship of any great film. In fact, after only 15 minutes you're barely noticing it any more. After a while, you may realise that you've literally followed these characters all the way from that club and the mind boggles. It's arguably worth watching just to witness this spectacular achievement - you'll most likely find an entrancing and ambitious effort that has a film tacked on to it with ideas a little above its station and a tendency to be too showy at times. 62/100

When I saw the trailer of Victoria I was really interested in the movie, because I am a fan of Sebastian Schipper, who directed also "Absolute Giganten", one of the best German movies in recent years. German cinema had to struggle in the last years, too many movies about the German past or really bad and soulless comedies flooded the market. Only really few risks were taken and some of them were pretty good E.g. "Zeit der Kannibalen", but for the most part they sucked.

So...there comes Victoria, a movie by a experienced director, with (for the most part) unknown faces in the cast, a really small crew and shot in a single take in a night in Berlin. Latter is something truly unconventional for a German film, so I went into the theater expecting a good unconventional German movie.

What I got was a masterpiece. Victoria is not only the best German movie in years, but (IMHO) the best movie of the year yet. The tracking shot in the movie isn't only there for effect and a showcase of the cinematographers talent, but a essential part of the films main story, that unfolds around a Spanish girl named Victoria, that meets a bunch of "real Berlin guys", so they call themselves, in the middle of the night. You experience the story of Victoria in real time, you see live character development for instance.

That, the down to earth acting and plot make the movie so incredibly immersive that it becomes something completely new and fresh, which is incredibly rare in recent years. I don't want to give away more about the plot, so I'll talk about the acting. The acting in this movie is fantastic, the dialogue is actually completely improvised, so that the actors, especially the fantastic Laia Costa and Frederick Lau, become these characters in those 140 minutes and it feels real. It feels like they are actual existing persons.

The cinematography is brilliant, Sturla Brandth Grøvlen does a fantastic job in accompanying the main characters and even if there are some shaky parts, which was expected, its never annoying and the viewer becomes the camera. Another aspect of this movie that I adored was the soundtrack. It was perfectly suited in supporting the atmosphere and hypnotic.

I left the theater speechless, what happens in the final act will either throw you off, or you will be completely exhilarated. Either way: Watch this movie and support movies with original concepts, only like this we will continue to get better movies than the usual dog**** from Hollywood and co.

Victoria is a truly exhilarating masterpiece and the first time I felt like watching a new kind of cinema in a long time. Go and watch it. Its worth it.

I've seen Enter the Void, Funny Games, Descent... And just other awesomely unique films that left me pondering for more and wanting to read into every possible angle I could think of. I then usually want to write my own review but I'm usually too lazy to even make an account to write one up. Well this film inspired me enough to do so. That almost says enough right there but I'll give my reasoning for why I can't get this film out of my head. I should probably first say that as an American without having any subtitles- it made this movie ever more confusing and intense. I truly felt like I was Victoria. I wouldn't have made any of the decisions she chose to make but come on people- It's a movie- get over it! Especially with something like this. It's not even about the actions taking place as it is the emotions that the characters portray and instantly it relates to you b/c you've been "hanging out" with them for the whole movie. This movie is just awesome how you just become Victoria essentially and you're on this mysterious 2 hr journey that doesn't stop. There's no cuts to explosions and pointless deaths. It's not quite the smoothest ride but that builds the intensity until there's finally a simple plot satisfaction that would leave most Americans less satisfied b/c we overall don't know what's good for us. Needless to say though, I've never felt more on edge and like I had an actual real life experience from a movie. Other than of course the masterful camera work and direction, there's nothing absolutely spectacular to tell you to look out for-- It's just a solid movie experience that provides a full spectrum of good acting, mystery, action, emotionally driven scenes backed by a great soundtrack. If you want to watch a movie and you're insanely tired of the same ole crap- this just isn't a unique idea for a movie-- it is a movie idea that was executed perfectly and left me wanting more and believing in what I saw. Watch It! Watch It now!

One of the best 2015 releases (the best of those I've seen at least), Victoria is a complete surprise - a little-known team hits it out of the park ... by a few miles. Much has been said about the one-take "gimmick" - trust me, whoever calls this a gimmick can not have seen Victoria. The way the camera moves, breathes and lives with the protagonists (ultra-realistic play here and perfect casting) is simply outstanding. It's a small, actually a stupid crime story; the protagonists are all drunk and/or high (and not too bright in the beginning, except the titular Victoria) - a bit like a Coen story, but where the Coens prefer an ironic, satirical approach - always keeping that little distance between watcher and screen - Victoria draws us right in from minute one and only lets go in the last 15 seconds. You can't lean back and smile about the crazy, idiotic antics of those wannabe small-time gangsters, no, you're right in there with them and have to suffer through every bad decision with them. And on the other hand, it's also a tender getting-in-love story (of a kind) - and the same applies: As much as you'd like to shout at Victoria: "Step back, girl! This guy and his friends are BAD NEWS!! Don't get involved!!!" - you can't do that, because, you know, the neighbors might hear ... you have to live and suffer through those more than 2 hours with them.

This is what movie-making is all about.

A night out alone for a Spanish immigrant, in a nightclub drinking shots she meets some guys she may lament, as they grab her by the hand and in one take she is enraptured, everything that she then does is caught on film, one piece all captured. On the streets over two hours where the past recalls a debt, a modest bank transaction to acquire, seek out and get, best laid plans do not turn out to be effective or thought through, it's not long before the state is chasing, running, lights on blue.

Wonderful performances all round, in a film that takes your breath away with what it seeks to achieve, and ultimately does spectacularly.