aggietheo

I saw this at a screening at Texas A&M University back in 2002, but it made such a profound impression on me that it has remained one of my favorite comedies. It is intelligent, original, and quaint, not to mention a spectacular success as a directorial debut for Adam Baratta. I honestly expected that he would have done more by now, but regardless of how he decided to proceed, this film was a marvel of independent film-making. I give it 9 out of 10 stars because, as a previous commentator has noticed, there was a slight bit to be desired in the ending, however, it had a great final wrap-up that left me feeling more than satisfied.

I never even knew about this film when it came out. Since I hear it only grossed 6.5 million that explains why. The producers probably didn't even keep in the theaters a week. I can't explain what makes a film flop at the box office, but this one certainly didn't deserve it.

From start to finish I was totally enraptured by this witty story of a man who held views so controversial they are practically comical all by themselves. The movie is based on a novel which is a work of fiction, but it nevertheless draws its subject matter from some very true aspects of Dr. Kellogg's life that are quite unusual and almost always surprising. As these surprises are revealed to you throughout the film, they come as even more of a shock every time. There are a number of stories told throughout the sanitarium and each is a delight in and of itself. The stories all manage to interweave, sometimes in very comical ways, and despite their comedy, teach some very practical lessons. It is almost satirical.

I give this film two thumbs up. Don't watch it in mixed company and it certainly isn't appropriate for children. But for those with a mature attitude and an appreciation of the health nut culture, it will make for a laugh-filled evening.

This was an excellent drama akin to the stories of Brave New World or Fahrenheit 451 in its scathing indictment of those who rule through fear and force. I enjoyed the story and the characters immensely. Though you never see Hugo Weaving's face, his dialogue is masterfully delivered, both a charm and an inspiration all at once. Natalie Portman clearly delivers one of her most stunning performances and projects convincing emotion in her demonstration of an internal struggle. The writing for this project was well done and stands out as a remarkable work of drama whose powerful statements will continue to thrill and haunt you for years. Although I know the graphic novel it is based on was written as an indictment of the Thatcher administration, it nevertheless stands as a reminder to all people of all nationalities that freedom is earned and totalitarianism is given away.