[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro
Le journal de Gloumov (1923)

Review by boblipton

Le journal de Gloumov

5/10

Clowns Behaving Badly

Hailed as Eisenstein's first movie, DNEVIK GLUMOVA looks a lot like circus clowns let loose on the city, climbing to the top of buildings and generally behaving in a way that should send anyone who suffers from coulrophobia screaming for the exits.

Since it is an Eisenstein piece, the general reaction is that it is a harbinger of future glory and should be loved for that. Looking at it on its own merits, however, one is struck by the oddity of the piece. The Academician editing is staccato and as annoying as the clowns, and the pacing of the cuts is monotonous and as boring.

Academician editing had quicker cuts than was standard for the era and, indeed, for anything short of MTV editing. However, the constant rate of cutting makes all the clips of equal impact and prevent any sort of emotional connection. This may have been Eisenstein's intention, but it is too great a demand on the viewer. Eisenstein would learn to do better, but his failures here make this of no more than historical importance.
  • boblipton
  • Jul 23, 2011

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.