Bridgend

Tricky. For anyone familiar with the very real instance about the spate of suicides that has blighted the Welsh county of Bridgend, then this film is likely to be a mixed viewing experience. For sure during the film one can't help but keep thinking about the real events, the theories and facts of such, so it's a little distracting because Jeppe Rønde's film demands the utmost attention throughout.

It should be noted with all seriousness that this is only a meditation on the real events, it's not offering up answers, so people should seek out all official text and documentary of the events for the real picture. The film operates in the haunting space of the ethereal, both narratively and visually, with the youngsters at the story's core firmly caught between two worlds. The behaviour of the youths here will cause consternation in some quarters, their recklessness and daring on the surface not making sense, but really that's the point. Sense doesn't operate, not here or in the real world.

There's a number of striking sequences that show Jeppe Rønde as someone who has something to offer the indie art cinema circle. Such as the naked youngsters floating silently in the lake that has become their getaway place, and the finale at same lake that is akin to lambs paddling to their slaughter. Of course the director has had to fend off charges of sensationalism, romanticising suicide etc, that was to be expected, but he hasn't. He has produced a film of intrigue and emotional depth, one that stays with you long after that haunting final shot has vanished. 7/10

Bridgend attempts to explore a deeply unsettling real-life tragedy, but despite its eerie atmosphere and strong cinematography, the film struggles to deliver a coherent or impactful narrative. The misty, bleak landscapes perfectly set the tone, and there's an undeniable sense of dread throughout. However, the storytelling feels vague and frustratingly elusive, failing to provide meaningful insight into the tragic events it depicts.

Hannah Murray delivers a committed performance, bringing raw emotion to her role, but the film's repetitive nature and lack of depth make it a difficult watch. Instead of diving into the psychological and societal factors behind the story, it leans too much on mood and abstraction, leaving the audience disconnected rather than immersed.

While the film deserves credit for its ambition and visual aesthetic, it ultimately falls short of being a gripping or thought-provoking experience.

If you live in the back of beyond, where all your parents and grandparents knew each other how do you escape? What is there to live for when there are no jobs or future to look forward to? How do you portray this scenario in a film? Welcome to Bridgend. A dark and melancholic film that does just that. Everything is dark, the scenery, soundtrack and outlook give no hope. The teenagers are falling by the wayside, one by one and still no one has any answers. You feel their angst and inevitable demise but it all seems natural. The sign of a good film in my eyes and ears. Not for everyone, a bleak tale if ever there was one but well portrayed non the less.

This is one of those movies that you quite enjoy watching because the acting is good and you want to find out what's going on vis a vis the compelling and suicide-packed plot. Sadly you never do. It becomes increasingly ludicrous without respite. Shame. I thought it was going somewhere...

Thanatos is the drive to death and has often been referred to in recent literature in reference to humanity's drive to self annihilation, faced with seemingly overwhelming social,economic and environmental issues.

Bridgend is its own way taps into this notion. It focuses on a group of young people who seem to have reached the end of hope and view death as their only "accomplishment" in life. Death has a tribal quality, its something that is worshiped as a group and dedication proved by taking life threatening risks, before the final act itself.

The quality of acting is good and the visuals whilst austere, are well rendered and do help infuse the film with a sombre atmosphere. Where this film falls down, for me, is in its story department. Its really difficult to understand what its point is? Indeed, in some respects, it seems rather rhetorical in a rather sad and depressing, way.

In any case, I'll leave it to you to judge the overall worth of this film. Its not for me but that's not to say you might not find something of meaning in its message. Seven out of ten from me.