Eichmann Show

One of my earliest memories is the Eichmann trial. Watching the film I now realise that it started on my sixth birthday. We talked about it in the playground built up an image of a monster. In London at the time we were surrounded by bomb sites and so his capture and trial was big news.

I remember vividly seeing the filmed news reports the film depicts and the shock of how ordinary this monster looked.

A good film and worth watching.

This BBC film was based on the actual event that took place in the early 60s, Jerusalem. About televising the trial from a courtroom, which was the first ever documentary series to broadcast. One of a top Nazi officer, Adolf Eichmann, who fled during the end of world war two and settled down in the South America, but brought back with the help of Mossad to Israel to face the war crime charges. The movie won't demonstrate all those in the picture, but it begins with the television production house preparing to shoot the important television event in the history. So the show begins, but a boring first half and the next half is where all the interesting stuffs happen.

In my prediction this movie with the powerful contents would have easily beaten the 'The Imitation Game', if it was produced grandly and commercialised a bit of narration for the worldwide market. The real video clips of the trial were merged into the movie and that gave a strong effect which allows to realise how those actual occurrences has taken place. Actually, there are some uncensored cuts, which were shocking and disturbing. So pretty much like a semi-documentary, but due to the majority of movie clips that shot with actors and in the sets, it feels like a TV movie as it should be.

"While he watches the footage, we'll be watching him. Only then will we see the real Eichmann."

The performances were ordinary, because the screenplay preferred the main event to display, not the characters and their lifestyle. That makes it is not a biographical picture, though both the lead men were pretty impressive. We had seen many world war 2 and related to it movies, but this one was a different. Because of the story was set 15 years after the end of war. Simple movie, no twists, no developments, but reveals the facts from a different dimension. Because of this show, people around the world and filmmakers understood the cruelty of the Nazi prison camp. The movies those came afterwards about this war were inspired by the events that discussed in the courtroom. So if you are planning for this, expect it to be as what the title says, not a bit more or less.

8/10

Watching this and hearing eye witness accounts from all those people that endured all of those pure evil acts.

You can't help but shed of a tear for all of those survivors and for the victims of these pure evil acts.

What to make of THE EICHMANN SHOW? It is necessary to detach fiction from fact. Paul Andrew Williams's production includes large slices of archive footage of the trial, showing the impassive features of Adolf Eichmann as he listened to the testimonies of several witnesses (victims?) of the atrocities he condoned. There are also newsreel records of the concentration camps and their victims, who if they were not already piled up into heaps of dead naked bodies, were left emaciated, mere shadows of what was once live humanity. These sequences are difficult to stomach, even at seventy years' remove; we still wonder how people could behave in such a bestial manner.

The dramatized parts are less effective, to be honest. The action is structured around a conflict between television producer Milton Fruchtman (Martin Freeman) and his director Leo Hurwitz (Anthony LaPaglia). Fruchtman has rescued Hurwitz from a ten-year exile on the Un-American Activities Committee blacklist, but finds him difficult to work with, as Hurwitz seems obsessed with focusing his cameras on Eichmann's face, to the detriment of other events during the lengthy trial. At one point Hurwitz misses a dramatic moment when one witness faints as he tries to recall his harrowing experiences in the death camps. Yet sometimes the conflict between producer and director distracts our attention away from the events at hand, almost as if director Williams were trying in some way to soften the dramatic impact of his piece. Matters are not helped by the regular use of reaction shots on Freeman's and LaPaglia's faces as they respond to one another.

On the other hand Williams does question Fruchtman's morality, as he seems more obsessed with maintaining global ratings rather than broadcasting the material. We are into areas explored in Sidney Lumet's NETWORK (1976) here: are television companies really undertaking public service responsibilities, or are they simply trying to render all events as entertainment to attract high viewing figures? Hurwitz understands the significance of what he directs, but Fruchtman appears not to.

THE EICHMANN SHOW is certainly a powerful piece that needs to be watched, but perhaps the reconstructed material could have been more slickly handled.

Leo Hurwitz dialogue was horrendous, he constantly complained or found fault with everything. I had to stop watching after a while.Pity its a great movie and subject matter.