The Wall

It's effectively a remake of Phone Booth transposed to the Iraqi desert. It works very well. Very tense, very involving and very watchable. Recommended.

The Wall is the latest thriller from director Doug Liman and features Aaron Taylor-Johnson and John Cena as a two man recon team stationed in Iraq who are pinned down by sniper fire and must take refuge behind a wall. Their calls for help are heard by no one...except the enemy sniper. As the battle of wits rages on so does the courage of the two men and their will to survive. This proves to be very beneficial for this film because, honestly, it did not feel like it would be able to sustain a feature length film. However, with the sheer intensity of the film and the perfect performances from Johnson and Cena, The Wall works even when it doesn't.

First off, the film is a lean, mean 80 minutes. As soon as the film starts, it starts. There is no warming up to it, it drops you in the movie unapologetic. What comes next is a reckoning of pure adrenaline pumping cinema. Much like last year's The Shallows, The Wall benefits from its bare bones approach. There isn't big explosions or typical warfare, this is more a war of wits which has been done before (and better) but this film is successful in the way that it doesn't need huge action numbers to sustain suspense. Director Doug Liman knows what it is and he knows the strengths are in the performances. It makes for a very interesting addition in the new age war film genre, sitting nicely between The Hurt Locker and American Sniper.

Despite all that is well with the film, there are a few moments where you're expecting the film to go one way and then it absolutely does not take any risks and gives you exactly what you expected. For that, I have to say that it was disappointing to not see as much innovation with such a bare bones film. For me, I like when characters are forced to use their environments for their benefit. The Wall definitely did that but in sort of a half-assed way. There really isn't anything clever or cool about the way it all pans out. With that being said, it still makes for an intense movie even if sometimes it feels a little cheap.

Overall, The Wall is a short yet intense film that will keep you hanging on until the last frame. The performances from Aaron Taylor Johnson and John Cena are nothing short of amazing. This is especially for John Cena, who absolutely blew me away with his fantastic performance as Matthews. While Cena shines, so does Aaron Taylor Johnson who bucks up and carries the movie on his shoulders without even thinking about it. It stands as Johnson and Cena's best performances to date and it definitely is worth watching.

What starts out as an insular, straight-forward war thriller soon becomes a somewhat sillier, 'Phonebooth (2002)'-esque affair that's really only carried by our two leads' willingness to get down and dirty in the desert sand as they scramble for cover from the chatty sniper pinning them down. The pace in 'The Wall (2017)' is usually slow but there are several genuinely suspenseful and otherwise more energetic moments peppered throughout. The general design of the piece is also relatively realistic - including some stellar sound design that has the crack of each distant shot echo out only after the splat of its impact. This means that there are tangible stakes in almost every scene, even when there isn't any real entertainment. 6/10

The Wall is directed by Doug Liman (The Bourne Identity, Edge of Tomorrow), stars Aaron Taylor Johnson and John Cena and it tells a story about two American soldiers attacked by a sniper in Iraq and one of them gets behind this wall and tries to think of how to escape.

It's a decent premise and this could have been very suspenseful. But, while there are a few intense moments, the grip doesn't last. It should have been intense all the way through. It's not boring, but you'll be only half-interested. At least I was. It also sets up some thought-provoking themes but never really builds on that. It's just put there and they do nothing about it.

Still, what sells the anxiety in some scenes is Aaron Taylor Johnson's incredible performance. John Cena is okay, but Johnson is the star here. The whole thing feels pretty realistic actually and you won't be bored while watching this. But it's also not something you'll remember.

The movie is a snap of what happened, happens and would happen at war with lives, hopes, and disguise at stake. There is no wonder that the American soldier is depicted as one with a heart, with hope for life, and with a brain. Yet, if you look at the movie from an alien point of view you would understand that the soldier is a foreign land whom he has no idea why he is there, who he is fighting for, or even whether this war he's fighting and involved will change his world or the worlds of other. In other words, if your house is made of glass, don't throw at people stones. The producer tries to depict the lost souls who unwillingly fought for their countries or rather for their superiors and the so-called enemies who are on a mission to get back at them being pushed by what happened to them or to their countries. What separates truth, untruth, life and death is a mere wall that can collapse at any time.