disconut73

I cannot believe the weird reviews I'm reading about this film. "The Tulse Luper Suitcase" films are masterpieces in film collage and an examination into what a cinematic experience can be. Peter Greenaway, since his earliest forays into film, from "The Draughtsman's Contract" and "The Cook, The Thief..." to "8 1/2 Women", have all exhibited Greenaway's passion for astonishing imagery and unique storytelling, while pushing the boundaries of what is characterized as "cinema". These films tell a tale of a man whose passion lies in creating a cinematic event so profoundly original that one will view the film and walk away knowing one has seen a film by "Peter Greenaway". There are few artists in the world who can pull this off, in film or music, and I find such artistic achievements exciting!

The "Tulse Luper" trilogy is not, sadly, an experience that everyone will glowingly praise, let alone appreciate at first. And there are those who would celebrate a film like "The Tulse Luper Suitcases, Part 1" only for its "experimental" nature. However, this is a cinematic triumph on so many levels, and given time, the genius of this work begins to unfold. For the first-time viewer, the experience may be a bit jarring. But if you open your mind a bit, and allow the imagery and sound engineering to work together, an amazing experience awaits.

"The Tulse Luper Suitcases, Part 1" is the type of film Greenaway probably wanted to make back in the 1980's, but the technology simply wasn't available. "Tulse Luper" is an expression of the power of the multi-media experience, and how sound and imagery can be manipulated to create an intense, memorable cinematic experience that dazzles the eyes and yet still fills the soul.

I should also place a nod to the actors involved in the project. I applaud the efforts of JJ Feild in particular. His performance is spectacular, and is an actor to watch for. Recently, I spotted him in Neil Marshall's "Centurion" -- A smaller part, but well executed. (Marshall is who I'd characterize as the John Carpenter of the 21st Century...a remarkable artist in his own right...)

"Tulse Luper" will not be an easy find, but well worth the effort. I hope for the day when all three TL films will be available in the US. Best of luck, and happy viewing!

Once again, Peter Greenaway has created a film that holds your attention, and tells a story in a very captivating way.

What I found most ironic, and what really bowled me over, was how "unexperimental" this film seemed. After his recent directorial forays ("8 1/2 Women" and the "Tulse Luper Suitcases" come to mind), "Nightwatching" will seem unexpectedly boring in comparison. One might anticipate a visual spectacle, an overwhelming of the senses as seems to be Greenaway's modus operandi. The real richness of "Nightwatching" is in the little things, the simplest of details, and the pure joy of watching a master working within a more traditional cinematic framework.

When I think of the impact "Nightwatching" had on me initially, I am reminded of a similar experience when I recently viewed Lars Von Trier's "Antichrist". I was rather caught off-guard by "Antichrist's" lack of overt experimentation. But as someone who appreciates subtlety and nuance in film, I felt my time was well-spent. Plus, there's nothing I like more than walking away feeling as if I haven't been spoon-fed a story, that I've been allowed to use my BRAIN, and fill in the blanks a bit as the story moves along.

I find it doubly ironic that this film was released internationally in 2007, and only recently released domestically in the US (2010), and to lukewarm reviews at best. Greenaway is an artist never to be underestimated, and I implore you to give this film your utmost attention. It's also kinda cool to see Greenaway "geek out" a bit -- he's so obsessed with Remembrandt and all things Dutch, enjoy!