An exploration of the relationship between jazz trumpeter Lee Morgan and his common-law wife Helen, who was implicated in his murder in 1972.An exploration of the relationship between jazz trumpeter Lee Morgan and his common-law wife Helen, who was implicated in his murder in 1972.An exploration of the relationship between jazz trumpeter Lee Morgan and his common-law wife Helen, who was implicated in his murder in 1972.
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- 1 win & 7 nominations total
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Featured reviews
I agree with the positive reviews of this movie, and simply want to add my appreciation for how human-centered it is. It is not simply a collection of names, dates, and music samples, like many other Jazz documentaries. The latter, too, are essential, however this documentary is largely about people who were simultaneously creating jazz culture and being shaped by both it and their fellow denizens of that world. Prior to watching this movie I had known only that Morgan's wife shot and killed him, and was very surprised to see her treated with compassion by the documentarian, as well as by various people who were there at the time and were friends with her and Morgan.
There is a lot to be learned about jazz from watching this film, but it's ultimately its poignancy which make it so compelling.
There is a lot to be learned about jazz from watching this film, but it's ultimately its poignancy which make it so compelling.
I had realy good time watching this documetary. If you like jazz and 70' Nyc athmospere is a must watch!
The focus of this documentary is renowned American jazz trumpeter Lee Morgan (1938 - 1972) as well as his common-law wife Helen More who restored and saved Lee's life during a time of serious drug addiction only to end it later on.
The movie's directing style, by Kasper Collin, reflects the beauty and mood of the jazz music it portrays. A very clever bonus is the use of coloured footage of people walking about the streets of New York in the 50s, 60s, and early 70s. This helps greatly in recalling moods and styles of eras that are long gone.
The main narration of this film is an audio recording of More in 1996. While it is mostly insightful, it is occasionally difficult to understand as More had an unusual accent that is not always easy to comprehend. Collin ought to have used subtitles during these segments.
With many magnificent still photos, TV footage, and interviews with Morgan's past bend members, it was unfortunate that only a brief audio recording of Morgan could be found as evidence of the man himself offstage. But the music - highlighted by Morgan's brilliant artistry as a trumpet player - more than makes up for this gap.
The movie's directing style, by Kasper Collin, reflects the beauty and mood of the jazz music it portrays. A very clever bonus is the use of coloured footage of people walking about the streets of New York in the 50s, 60s, and early 70s. This helps greatly in recalling moods and styles of eras that are long gone.
The main narration of this film is an audio recording of More in 1996. While it is mostly insightful, it is occasionally difficult to understand as More had an unusual accent that is not always easy to comprehend. Collin ought to have used subtitles during these segments.
With many magnificent still photos, TV footage, and interviews with Morgan's past bend members, it was unfortunate that only a brief audio recording of Morgan could be found as evidence of the man himself offstage. But the music - highlighted by Morgan's brilliant artistry as a trumpet player - more than makes up for this gap.
This was very good. It really set the mood for time periods of the 50s, 60s, and 70s, and of course it was very informative on the music and personal life of Lee Morgan, a great jazz trumpet player. Great interviews with his fellow band members and wife also.
Surprising, I didn't know the musicians, nor their stories, sad, an action on impulse and destruction for a lifetime, I felt very sorry for Helen, children who are already born condemned to a suffering future, and when could they have risen again, an act thoughtless, interrupts a future that could have been happy... Love sometimes salvation, sometimes perdition... Beautiful and sad documentary...
Did you know
- SoundtracksSearch For The New Land
written & performed by Lee Morgan
published by BMG Platinum Songs, A BMG Company and EMI Longitude Music, Courtesy of Sony/ATV Music publishing Scandinavia
(P) 1964 Blue Note Records
under license from Universal Music AB
- How long is I Called Him Morgan?Powered by Alexa
Details
Box office
- Gross US & Canada
- $128,986
- Opening weekend US & Canada
- $12,902
- Mar 26, 2017
- Gross worldwide
- $128,986
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.85 : 1
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