That Thing Called Tadhana

I'm impressed with this movie. It was well filmed and scripted, that is until the ending. There is no ending, it just ends. We were left wondering what turn would've happened next? What was the "tadhana or destiny" of the characters? Why did it end unfinished? Was there going to be a sequel? In short, no. The direction was to simply cut away from the characters abruptly after building the story.

It was a bust for what should have been a very well told movie. If you like watching a movie build then cut out, then watch this movie. I'd recommend renting it because it's a waste of a theatrical release. Don't take a date to see this like I did. She (a filipina) was left feeling the same as I was, like we need a refund.

One's first impression for That Thing Called Tadhana is it's a local rom-com with the style of Before Sunrise, since it's a long walk of conversations. The film is mainly about a girl who meets someone who she can express her emotional pain from a recent heartbreak. The entire movie is basically as simple as that, it somehow abandons the clichés of where a long conversations like this usually lead to and instead just be an example of what we love about human interaction. It can be blissful and bitter, but what's important here is to let these two naturally grow their relationship. The beauty here is it never compromises with demanded formula and just lets itself be honest about their fate.

This is basically a change of pace of the two, taking a break from their ordinary lives and finding a way to let go of the worst of their past by just talking out their backstories, drama and interests. It doesn't matter if they ever end up together, those discussions aren't only sweet talk or anything that would necessarily lead to romance, they are simply just honest conversations that share each other's cynicism, joys and mistakes until one gets relived from her bad memories. But out of this adventurous bond, you can really see how these two develop genuinely, feeling that they are really moving on in a new phase of their lives.

And around those meaty interaction, there's a total appeal in their road trip. From the city of Baguio to the mountain top of Sagada, the way they shoot these places just adds more things to love in these moments that already owns a rich personality. The lead couple can be quite charming, even with the amount of criticism and bitterness in their heads, they're basically just being relatable. Angelica Panganiban is the soul here, she carries the energy and the heart of these conversations, and that is absolutely what this character is meant to be. While JM De Guzman makes a good pair for not always taking the pain of his partner seriously until it becomes a big deal for the both of them.

That Thing Called Tadhana immediately triumphs in its honesty to its storytelling and opinions towards love, letting go and other stuff. The narrative doesn't need anything more than settling with these two characters trying to find a light after a disappointing and hurtful past. It's sometimes enough for just finding someone to tag along and run away to an unexpected vacation, despite of involving some awkward situations. Even in these simplest moments, it brings a satisfying solution from such emotional burden. That Thing Called Tadhana speaks more from the soul of a relationship because that is what makes it truly special.

I am not a typical fan of the Filipino romantic-comedy genre, but this film is definitely one of my favorites under this class. "That Thing Called Tadhana" has a brilliantly crafted story-line, yet modestly simple. The plot literally comprehends only two subjects who are the protagonist couple. The love story is basically a strangers-into-lovers development. One of the noticeable innovations in this films is the lessened use of background music in every scene. Background soundtracks or music are generally mood setters for a particular scene. The scenes in this movie did not make use of such accessories. It primarily relied its witty dialogue, impressive acting of the actor and actress (especially Angelica Panganiban) and beautiful cinematography. Moreover, the symbolisms or analogies used in the movie significantly and perfectly reflected the plot of the story. A manifestation of intelligent writing. "That Thing Called Tadhana" is a standout among Filipino romantic-comedies!

This is one of those films that I watched without seeing the trailer or having any idea about what the film is about and had no expectations. The film only relied on its two lead actors without any other famous supporting casts, extras, special effects and musical background which made it so raw yet so good at the same time. It makes you go in a journey together with the characters that it makes you feel attached to them. You get to feel how they feel and you start to root for them to get together in the end. It had a really good story-telling and used breath-taking locations that makes you immerse in the story. Splendid acting from both Angelica and JM.

One of the most endearing assets that 'That Thing Called Tadhana' has is that, while it follows a simple storyline, it is delivered with utmost sincerity and honesty. The film arrives in an age of Philippine cinema where the romantic comedy genre is defined by its capacity to deliver and imbue "kilig" to the audience; it is expected to get silenced and drowned by the loud clamor and screams for the widely familiar romcoms headlined by today's biggest loveteams like KathNiel and KimXi, but it nonetheless, survives and sets itself apart, a quiet star amid the sea of supernovas.

The story begins with a chance encounter: a man (JM De Guzman) trying to lend a hand to a stranger trying to forget her past and its heartaches. They start a journey that both of them don't know where it ends; it seems unlikely, but throughout that trip, something that isn't familiar, develops, it moves in a lazy pace, but it nevertheless feels right and heading to a better place. TADHANA's message is delivered in quiet and unassuming ways, yet it's recognizable, and speaks in deafening volumes to everyone who shares the same struggle that both the leads are undergoing.

Without the female lead's (Angelica Panganiban) seemingly endless rants and emotional outbursts, the film is naturally quiet and calm. This is the film that isn't too reliant on music or any heavily orchestrated score to set its mood or enhance whatever it is that is already there, instead, it lets its own natural melodies hum and conjure the necessary emotions needed to make every scene work. That being said, you would also realize, that every time it makes use of music as an emotional tool, it works perfectly and delivers the shiver in numerous folds. You would applaud on how endearing and genuine the performances of our leads are; in spite of the cliché lines they throw now and then, it is how realistic their presentation of both their dialogues and characters, that make the two and their stories, really relatable. Angelica is brilliant here, so is JM, and together they make an undeniably overwhelming chemistry.

The question "Where Do Broken Hearts Go" rings throughout the whole movie. As our protagonists take attempts to answer it, the film makes us travel from Rome, Manila to Baguio and to the breathtaking landscape of Sagada. TADHANA never answers that, but it sends a hint that wherever it goes, as long as you're moving on, it will end up being OK.

This movie deserves a perfect 10/10.