A Date for Mad Mary

A Date for Mad Mary feels like the kind of film that if it had a French director and suitable name with a rhetorical flourish it would probably get a standing ovation and walk away with a Palme Dior. Nevertheless, it is a lovely film and very fine piece of film making.

Directing his first feature Darren Thornton does a great job adapting the film from a theatre monologue, 10 Dates with Mad Mary by Yasmine Akram. Akram for the record is best known for her role as Janine in season three of Sherlock.

The premise for the movie is the classic leading protagonist returning to their old world and life after a spell in prison. But a sharp script, elegantly shot, a neat soundtrack and with great all round performances from a largely unheralded but superb cast elevates the drama to top notch cinema.

There is plenty of pathos, laughs and romance as Mary McArdle returns to a life living with her mum and nan, with her best friend getting ready to get hitched and trying to resume the good and bad old times. In the process Mary finds herself searching for a suitable candidate of the male species as her plus one at her friend Charlene's wedding only to find a new and unexpected relationship along the way.

Much of the film's charm is its down to earth, funny and endearing nature. The straightforward but genuine Irish characters interact in a thoroughly engaging, subtly thought provoking and totally realistic manner. Snapshots of life which feel very believable.

And so we see Mary trying to reconcile her previous life and her past where she had the unfortunate mad prefix to her name. But Mary finds that the world she knew has moved on and also has to adapt to situations and new emotions when she stumbles upon part-time wedding photographer and musician Jess.

Mary is brilliantly played by Seána Kerslake as the slightly lost teenager while Charleigh Bailey as best friend Charlene and Tara Lee as the savvy and sweet Jess are also excellent.

A Date for Mad Mary has bags of Irish charm and is a terrific life affirming movie experience.

A Date for Mad Mary (2016) is an Irish film co-written and directed by Darren Thornton.

The movie stars Seána Kerslake as Mary. Mary is a young woman who, as far as I can tell, has no redeeming virtues. As the movie opens, she's being released from prison, after serving for six months. (We learn slightly later that she has committed a violent crime, and her victim now has a large scar on her face.)

Mary doesn't have any true friends. Her "best friend" is getting married, and Mary is maid of honor. However, the friend is late when she comes to get Mary at the prison gates. It becomes clear that the friend is distancing herself from Mary.

The plot, such as it was, involves Mary having to find a date for the wedding. That plot straggles along, but never comes to much.

Part of the reason I disliked the film was that at times the actors switched into what I would call an Irish patois, which I couldn't understand. At other times, their speech was perfectly intelligible, so I'm not sure what to make of that.

There are two stereotyped characters in supporting roles. Mary's mother appears decent enough. The mother likes to date younger men. It doesn't seem like a serious flaw to me, although Mary thinks it's terrible. The older grandmother sits in a chair and sends out zingers. Not much there, either.

We saw this movie at Rochester's excellent Little Theatre, as part of the wonderful ImageOut, the Rochester LGBT Film Festival. It will work well on the small screen.

The chair of the film selection committee told me he loved this movie. It has a respectable IMDb rating of 7.2. This means that my review is a minority report. However, there's no point in reviewing films if you just follow the crowd. These are my thoughts about the movie. I can't recommend it.

Mary McArdle has just been released from prison after doing time for a violent crime. On here release she goes home to Drogheda where she can't wait to catch up with her best friend Charlene. But Charlene is getting married and despite having Mary as 'Maid of Honour' she seems heavily reluctant to hang out with her erstwhile closest friend.

What is worse Mary has not even got a 'plus one' on the Wedding invite as she has no boyfriend. So she sets out to get herself a date and then by dint of force of character make them join her for the Wedding. Seems like a simple plan but we all know what happens to the best laid plans, and in that department Mary is no exception.

Now this is a comedy drama and it deals with real life issues, often in an unflinching way but this is brilliantly juxtaposed with some razor sharp comedy and moments of wit that border on being genius. Seana Kerslake as 'Mad' Mary is perfect for the role and bodes well for more to come in her career. The entire cast though are spot on and the Grandmother gets two of the best lines, so the fun is spread round.

It is directed by Darren Thornton who co wrote it with Colin Thornton and I think they should be very proud of such an unassuming film that packs such a big cinematic punch. This is a film I can recommend all day long.

Yes great acting and great actors. Yes a very good soundtrack and some sharp writing and excellent dialog. The relationship depicted between mother and daughter was especially on target. But the the thing that really makes this film outstanding is the existential subtext. Take Irving Welsh and "Trainspotting" and its final last minute narration:

"The truth is that I'm a bad person. But, that's gonna change - I'm going to change. This is the last of that sort of thing. Now I'm cleaning up and I'm moving on, going straight and choosing life. I'm looking forward to it already. I'm gonna be just like you. The job, the family, the big television. The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suite, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die."

Becoming an adult is a con game. The con you pull is on yourself. Frankly I have spend the better part of 20 years coming back to what my true core is, and who I really am. Mary is at that "place", where everyone is settling and literally settling into the person that society dictates, that family dictates. Social mores and binding observance of societal "normality" are not for everyone. Sometimes the price is too high.

This was a lovely surprise. I've been watching more Irish films lately and really enjoyed this one. A great performance by the two lead characters and they protrayed the meaning of friendship and the fallouts good friendships can have. The film was a little dark in parts but that didn't take away from the emotional impact. Lovely film.