IMDb RATING
5.2/10
8.8K
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The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.
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Russell Balogh
- Lundt
- (as Russell Balough)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Lets face it, everyone involved in this was on a hiding to nothing from the start. If this film had too many nods to the original (and beloved) TV series, it would be criticised. If it tried to be its own beast, it would be criticised.
In the end it fails as a film because a) it tries to be a bit of both, and b) it just simply isn't funny.
There are some talented people involved, all doing very respectful takes on the original characters, but they are working with a weak (and often historically inaccurate) script that means they are lumbered doing imitations, rather than putting their own spin on the roles.
It's a shame this isn't good, but I can't say I'm surprised.
In the end it fails as a film because a) it tries to be a bit of both, and b) it just simply isn't funny.
There are some talented people involved, all doing very respectful takes on the original characters, but they are working with a weak (and often historically inaccurate) script that means they are lumbered doing imitations, rather than putting their own spin on the roles.
It's a shame this isn't good, but I can't say I'm surprised.
Having just seen this, and being old enough to remember the original series, it was, as expected, not terribly good. One of the things that makes the original series so good, the interplay between the cool and elegant Sergeant Wilson, and the pompous Captain Mainwaring. In the real world war two, the original Sergeant Wilson, John Le Mesurier, had been a tank regiment Captain, and the original Captain Mainwaring, Arthur Lowe, had been a ranker, a radar technician, and the role-reversal in the series worked so well..... the little class nuances between the two are completely lost in the film, . Michael Gambon carries off Godfrey to a tee, but the rest of the cast just don't seem to get it. Where was Frazer's gloom and doom? Jonesy a cook in the Sudan? have the producers not seen the 'dirty fakir' episode? Hodges barely gets a look in, no verger, and the vicar appears to have turned straight....there are so many little things in the original series that make it so funny, all those little things are missing here, along with the utterly spot on comic timing of the original time-served cast.
Some of the script writing is dire, with no attempt made to get it historically right, the Godfrey sisters to miss Winters, 'where will you be next, New York, Paris... difficult given that Paris was under German occupation at the time... and a U boat surfacing in broad daylight in the bay? Tank traps on the beach at the bottom of a cliff, but no wire or mines? , wire and mines would have put Corporal Jones right in his comedic element!
And as others have observed, Mrs Mainwaring is an original 'er indoors, never actually seen in the series,It was one of the elements of the original that Mainwaring would do absolutely anything to avoid his wife, why change this?
The biggest problem I had watching it though, was that I kept hearing the lines coming out of the on-screen actors, but in my head I was hearing them coming out of the mouths of the original cast,and it just can't live up to it, it's like a huge shadow cast over the whole film, somewhat akin to the relationship between the TV Sweeney, and the dreadful Nick Love film..timing is everything!
Some of the script writing is dire, with no attempt made to get it historically right, the Godfrey sisters to miss Winters, 'where will you be next, New York, Paris... difficult given that Paris was under German occupation at the time... and a U boat surfacing in broad daylight in the bay? Tank traps on the beach at the bottom of a cliff, but no wire or mines? , wire and mines would have put Corporal Jones right in his comedic element!
And as others have observed, Mrs Mainwaring is an original 'er indoors, never actually seen in the series,It was one of the elements of the original that Mainwaring would do absolutely anything to avoid his wife, why change this?
The biggest problem I had watching it though, was that I kept hearing the lines coming out of the on-screen actors, but in my head I was hearing them coming out of the mouths of the original cast,and it just can't live up to it, it's like a huge shadow cast over the whole film, somewhat akin to the relationship between the TV Sweeney, and the dreadful Nick Love film..timing is everything!
I grew up with the 1968 series Dads Army. It sat cheerily alongside other quality Brit comedies in a similar vein, such as It Ain't Half Hot Mum and complimented top US military comedy shows, such as Hogans Hero's.
That said, much as I desperately wanted to love the new film based on this wonderful series it simply lacks the clever comedic wit and wry humour of its predecessor. Indeed, it would be fair to say it comes armed with everything except humour. This film offers up great sets, a good choice of location, excellent costumes, a predictable but not unlikable story and a stellar cast.
