Naissance d'une nation

The beloved darling of last year's Sundance Film Festival is a competently crafted biographical drama that brings the story of Nat Turner to life in splendid detail and exhibits expert workmanship in all aspects of filmmaking but it still fails to bring anything new to the table and feels like something that we have seen many times before.

Set in 19th century America, The Birth of a Nation tells the story of Nat Turner, an enslaved man & a preacher who's taken to different plantations by his financially strained owner to preach to other negro slaves and, after witnessing countless acts of barbarity inflicted upon them by their owners, orchestrates an uprising to lead his people to freedom.

Co-written, co-produced & directed by Nate Parker who also stars in the leading role, The Birth of a Nation takes its time to set up its premise and is quite violent & disturbing when it's meant to be but there are also times when it needlessly indulges in some petty allegorical bullshit & unneeded flashbacks which hamper its steady narration by an extent.

While it's evident that the film is a product of extensive research, no real effort is made to separate its look n feel from other examples that deal with the subject of slavery. Its iconography has a lot in common with Steve McQueen's 12 Years A Slave but it is still lacking in the raw emotional power of that powerfully-moving feature. Nevertheless, for a debut feature, this is an impressive start.

Its 120 minutes of runtime could've been further trimmed, for there are plenty of scenes that don't add much to the story and at times take the focus away from what's relevant. Camera keeps itself firmly fixed on Nat Turner, the cold colour palette is finely utilised, and the decision to capture the violence & brutality in its raw, unadulterated form is a welcome one. Lastly, all of it is wonderfully supported by its evocative score.

Coming to the performances, the cast consists of Nate Parker, Armie Hammer, Jackie Earle Haley, Aja Naomi King & others, and although all chip in with apt inputs in their given roles, their screen time is shortened to keep the focus on Parker's character. Parker's measured performance packs wide range of emotions and he expresses them convincingly for the most part and manages to render Nat Turner on the screen with effectiveness.

On an overall scale, The Birth of a Nation does justice to the legacy of Nat Turner despite its many shortcomings and is at its best during the final act when the inner rage of the enslaved bursts out in masterly-shot acts of brutality, violence & retaliation. Yet none of it lingers long after the credits have rolled and in the end, it feels like one of those movies that lifts certain elements from different examples of its genre but fails to provide its own touch of originality to it.

Nate parker writes, produces, acts, and directs this landmark in American history. The story of Nat Turner is one that is relatively uncharted territory in the realm of cinema, with that being said, Nate Parker does a great job of of telling the story, albeit a little shortsighted as to the backlash that transpired afterwards.

Also, I don't know what this other critic user is talking about in regards to calling this movie, "racist crap" and giving it a 1 out of 10. The movie tells the story of a rebellious slave who does whatever he needs to, to achieve freedom from the oppressive south. With that being said, his story simply tells the truth of our nations racial relations at this time. In this particular context, Blacks and whites surely were not singing kumbaya, our relationship was highly one-sided, volatile, and largely disturbing. So, to anyone who is not prepared to see a small glimpse of historical truth in regards to our nations past, do not see this movie. You'll just end up like this other user, offended because this movie doesn't depict white people as saviors, heroes, etc, like most movies...it depicts a more sinister side that too often goes untold, unseen, and therefore, unnoticed.

History favours the brave, but like any form of art, it is also about perception. Whether that perception is a result of inner expression or manipulated by external influences, what matters is the manner in which it is told. Bold, controversial and violent, The Birth of a Nation is a period drama that is as powerful as it is important. Most of all, this film functions as a cinematic memorial to one of the first freedom fighters that would eventually give rise to the American Civil Rights Movement.

His name was Nat Turner and although not shown in the film, he received the same fate as the fictionalized William Wallace (who was famously portrayed by Mel Gibson in Braveheart). Played by Nate Parker in his directorial debut, Nat is a slave with compassion for his fellow slaves. He is also in good standing with his master Samuel Turner (Armie Hammer) but the latter has problems of his own, including mounting debts and alcoholism. They were friends since childhood and Samuel's mother was the first to notice Nat's incredible ability to read (this was a time when literacy was considered a gift, and rare even for white landowners). With this 'ability' Nat is allowed to preach the Bible to other slaves with the intention of putting the fear of God into them. It works for some time, until Nat witnesses the ugly and often heinous atrocities of slavery. The inevitable happens when Nat perceives scripture as a double-edged sword – that which justifies slavery and that which justifies retribution.

Based on the actual 1831 salve rebellion in Virginia, and co-written by Parker, The Birth of a Nation is a slow burner during its first two acts. Visual artistry notwithstanding, Parker's nuance is the cogs and wheels turning in Nat's head. Did he snap or was he disillusioned by his own sermons? Although the result is an explosive finale that is both brutal and disturbing, the answer to that question lies in the way Nat is perceived. With collateral damage on both sides, history has all but condemned Nat Turner as a mass murderer, much like what English history says about Scottish freedom fighter William Wallace. But the director has us believe otherwise; that Nat was more like a hero whose actions influenced a far bloodier war 30 years later in the emancipation of slavery, and hence the title.

