From the Dark

FROM THE DARK is an excellent low-budget creeper from Ireland. After opening with a hideous resurrection and a vicious attack, we are introduced to Sarah and Mark (Niamh Algar and Stephen Cromwell), who are just passing through the vast, mostly uninhabited countryside. Unfortunately, their car gets hopelessly stuck in the mud. The couple end up at a farmhouse where the farmer isn't quite... himself.

This movie builds tension slowly with some sudden jolts along the way. There's also a novel approach to the subject matter, adding to the sense of danger. Recommended for those looking for something a bit fresh in a well-worn sub-genre...

I am a huge fan of the horror genre.I look at other peoples reviews and it seems to me some people expect too much from movies they like realism which is fine but its horror folks it is suppose to be fiction. This movie is a survival horror it uses the typical survival formula but the director and production crew do great job building tension with the soundtrack and some clever camera work. The actors do a decent job in there roles.I watch movies to be entertainment if I want to watch realism I will watch a documentary it is after all a horror movie and a pretty decent one for me.Everyone has opinions that is the great thing about the movie world I just feel people sometimes expect a little too much.

From the Dark was a pretty good little thrill-ride, even if it's not the most flawless or intelligent film.

Basic plot: After their car gets stuck in the mud, a traveling couple have a run in with a creature that cannot be in a source of light. As the creature slowly diminishes their sources of light, they fight to stay alive and evade it.

Without spoiling too much, I will say that this film is basic survival horror without much story to bog it down as anything other than a simple little horror flick for mindless entertainment. The atmosphere is bold and the direction can be pretty creepy, even if the bold and interesting camera work can sometimes make it feel like too much. Still, major props for building a movie where you spend so much time paying attention to the background for the thrill of seeing something that isn't obviously there.

I do see many complaints from other viewers about the fact that there were a handful of light sources that were overlooked by the main character, but I must say, when thrown into every situation, do you often notice every detail or think clear enough to make the best moves possible? Apparently if characters in horror films aren't the brightest and sometimes make poor decisions, then it is unbelievable and a bad film. Heaven forbid anyone is flawed, ya know?

As far as finding light sources and just staying in them til sunlight, I do believe those people weren't paying attention. The creature was not entirely stupid or slow. Trying to remain in a light source without moving only led it to find ways around it and cut off the light. Even setting an entire house on fire wouldn't have been the safest mood: fires get out of control and I'm sure no one wants to burn to death.

Those things aside, horror films like this are pretty much built around the trope of wanting you to scream "NO! NO! DON'T DO THAT! DON'T GO IN THERE! IT'S RIGHT BEHIND YOU, STUPID!" which I think adds to the thrill.

So all in all, no, the movie isn't genius and it's definitely not a 10. But for what it is, it's a successful little thriller chiller., sure to appease people looking for something simple and creepy. Fairly solid, but not groundbreaking.

I'm not certain why the bad reviews. Yes, there are cliches, yes there are plot holes, yes there are some questionable choices made, but they are not Entirely stupid as in so many horror movies. I quite enjoyed it. And some of the cinematography was quite nice as well.

A couple on a trip through the Irish countryside find themselves hunted by a bog creature who only attacks at night.

Director Conor McMahon has been moving up in the world of horror over the last decade. He was the first recipient of a new funding scheme from the Irish Film Board, and this allowed him to make the successful zombie film "Dead Meat" (2004). He really caught people's attention in 2012 with "Stitches", a horror-comedy with a bigger (yet still small) budget that was picked up by MPI and Dark Sky. With "From the Dark" (2014), he is again working with Dark Sky, and possibly releasing his best film yet...

For "From the Dark", he may have found his muse. Niamh Algar is a Dublin-based actress from Mullingar, County Westmeath, Ireland. In 2014, she graduated from the Programme for Screen Acting at Bow Street (formally known as The Factory), a program led by directors John Carney, Shimmy Marcus, Kirsten Sheridan, Lance Daly and casting director Maureen Hughes. She is not only a great actress, but capable of some impressive physical feats -- she both swims and boxes.

The film has been described as "taut", and that is not a bad summary. The two best things about this are the cinematography and the simplicity. The cinematography covers all the bases, from nice wide landscape shots of the Irish countryside (a special treat for those of us foreigners) to very close, very claustrophobic filming in the dark. The variation in styles really gives the film a broad range.

But then we also have the simplicity. For almost half the film, Algar's character is alone and in the dark. She has no one to bounce lines off of and must present herself with facial expressions. This is an actor's dream and nightmare. Luckily, she pulls it off with flying colors and is now poised for bigger roles. (Hopefully she does not abandon us horror folk, though).