Sadly, that's about it. The comedy is thin on the ground and a good portion of any humour there is amounts to very innocuous, mildly sexual jokes, mostly directed at Catherine Zeta Jones, spy character. "Did you slip her a sausage?" one woman asks Jones the butcher.
Simply put, this is such a terrible waste. A more polished script, infused with comedy of the period and maybe a few new twists, could have seen this film shine, paying homage to a wonderful series I can still happily watch 47 years later. Instead, what you get, is weak tea without the sugar. I'm sure Arthur Lowe's, Captain Mainwaring, would not have been impressed. Four out of ten from me.
That said, much as I desperately wanted to love the new film based on this wonderful series it simply lacks the clever comedic wit and wry humour of its predecessor. Indeed, it would be fair to say it comes armed with everything except humour. This film offers up great sets, a good choice of location, excellent costumes, a predictable but not unlikable story and a stellar cast.
Sadly, that's about it. The comedy is thin on the ground and a good portion of any humour there is amounts to very innocuous, mildly sexual jokes, mostly directed at Catherine Zeta Jones, spy character. "Did you slip her a sausage?" one woman asks Jones the butcher.
Simply put, this is such a terrible waste. A more polished script, infused with comedy of the period and maybe a few new twists, could have seen this film shine, paying homage to a wonderful series I can still happily watch 47 years later. Instead, what you get, is weak tea without the sugar. I'm sure Arthur Lowe's, Captain Mainwaring, would not have been impressed. Four out of ten from me.
As someone in his frisky fifties, I am old enough to remember the arrival on our British TV screens of the original Dad's Army back in 1968. I can still remember my dearly departed Dad with tears flowing down his cheeks at the antics of this motley crew of (mostly) old folks as they confronted the (mostly imagined) Nazi hoards. Now nearly 40 years after the last episode premiered comes another big screen version (a spin off film with the original cast came out in 1971).
For those reading this from other parts of the world that may need a little more explanation, Dad's Army refers to the British Home Guard - a group of old timers from the First World War and/or those otherwise unable to serve in the active fighting forces in World War 2. The Home Guard were to be the last line of defense in an invasion of the UK.
The plot of the new film is paper thin. It's 1944 and the Nazi's are desperate to understand the invasion plans of the Allied forces. They dispatch a spy - Agent Cobra - to the sleepy seaside town of Walmington- on-Sea to try to dig out the truth. At the same time, an attractive journalist in the shapely form of Catherine Zeta-Jones arrives in the town to do an article on the Home Guard unit, stirring up passions and relationship-disruptions as she goes. And that about sums it up! (Now, you'd have to be pretty clinically stupid after watching the trailer not to work out who the spy was going to be, and fortunately for the film this is not a secret that is left to outstay its welcome.)
As a standalone film it's a pleasant enough watch, but in the end a bit of a damp squib. It really only works as a strong dose of nostalgia for the characters from the original series. So the key demographic for this would be those over 50 or children under 12 who may also enjoy some of the farcical and knockabout humor.
Many of the cast are perfectly suited to their roles, as caricatures of the original cast. Toby Jones plays the pompous Mainwaring; Bill Nighy is the spit of Le Mesurier as Sergeant Wilson; Michael Gambon makes a fantastic Private Godfrey; and Blake Harrison (from "The Inbetweeners") is good as 'Stupid Boy' Pike. Toby Jones in particular excels in getting across the character of the puffed up and self-important Mainwaring. The quality of his acting is nicely brought home by a blooper shown over the end credits involving a mobile phone: Jones stays perfectly in character as he lambasts Private Godfrey.
It was also truly fantastic to see 84-year old Frank Williams reprise his role as the vicar. With Ian Lavender's cameo, one of only two of the original cast members to do so.
The one cast member that really didn't work for me was Tom Courtenay as Corporal Jones: an excellent actor, but not a good fit for this part. Jones (in the guise of Clive Dunn) was at the farcical comedy centre of the original series, but here all of his lines fall as flat as a deflated blimp.
The script manages to fabricate opportunities for most of the cast to utter their classic catchphrases, with some more successful than others. There is also a lack of chemistry between some of the cast, with the Mainwaring/Wilson class war not really working well: a classic line about Wilson speaking Latin falls to the floor like a dead weight as a result.
