The Secret Life of Marilyn Monroe

Finally, an actress who captures Marilyn Monroe in all her mannerisms, voice, looks, personality (Kelli Garner). Previous Monroe portrayals are easily forgotten in light of this lovely reproduction of the tragic star's vulnerability, charm, sexiness & spunk. Why did it take so long? Susan Sarandon as mother Gladys is also excellent & typical of Sarandon's professionalism in playing a supporting role with grace and class. The other players are well cast where it matters most: looks, demeanor, voice, such as Pat Kennedy Lawford with a Boston accent. Joe DiMaggio is lean and angular; Arthur Miller smokes a pipe. Not to simplify the elements of writing and direction, but as I said, previous Monroe biopics have failed at the most elemental level: when Marilyn is in front of the camera, she'd better be a decent reincarnation. This movie nailed it.

Isn't getting any prominent roles. Someone explain this to me please. I read the book before I watched this, but even if I didn't, as an avid Marilyn Monroe fan, she has done her justice. It isn't the first time something like this has been done, but previous actresses were almost like caricatures - they would over do not only Marilyn's tone, but the way she moved her lips while speaking. It always ended up looking comedic, rather than real. This actress did it all, made u cry and feel sorry for Marilyn with only one look or movement, without any words - she played Marilyn's vulnerability with perfection.

its virtues - the good intentions to present a realistic portrait of her life. reminds of memorable scenes. the admirable work of Susan Sarandon. the atmosphere. Emma Watson. the desire of Kelli Garner to be Marlyn Monroe and the run to give the impression to be the perfect choice for act she ( voice, walk, physical appearance, gestures). its sins - the title who seems escaped from a scandal newspaper because the revelation are not news and it is bizarre to pretend present a complex biography in each of its details. the ambition to tell all in a mini series and the taste of improvised puzzle. the hard work of Kelli Garner to convince the public than she is the best Marlyn. the ambition is real admirable and the result far to be bad but , scene by scene, it becomes strange. a beautiful series. that is its basic good point. for remind. for rediscover. and for give new shadows to a myth.

This is a rather shoddy production that at times seems outright exploitation. Kelli Garner is not much of an actress, looks nothing like Monroe, and does a terrible imitation of her iconic voice. Susan Sarandon is surprisingly bad in the role of her mentally ill mother and it's some of the worst work she has ever done. The other actors do what is required of them and while this is all interesting at times, overall it isn't very enlightening. The standout in all of this is Emily Watson as Marilyn's aunt. As is often the case, Watson rises above a travesty and walks out of the ruins with her head held high. Wells she might for she not only gives a superb performance but brings a touch of real class to the proceedings. She gives her part a depth and humanity that's absent in the other characters that populate this film. For her moving and beautiful portrayal alone this lackluster mess is awarded 6 additional stars to the 2 it deserves on its own merits.

I enjoyed this mostly for the stellar supporting performances by Jeffrey Dean Morgan as a much-sexier-than-real-life Joe DiMaggio, Stephen Bogaert as Arthur Miller, Tamara Hickey as Pat Kennedy Lawford and Susan Sarandon as Marilyn's mother, Gladys. They all made what is basically a run-of-the-mill Lifetime movie worthwhile.

Kelli Garner, in the main role as Marilyn Monroe, gives a breathy impression of Marilyn's famous speaking voice, but not much else. She never really conveys the conflict and pain of being Marilyn. It's like she's doing a celebrity impression instead of really becoming the character.

I know that it was made for basic cable and so they couldn't show much during the sex scenes, but it is particularly laughable when Marilyn and Joe DiMaggio are supposed to be having hot sex on a hotel bed but she leaves on her very visible granny panties and he doesn't even pull down his trousers, resulting in Morgan lying on top of Garner fully clothed while they grunt away. Surely the director could have found some way to make it look plausible that they might actually be having sex without offending the network censors.