Review by boblipton

As the last movie completed before the Laemmles were ousted from control of Universal, DRACULA'S DAUGHTER holds some interest as a place marker, surely; now, the men who had fought the patent trust and had largely given way to the next generation. Yes, Zukor was hanging in as Chairman at Paramount, but with vastly curtailed power; DeMille was beginning his own renaissance -- by becoming a parody of himself -- and Lasky was still fading, although he would continue to produce increasingly ponderous prestige films over the next dozen years. Only Goldwyn would prosper -- but no one liked him.

But this is Dracula's Daughter I'm talking about, and it's just fine. I like Lambert Hillyer's frequently matter-of-fact handling of the movie, with its complicated lesbian and Triple-Goddess subtext. I can't see all the money on the screen (over a quarter of a million dollars -- a huge sum for Universal), but I am amused by the opening, with its "All right, Doctor, you've killed Count Dracula. You're claiming an insanity defense, are you?" attitude.