London House

I kept waiting for a twist, or SOMETHING to keep my interest, but it never came. "Gas Light" for a first time mom. The best thing about it was Gene Pitney singing "Take Me Tonight" at the end. Why this song? That was the only unpredictable thing in the entire movie. And the ending was crazy and totally illogical.

"The Ones Below" is a decent enough little chamber piece on the perils of parenting, particularly if you suspect the neighbors downstairs covet your new-born baby. It marks the directorial debut of writer David Farr, (he wrote "The Night Manager" for television), and it's nicely done but in the end it's just too unpleasant to be entertaining. Basically a four-hander and well played by Clemence Poesy as the new mother convinced her neighbors are up to no good and by David Morrissey and Laura Birn as the neighbors, (personally I would have moved out five minutes after they moved in). It's let down only by Stephen Campbell Moore as Poesy's partner. Considering his outing in a similar role in the nasty little horror picture "The Children" some years back I would suggest Mr Campbell Moore get the snip sooner rather than later.

Character buildup. For most of the movie. Too bad they are so two dimensional it hurts, some drastic change of behavior is supposed to be intriguing when it's just a welcomed announcement that things are actually moving towards the ending, which is obvious right from the start.

Don't miss the blatant, obnoxious plot device near the middle, or you might actually get surprised by some detail at the end. The Hand That Rocks The Cradle even had that more subtly, in addition with a decently paced script. Which is another crappy movie, but fairly entertaining for its time.

Acting isn't bad, until daddy throws his fit, but the plot is bad, predictable, and dare I say, unimaginative. A TV movie from the 80's.

I'm a big fan of cult classics such as Rosemary's Baby so when I saw the trailer to this movie, I was intrigued.

The first third of the movie was quite well done; the mood was creepy and weird as intended, the actors were marvelous; the suspense really drew me in and I wanted to find out how this movie would pan out.

Then it got reeeeeally slow. It dragged on and the repetitiveness made it very hard to push through. Midway through, the mystery of the plot has already become quite obvious and predictable as it has been constantly spelled out to us over and over again. So by the end, the only way to save this movie is for an unexpected twist instead of the predictable ending. But no twist. Just a creepy, linear story with ok acting.

Great cast, great performances, great direction...but the script...it was as if the writers either got bored of the whole thing or hastily finished it on deadline day.

An absorbing, at times very tense buildup, hints at something possibly occult going on, but then a rushed ending that didn't need the buildup! It begins with a kind of Rosemary's Baby feel to it but the plot and tension builds to a certain level then remains there at that pace for the rest of the film.

Well worth watching, but just enjoy the actors and mood and don't expect to be blown away by any clever plot twists and turns.

It should have been shown as a Sunday evening BBC2 play or something.