Lady Chatterley's Lover

There have been at least five or six screen adaptations of Lady Chatterly's Lover, and this one adds nothing new or noteworthy. It is mediocre at best, and despite the ludicrous warning on Netflix that this version contains "strong sex", be assured it is decidedly tame. There is not so much as a nipple to be seen in this TV quality offering, which is so careful and safe that it feels like something aimed at schoolchildren studying the book.

Since costume dramas are ten-a-penny these days, yet another version of Chatterly is surely surplus to requirements, unless, of course, it is willing to offer up a bit more flesh than, say, "The Tudors".

Since graphic (at the time) sex was the main selling-point of the original book, causing much controversy and litigation, it would not be inappropriate for a modern screen adaptation to similarly push the boundaries. Otherwise, what's the point?

And lack of sex aside, there is little else to recommend this film either. The script, acting, direction, and cinematography are every bit as flaccid as Lord Chatterly, and there is minimal visual splendour in terms of countryside or stately homes upon which to feast the eye.

There is, however, one pretty good music cue, during the main "sex" scene. It's just a shame that the music was so good because it was making up for so much else that was missing.

Having said all that, it passed the time pleasantly (if blandly) enough. I won't be re-watching it, however.

This 2015 adaptation tries to bring D. H. Lawrence's classic forbidden love story to life but kinda misses the mark. What should be a bold, emotional journey about passion across class lines ends up feeling a bit flat and distant.

One thing this version has over the 2022 Netflix adaptation is that it has some scenes, which is missing in the Netflix version. Those scenes actually help build the story and explain the characters' choices better. Without them, the emotional progression in the Netflix version feels rushed or confusing, so this older version wins points there.

That said, even here, the romance doesn't quite land. The chemistry between the leads feels like it's almost there but never really clicks. You keep waiting for that spark, but it never fully lights up. And visually, the color grading doesn't help either, it's dull and washed out, not giving off the warm or passionate vibe you'd expect from a story about secret love.

In the end, it feels like the film gets caught up in the heaviness of war and class, and forgets to bring the forbidden romance to life. It had potential, but the emotion just doesn't hit the way it should.

Constance Reid meets Sir Clifford Chatterley, a wealthy Mining Colliery owner, and the two quickly marry. After a short passionate renaissance Clifford who is serving in the Army is caught by a bomb blast and suffers massive injuries, which leave him wheelchair bound. Oliver Mellors, a fellow survivor from the front line turns up at the Chatterley's estate seeking the role of Gamekeeper. Mellors is employed due to the fact that he served in Clifford' regiment. Constance is seemingly quite a passionate woman, and when she first sees the sultry looking Mellors there's a definite attraction, and a love affair between the two soon begins. Clifford becomes desperate for an heir, hugely frustrated because he can't produce one he tries to initiate proceedings.

The scene of Clifford getting caught up in the bomb blast was fantastic, it looked very realistic. I would question how Constance hadn't heard of his accident though.

I applaud James Norton for his performance as Clifford, he's a truly versatile actor, he has the ability to make you love him and hate him, and in this he made me pity him, he is fantastic, and is the one giving the others the masterclass in acting.

It's a very well behaved version of such a well known story, it's well acted, it looks good. I just felt it was missing a bit of spark, maybe Lady C herself, possibly she should have been a bit more intense, a bit more passionate. I felt Holliday Grainger got better as it went on, there was an innocence to her character, just missing a little bit of allure, but on the whole it was pretty good. 6/10

... this one's not bad ... but there are others quite-better ... not fault of the actors ... story here is just too-empty ... especially very uninteresting manner which they choose to end it

I am convinced than the novel of D. H. Lawrence deserved be not adaptated for cinema. Because, more than an adultery or the scenes of sex, it represents a provocative source of reflection for each of its readers.

But, sure, it is tempting to remind/ reinterprete the story of a sentimental trio , to show nice landscapes and clothes and to offer to new actors, the roles of characters.

And, yes, Richard Madden offeres a not bad oliver Mellers , not real faithfull to the novel, but interesting one.

A serious fist of cliches and a nice try to reflect a world . And the only real sin remains the too forced end.

But, sure, good intentions, familiar scenes, forced introduction of characters, gestures, attitudes, reactions, impression to be more an adaptation of Anna Karenina, a profound unrealistic and fake Mr. Chatterley and the useful kick to read, again, the novel.