Trois souvenirs de ma jeunesse

Actually one of the greatest films of all time, with a lead actress possibly more beautiful than Brigette Bardot, and super intelligent writing. High drama, very realistic noir cinematography, many pitch black night scenes that look as good as the day scenes. Very intense, great acting all around, the main actor is mainly the only one who may be a bit over the top for some people. The lead actress is a Ramona-esque dream girl. Theres tragedy as well as comedy, and nice ambient and orchestral music. It's a character story, and a coming of age, but many characters get a chunk of their own screen time.

"My Golden Days" came out in 2015 as a late-breaking prequel to Desplechin's mid-90s classic "My Sex Life... or How I Got Into an Argument," which may be the best film since "Lucky Jim" about life on the lower rungs of the academic ladder. Once again, Mathieu Amalric plays Paul Dédalus, now returning to France after a decade or so doing ethnographic fieldwork in the former Soviet Union; a farewell tryst with his gorgeous Russian girlfriend (Dinara Drukarova) unleashes a cascade of memories:

In a brief prologue, 10-year-old Paul flees his mentally unstable mother and takes refuge with his great-aunt and her Russian lover. Next, he recounts a daring high-school exploit to an urbane French spook, who wonders why he (and his passport) have doppelgangers in Australia (long story!), and in the longest, most significant episode, he relives an intense love affair with a classmate of his younger sister's, Esther, a clever, soulful, sexy, needy, neurotic young woman (she grows up to be Emmanuelle Devos in "My Sex Life"; here she's played brilliantly by Lou Roy-Lecollinet).

Trigger warning: Paul and Esther communicate in improvised love lyrics (as befits two alumni of the Lycée Baudelaire); Esther's pouty histrionics may evoke bittersweet memories of post-adolescent romance, or may just seem too precious to be endured. Your call!

This final episode starts to drag a bit as Paul soldiers on as an unfunded grad student in Paris, sleeping in hostels, couch surfing and ménage-à-trois-ing it with a congenial older couple while Esther mopes her way through "a stupid college course" and cheats on him repeatedly. Luckily, Desplechin props up his sometimes rambling storyline with ingenious staging and cinematography: When Paul first approaches Esther, he's surrounded by a windblown swirl of fallen leaves, which is echoed in the final scene as he strides into what looks like a blizzard of torn-out pages from a book (they're both "feuilles" in French, I guess; does it mean that this chapter in his life is coming to an end?); hard to put into words but it's a lovely effect.

Finally I should mention the first-rate period soundtrack: The Specials, De La Soul, "Atomic Dog" and Run-D.M.C. It's a remarkable film, though, again, a certain tolerance for post-Truffaut coming-of-age shenanigans is required.

It is one of the better told love stories I've seen on the screen.

It's one of those movies that's about a relationship running it's course from beginning to end. Very similar to movies like 9 Songs and Love 3D, but no where near as sexually graphic.

Maybe because the movie is about a now forty five year old Paul reminiscing about when he was nineteen and had an on again off again relationship with sixteen year old, Ester. As the film title suggest, Paul looks back with found (and little obsessive) memories of her.

I thought the main characters as well as the supporting cast were people really interesting to look at. though the movie has a nice look to it that adds to the feel, I never fully embraced the period piece this film is, and surprising the Hip hop score did not help one bit.

But overall I like it a lot.

They say its a prequel to the 1996 film 'My Sex Life' that I haven't seen, but this looked good and its not. I'm not sure how much one has to be familiar with the original film, though it does not matter much I think since it is a prequel. Because everything starts here and follows there. So I saw it, and I wanted to like it, but not fully impressed. The story was told in chapters. The opening was like some kind of a spy thriller, but soon when the episode 'Esther' begins, it turned into a romance drama.

A man who has been investigated when another person with the same identity was found. So he reveals his school day's events, followed by his first girlfriend and complication surrounding it he had faced. That, how he had won her over the older boys and about his close friend, till leaving them behind to work in the central Asia. Mostly it is a love story with some twists in the affair, but how it all ends still remains mystery even after the narration ended.

The issue is it is not detailing anything, just reveals events of a youngster's romance life. Particularly the end was not good. So I think that's why I need to see the first film, resuming the narration could continue from where this one concluded. I leave (_b_l_a_n_k__s_p_a_c_e_) till I saw that and update this review, if I change my stance over this one. Even if I didn't like, still I would update it.

Meanwhile back to the review; it is like a French version of 'Flashbacks of a Fool'. Technically, there's no fault in this, only the screenplay did not convince me. The actors were so good, no doubt its a well made film that some people would enjoy it and I hope you are one of those.

6/10

In this film Esther and Paul write letters to each other. They often speak their mind of others, and always profess their feelings for each other. Here are my two favorite correspondences.

"I can offer you only my lightness. I admire your every smile, your every rebuff. I realize my offer is flimsy. You make me laugh. Furious, unpleasant, exquisite: you always make me laugh. I love you only with lightness, yet I'm so heavy. Gloomy, as you all said at the party. You were right. You were right. I don't want you to wait. Don't count on me. My life is too austere for that. Paul"

"Hey Paul. Don't worry. Your remorse gets in your way. I'm simpler. Simply, I'm happy when I see you."

Earlier in the movie:

"Esther, you exist so much. Like a mountain. My existence, the world around me, seems aquiver. So I'm reassured. I don't care whether you want me. Your existence proves I'm not stuck in a dream. In you, at your feet, I place my faith."