Tous les chemins mènent à Rome

"A woman takes what she wants, when she wants it." Maggie (Parker) is starting to lose touch with her daughter Summer (Day). In an effort to reconnect they take a trip to Italy. Maggie sees this as a bonding experience but Summer sees it as punishment and is worried about her boyfriend who she left. When Maggie reconnects with a former love it only enforces Summer's desire to return home and she takes a car, and a grandma, and will stop at nothing to fly home. Maggie will stop at nothing to stop her. This is really not that bad of a movie. Generic and formulaic but still worth seeing and I actually enjoyed watching this. The movie is pretty predictable but it is a romantic comedy so that is to be expected. In terms of chick-flicks I have seen worse and while this is nothing super outstanding it was better than I was expecting and I laughed quite a bit. Overall, nothing original or unexpected but still worth your time. Much better than I was expecting. I give this a B.

Cute little storyline with unexpected detours. Amusing enough. Cutes. No complaint.

I'm not sure much effort went into this. The characters are unlovable and annoying, the plot is weak and 50% of the dialogue is un-subtitled Italian. (I understand we don't have to know what is always being said, but it's such a pointless movie that it could be argued nobody needed a speaking part!)

No need to give away plot points, since the whole story is absolutely predictable from start to finish. But the way it is peppered with implausible elements, almost offensive sterotypes and clichés, and a totally uninspired direction, make this movie bearable to watch only if you can enjoy unvoluntarily embarrassing, silly moments and scenes. None of the actors seem interested in what they are doing; both Sarah Jessica Parker ad Raoul Bova, elsewhere charming, make you wonder what's even remotely interesting or attractive in the characters the play. And it's quite painful to watch Claudia Cardinale delivering a grotesquely bad acted performance. Close to "so bad, it's good"; alas, it's just bad.

Hard to believe the script made it to production. Silly and implausible. Two stars because it's good to see Claudia Cardinale on screen again.