Review by boblipton

It's another Boston Blackie movie with Chester Morris doing a good deed by getting some cons out of prison -- on parole to work at skilled trades in Lloyd Corrigan's war plant. But while Corrigan is playing Schindler, one of them, Erik Rolfe, uses the opportunity to collect the $60,000 in cash from the job that sent him upstate. His wife, Jeanne Bates, wants him to turn it over to the police, so that all of these men can go straight. However, the two crooks who were in on the job with him, want their cuts. In the struggle, Rolfe grabs one of their guns and that man is dead. The other, Douglas Fowley, flees. Morris shows up at this point and sends Rolfe to the job. He and George E. Stone are taking the corpse to his apartment, when Morris' frenemy, Inspector Richard Lane shows up, and Morris is on the hook for the murder and the money.

It's William Castle's first feature as director, and there's lots of gruesome Runyonesque situations. Morris keeps things moving along, as he did in all his movies. He had been Oscar-nominated in 1930, and spent a long stretch at MGM, but he was aging out of the juvenile roles. In this period he was under contract with Columbia, whence this movie came, and appearing in Pine-Thomas Bs over at Paramount. For my taste, he's always worth watching, but the quality of his vehicles continued to decline. Although he continued to work on the big and little screens, it was more as a major supporting player than a star, through his death in 1970 at the age of 69.