pdmc-23460

When I think of Toshiro Mifune I usually think of the films he made with Akira Kurosawa, but he had a streak of excellent performances in interesting films directed by Hiroshi Inagaki. The first films I saw were the "Samurai Trilogy" (1954-56), three films based on the life of Miyamoto Musashi. That being said I was also impressed by The Rickshaw Man (1958). Mifune delivers his trademark "physical" role of Matsu "the Outlaw"(a title appropriated by Imamura in one of his documentaries) a larger than life rickshaw man in Kokura, Kyushu. Evidently, this is a remake of an earlier film, but i have never seen the previous film. Matsu befriends a small boy and becomes the surrogate father after the boy's father dies. He also carries a torch for the boy's mother played by Naruse regular Hideko Takamine. In this film we get to see Mifune win a running race,beat up several school boys in a big fight, and expertly play the taiko drum. The storyline is somewhat melodramatic, but Mifune carries the film with his charismatic performance-it is entertaining and worthwhile.

Samurai Banners (1969) is Hiroshi Inagaki's, know for The Samurai: Musashi Miyamoto trilogy, crowning achievement-a nearly three hour historically based epic starring Toshiro Mifune as a ronin determined to achieve greatness in his new clan by uniting Japan under one ruler. The story is based on a novel adapted by Shinobu Hashimoto (Rashomon and Seven Samurai) and takes place in the Sengoku warring period 1500-1600. At the time it was the most expensive Japanese film produced with several massive fight scenes that must have been expensive to stage. It immediately calls to mind Akira Kurosawa's two late samurai epic masterpieces Kagemusha and Ran. I wonder why he wasn't involved in the project that was made with his former leading man and the script writer of his greatest triumphs. Nonetheless, Inagaki with cinematographer Kazuo Yamada has created a stylish, colorful, and dynamic film.