Yet at its core, this film is a penetrating enquiry into the ongoing struggles for justice and equality, the fine line between the use and abuse of authority, and also whether the history taught today is factual, or eroded, or sanitised. Whether Nat lost his faith or manipulated scripture to justify his rebellion is of little importance because The Birth of a Nation is competently made and told with grit. Like Steve McQueen's relentless 12 Years a Slave before, the theme on dehumanisation is rampant and doesn't let go even during its most harrowing moments. Even so, Parker's narrative may not be as flawless as McQueen's Academy Award winning masterpiece but it's still an effective undertaking for a debut director; And given the racial uproar behind the new Trump administration, perhaps even a well-timed film that takes a stab at a challenging dilemma – intention versus action.

I strongly disapprove of the fact that this movie has gotten a lot of IMDb thumbs-down from people who most likely haven't seen it, but just disapprove of a movie about slavery, as well as one whose director has a problematic past.

However, that's not what I'm writing about here. I DID see the film (at a film festival), and my disappointment is based on the movie itself, not politics or anything else external. "The Birth of a Nation" is about a very important chapter in US history, yet it sanitizes that history to a ridiculous degree. I think most non-blatant-racists can agree that an uprising amongst slaves is a thing that inherently generates empathy. Yet this movie apparently doesn't agree--it needs to sanitize the mental health of Nat Turner (who was on record as saying God directly told him what to do from an early age) as well as pretend women & children weren't killed in the Turner uprising. I'm not saying these things were justifiable. What I'm saying is that they're part of a complex historical record, and shouldn't have been left out of a movie that purports to tell the "truth." That would be fine if "Birth" were one of many Nat Turner movies out there, but it's the only one most people are likely to see.

It's also a pandering, middle-of-the-road "inspirational" movie, so much less complex a take on slavery than the recent "12 Years a Slave." While that movie was a work of art, this is more like a TV movie in style and content. I just wasn't impressed by it. I wish somebody would make great Nat Turner movie. This isn't it. And sorry, a bad populist telling of the tale isn't better than no telling.

A good film , though it has extremely violent events , sadism , physical abuse , lynchings and other racist excesses . Nat Turner's Rebellion , also known as the Southampton Insurrection , is set against the antebellum South , it follows Nat Turner (Nate Parker), a literate slave and preacher , he was highly intelligent and learned how to read and write at a young age and he grew up deeply religious and was often seen fasting , praying or immersed in reading the stories of the Bible . Then , his financially strained owner , Samuel Turner (Armie Hammer) , accepts an offer to use Nat's preaching to subdue unruly slaves . Later on , there takes place the brutal sexual assault by white men on Turner's wife (Aja Naomi King) , it feeds a rage that sets the rebellion in motion . Soon after, , Nat leads a slave rebellion that took place in Southampton County , Virginia, during August 1831 . As Nat orchestrates an Southern uprising in the hopes of leading his people to freedom .

The film packs crude scenes full of brutality and cruelty in which the African-American slaves suffer humiliations , flagellation , beating , degradation , and mistreats by their owners . As Nat Turner witnesses countless atrocities - against himself and his fellow slaves . As Nat Turner well played by Nat Parker carries out an upheaval against the ruthless proprietaries in the antebellum South , this rebellion occurred in Southampton Co. VA. August 21- 23, 1831 . Nat Parker gives an acceptable acting as the literate slave and preacher who orchestrates a bloody riot . Support is frankly fine , such as : Penélope Anne Miller , Aja Naomi King , Gabrielle Union , Mark Boone Junior , Colman Domingo , Aunjanue Ellis , Dwight Henry , and special mention for Jackie Earle Haley as the villain slave hunter Raymond Cobb , among others . It displays a thrilling as well as sensitive musical score by Henry Jackman , adding evocative African songs . Colorful cinematography by Elliot Davis , being shot on a former plantation between Springfield and Clyo, Georgia, about thirty miles north of Savannah . The picture was well shot by Nat Parker and it was filmed in a month , approx . Nat has filmed with all of the power and realism at its command but some scenes in exploitation style , including strong tortures , lashing , rape , grisly killings and many other things .

This ¨The birth of a nation¨ is correctly based on true events , these are the followings : Turner rebellion was, according to his own writings, based on spiritual visions . Turner had various visions , as "the Saviour was about to lay down the yoke he had borne for the sins of men, and the great day of judgment was at hand" . Nat attempts to challenge racism and white supremacy in America, to inspire a riotous disposition toward any and all injustice in this country and abroad and to promote the kind of honest confrontation that will galvanize our society toward healing and sustained systemic change . Led by Nat Turner, he started with several trusted fellow slaves, and ultimately gathered more than 70 enslaved and free blacks, some of whom were mounted on horseback . The rebels traveled from house to house, freeing slaves and killing all the white people they encountered. Because the rebels did not want to alert anyone, they discarded their muskets and used knives, hatchets, axes, and blunt instruments instead of firearms. The rebel slaves killed from 55 to 65 people, the highest number of fatalities caused by any slave uprising in the Southern United States. A white militia with twice the manpower of the rebels and reinforced by three companies of artillery eventually defeated the insurrection . The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards . The rebellion was effectively suppressed at Belmont Plantation on the morning of August 23, 1831. There was widespread fear in the aftermath of the rebellion, and white militias organized in retaliation against the slaves. The state executed 56 slaves accused of being part of the rebellion . In the frenzy, many non-participant slaves were punished . Approximately 120 slaves and free African Americans were murdered by militias and mobs in the área . Across the South, state legislatures passed new laws prohibiting education of slaves and free black people, restricting rights of assembly and other civil rights for free black people, and requiring white ministers to be present at all worship services.