Directed by Oliver Parker, this is one mainly for the older fans of the TV Series. It's probably a 4* film at best, but the extra 2 *'s I give this one is for the heady dose of nostalgia and good memories from my youth.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)
For those reading this from other parts of the world that may need a little more explanation, Dad's Army refers to the British Home Guard - a group of old timers from the First World War and/or those otherwise unable to serve in the active fighting forces in World War 2. The Home Guard were to be the last line of defense in an invasion of the UK.
The plot of the new film is paper thin. It's 1944 and the Nazi's are desperate to understand the invasion plans of the Allied forces. They dispatch a spy - Agent Cobra - to the sleepy seaside town of Walmington- on-Sea to try to dig out the truth. At the same time, an attractive journalist in the shapely form of Catherine Zeta-Jones arrives in the town to do an article on the Home Guard unit, stirring up passions and relationship-disruptions as she goes. And that about sums it up! (Now, you'd have to be pretty clinically stupid after watching the trailer not to work out who the spy was going to be, and fortunately for the film this is not a secret that is left to outstay its welcome.)
As a standalone film it's a pleasant enough watch, but in the end a bit of a damp squib. It really only works as a strong dose of nostalgia for the characters from the original series. So the key demographic for this would be those over 50 or children under 12 who may also enjoy some of the farcical and knockabout humor.
Many of the cast are perfectly suited to their roles, as caricatures of the original cast. Toby Jones plays the pompous Mainwaring; Bill Nighy is the spit of Le Mesurier as Sergeant Wilson; Michael Gambon makes a fantastic Private Godfrey; and Blake Harrison (from "The Inbetweeners") is good as 'Stupid Boy' Pike. Toby Jones in particular excels in getting across the character of the puffed up and self-important Mainwaring. The quality of his acting is nicely brought home by a blooper shown over the end credits involving a mobile phone: Jones stays perfectly in character as he lambasts Private Godfrey.
It was also truly fantastic to see 84-year old Frank Williams reprise his role as the vicar. With Ian Lavender's cameo, one of only two of the original cast members to do so.
The one cast member that really didn't work for me was Tom Courtenay as Corporal Jones: an excellent actor, but not a good fit for this part. Jones (in the guise of Clive Dunn) was at the farcical comedy centre of the original series, but here all of his lines fall as flat as a deflated blimp.
The script manages to fabricate opportunities for most of the cast to utter their classic catchphrases, with some more successful than others. There is also a lack of chemistry between some of the cast, with the Mainwaring/Wilson class war not really working well: a classic line about Wilson speaking Latin falls to the floor like a dead weight as a result.
Directed by Oliver Parker, this is one mainly for the older fans of the TV Series. It's probably a 4* film at best, but the extra 2 *'s I give this one is for the heady dose of nostalgia and good memories from my youth.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)
When news first emerged of a Dad's Army film early last year, the main cry from the fans and general public alike was 'but why?'. Unfortunately, and perhaps unsurprisingly, the end product does absolutely nothing to alter this.
Beautiful German spy Rose Winters (Zeta-Jones) comes into a small town to gather information for the Nazis, blinds everyone with her looks, manipulates them to her bidding while everyone runs around suspecting everyone else but her of undercover nefariousness. Yes, it really is that derivative. It's a plot that could have been lifted lock, stock from a hundred TV movies produced from 1960 until 1980, but tellingly probably none since.
It's obvious that a lot of thought has been put in to casting as every character is perfectly shaped to match his respective character from the original series, and every one really tries to do as good a job as possible. Admittedly Bill Nighy is incapable of playing anyone other than Bill Nighy but it works as bumbling Oxford boy Sergeant Wilson, Toby Jones is almost indistinguishable from Arthur Lowe as Captain Mainwaring, Tom Courtenay does a fair Clive Dunn impression and Gambon was born to play Godfrey. But casting alone does not a film make.
