Toni Erdmann
- 2016
- Tous publics
- 2h 42m
IMDb RATING
7.3/10
54K
YOUR RATING
A practical joking father tries to reconnect with his hard working daughter by creating an outrageous alter ego and posing as her CEO's life coach.A practical joking father tries to reconnect with his hard working daughter by creating an outrageous alter ego and posing as her CEO's life coach.A practical joking father tries to reconnect with his hard working daughter by creating an outrageous alter ego and posing as her CEO's life coach.
- Nominated for 1 Oscar
- 59 wins & 85 nominations total
Victoria Malektorovych
- Natalja
- (as Viktoria Malektorovych)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The film is (partly) about the fact that the globalisation of production does not go hand in hand with the globalisation of (real) culture, and therefore people lose a part of their "humanness", and get a strange substitute for it, the so-called "corporate culture". This problem affects all of us and most of us must have encountered similar situations or feelings as the persons in the film, that is why imho it resonates with so many people. It is especially meaningful coming from a nation, which in the past produced the greatest artists and thinkers (and not only the dark years), and which by all its peculiar characteristics and abilities would be meant to oppose the above trend. Sorry if my English is a bit strange.
Germans don't have a reputation for being extremely funny. In cinema, they are better known for their dramas than for their comedies. 'Toni Erdmann' is the exception to the rule. It's a German comedy and - surprise! - it has funny moments.
On the other hand, this film is as much a drama as a comedy. The focus is not so much on the humor, but rather on the relationship between a father and his daughter. The daughter is a tense career woman, who lives in Bucharest and doesn't really seem to enjoy her life. When her father visits her, he tries to make her unwind a bit by performing crazy pranks and practical jokes. It's because of these jokes, sometimes leading to hilarious situations, that the film is classified as a comedy. But on the other hand, there is always a bitter aftertaste to the humour, because it is secondary to the father-daughter theme.
As irritating and embarrassing the father sometimes is to the daughter, at last he succeeds in changing her attitude. This in itself leads to some bizarre and also dramatically strong scenes.
In my opinion, the script could have used some streamlining and there was no need to stretch the movie to 162 minutes. On the plus side: this film offers an original view to the question how seriously we should take life. And the two lead actors do a great job.
On the other hand, this film is as much a drama as a comedy. The focus is not so much on the humor, but rather on the relationship between a father and his daughter. The daughter is a tense career woman, who lives in Bucharest and doesn't really seem to enjoy her life. When her father visits her, he tries to make her unwind a bit by performing crazy pranks and practical jokes. It's because of these jokes, sometimes leading to hilarious situations, that the film is classified as a comedy. But on the other hand, there is always a bitter aftertaste to the humour, because it is secondary to the father-daughter theme.
As irritating and embarrassing the father sometimes is to the daughter, at last he succeeds in changing her attitude. This in itself leads to some bizarre and also dramatically strong scenes.
In my opinion, the script could have used some streamlining and there was no need to stretch the movie to 162 minutes. On the plus side: this film offers an original view to the question how seriously we should take life. And the two lead actors do a great job.
There's just something really magical about this film. I had heard so much praise bestowed upon it but had never really read anything about its premise or plot. I found it to be a very lovely, touching, and brilliant drama, although it also functions as a comedy in more ways than one. I think the real gift of the film is that it's able to be so touching and charming without actually trying to be overly cute and sentimental. The screenplay does so many things and takes so many turns for us to keep on going on this ride with the lead characters. Peter Simonischek and especially Sandra Huller are really fantastic and give us here one of the best pairings of 2016. This is a film to cherish and adore and I really hope it finds an audience. I'm sure it will and I can't wait to see it again.
I liked this movie a lot. I met "these" people over the last 25 years in Bucharest and in Germany.
In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.
The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.
This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field
In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.
The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.
This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field
Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
Did you know
- TriviaThe animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
- GoofsWhen the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
- Quotes
Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by
- Crazy creditsApart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
- ConnectionsFeatured in Film '72: Episode #46.3 (2017)
- SoundtracksHeute hier, morgen dort
Written by Gary Bolstad and Hannes Wader
- How long is Toni Erdmann?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Everyone Else
- Filming locations
- Bucharest, Romania(main location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €3,000,000 (estimated)
- Gross US & Canada
- $1,479,387
- Opening weekend US & Canada
- $15,972
- Dec 25, 2016
- Gross worldwide
- $12,002,864
- Runtime
- 2h 42m(162 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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