At its core, the original Dad's Army series was little more than a bunch of men in a church hall bickering with each other, the different character's unique and exaggerated qualities carefully weaving a different angle into the argument and comedy as a whole. That can, and very successfully did, work for thirty minutes, but clearly it's another thing entirely to treble the running time and expect it to still function at the desired level. So the writers, as is customary, took the whole thing out of its comfort zone with a more (supposedly) extensive plot. The problem is that the plot, script and dialogue are all utterly dreadful. It is simply not funny, nor is it interesting. At no point do you care one jot what happens to the characters or the storyline. Stir in a complete lack of humour and you're left with a hollow shell of a movie that drags along and leaves you feeling utterly cheated. It manages to lack fun, pace, spirit and perhaps most surprisingly of all, nostalgia.
It's good that the home front's respective wives get some screen- time, particularly Mrs Mainwaring who was never more than a sullen passing reference in the series, but it still doesn't help.
The film is littered with tired innuendos that are seemingly delivered at times with embarrassment, and the occasional poorly timed moments of slapstick are cringe worthy. It's telling that the outtakes at the end of the movie are far funnier than anything in the film itself, although most of the audience will have rapidly headed for the exit by then like home fans fleeing a drubbing from a local rival.
Is Dad's Army a missed opportunity or an inevitable disappointment? It's difficult to care. Either way it's badly written, dull and simply not funny.
Beautiful German spy Rose Winters (Zeta-Jones) comes into a small town to gather information for the Nazis, blinds everyone with her looks, manipulates them to her bidding while everyone runs around suspecting everyone else but her of undercover nefariousness. Yes, it really is that derivative. It's a plot that could have been lifted lock, stock from a hundred TV movies produced from 1960 until 1980, but tellingly probably none since.
It's obvious that a lot of thought has been put in to casting as every character is perfectly shaped to match his respective character from the original series, and every one really tries to do as good a job as possible. Admittedly Bill Nighy is incapable of playing anyone other than Bill Nighy but it works as bumbling Oxford boy Sergeant Wilson, Toby Jones is almost indistinguishable from Arthur Lowe as Captain Mainwaring, Tom Courtenay does a fair Clive Dunn impression and Gambon was born to play Godfrey. But casting alone does not a film make.
At its core, the original Dad's Army series was little more than a bunch of men in a church hall bickering with each other, the different character's unique and exaggerated qualities carefully weaving a different angle into the argument and comedy as a whole. That can, and very successfully did, work for thirty minutes, but clearly it's another thing entirely to treble the running time and expect it to still function at the desired level. So the writers, as is customary, took the whole thing out of its comfort zone with a more (supposedly) extensive plot. The problem is that the plot, script and dialogue are all utterly dreadful. It is simply not funny, nor is it interesting. At no point do you care one jot what happens to the characters or the storyline. Stir in a complete lack of humour and you're left with a hollow shell of a movie that drags along and leaves you feeling utterly cheated. It manages to lack fun, pace, spirit and perhaps most surprisingly of all, nostalgia.
It's good that the home front's respective wives get some screen- time, particularly Mrs Mainwaring who was never more than a sullen passing reference in the series, but it still doesn't help.
The film is littered with tired innuendos that are seemingly delivered at times with embarrassment, and the occasional poorly timed moments of slapstick are cringe worthy. It's telling that the outtakes at the end of the movie are far funnier than anything in the film itself, although most of the audience will have rapidly headed for the exit by then like home fans fleeing a drubbing from a local rival.
Is Dad's Army a missed opportunity or an inevitable disappointment? It's difficult to care. Either way it's badly written, dull and simply not funny.
Did you know
- TriviaThere are two actors brought back from the original television cast: Ian Lavender, who played Private Pike in the television series, returns as the character of Brigadier Pritchard; and Frank Williams, who reprised his role as Reverend Timothy Farthing. The Jones' van in this movie is also the same one used in Dad's Army (1968).
- GoofsYou could not have made a phone call from England to Paris during war time.
- Crazy creditsThere are outtakes and bloopers during the credits.
- ConnectionsFeatured in Dad's Army: Legacy (2016)
- SoundtracksMoonlight Serenade
Performed by Glenn Miller and His Orchestra (as Glenn Miller & His Orchestra)
Written by Glenn Miller and Mitchell Parish
Published by EMI Music Publishing / EMI Robbins Catalogue Inc.
Courtesy of Sony Music Entertainment Inc.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Dad's Army
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $12,738,785
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 2.35 : 1
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